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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 164 C it is the complementary color Pantone 640 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 164 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 164 C: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 164 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 164 C: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

Complementary color

CMYK 100 / 30 / 0 / 27

HEX #0082BA

RGB 0 130 186

HSL 198.06, 1%, 0.36%

LAB 51.28, -9.14, -37.61

Pantone 640 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 0 / 33 / 70 / 0

HEX #FFAA4D

RGB 255 170 77

HSL 31.35, 1%, 0.65%

LAB 76.4, 23.25, 58.91

Pantone 804 C

CMYK 0 / 32 / 62 / 0

HEX #FFAE62

RGB 255 174 98

HSL 29.04, 1%, 0.69%

LAB 77.53, 22.37, 50.31

Pantone 1485 C

CMYK 0 / 24 / 52 / 0

HEX #FFC27B

RGB 255 194 123

HSL 32.27, 1%, 0.74%

LAB 82.53, 13.81, 43.93

Pantone 149 C

CMYK 0 / 17 / 39 / 1

HEX #FCD299

RGB 252 210 153

HSL 34.55, 0.94%, 0.79%

LAB 86.55, 7.23, 33.76

Pantone 7507 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 0 / 51 / 79 / 14

HEX #DC6B2F

RGB 220 107 47

HSL 20.81, 0.71%, 0.52%

LAB 57.98, 40.49, 52.14

Pantone 7578 C

CMYK 0 / 53 / 90 / 20

HEX #CB6015

RGB 203 96 21

HSL 24.73, 0.81%, 0.44%

LAB 53.08, 38.66, 57

Pantone 159 C

CMYK 0 / 62 / 100 / 27

HEX #B94700

RGB 185 71 0

HSL 23.03, 1%, 0.36%

LAB 45.39, 43.6, 55.98

Pantone 1525 C

CMYK 0 / 80 / 77 / 33

HEX #AB2328

RGB 171 35 40

HSL 357.79, 0.66%, 0.4%

LAB 37.87, 53.77, 32.44

Pantone 7621 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 0 / 33 / 70 / 0

HEX #FFAA4D

RGB 255 170 77

HSL 31.35, 1%, 0.65%

LAB 76.4, 23.25, 58.91

Pantone 804 C

CMYK 0 / 25 / 75 / 0

HEX #FFBF3F

RGB 255 191 63

HSL 40, 1%, 0.62%

LAB 81.23, 11.66, 69.49

Pantone 136 C

CMYK 0 / 12 / 75 / 2

HEX #FBDD40

RGB 251 221 64

HSL 50.37, 0.96%, 0.62%

LAB 88.25, -5.34, 75.65

Pantone 114 C

CMYK 0 / 5 / 71 / 3

HEX #F7EA48

RGB 247 234 72

HSL 55.54, 0.92%, 0.63%

LAB 91.27, -13.12, 75.67

Pantone 101 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 0 / 22 / 41 / 81

HEX #31261D

RGB 49 38 29

HSL 27, 0.26%, 0.15%

LAB 16.14, 3.54, 7.93

Pantone Black 4 C

CMYK 0 / 45 / 75 / 60

HEX #653819

RGB 101 56 25

HSL 24.47, 0.6%, 0.25%

LAB 28.55, 17.11, 27.36

Pantone 1545 C

CMYK 0 / 44 / 72 / 40

HEX #99552B

RGB 153 85 43

HSL 22.91, 0.56%, 0.38%

LAB 43.42, 24.58, 36

Pantone 7516 C

CMYK 0 / 50 / 77 / 23

HEX #C4622D

RGB 196 98 45

HSL 21.06, 0.63%, 0.47%

LAB 52.58, 35.54, 46.54

Pantone 7583 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 23 / 0 / 56 / 16

HEX #A4D65E

RGB 164 214 94

HSL 85, 0.59%, 0.6%

LAB 80.06, -35.12, 53.14

Pantone 367 C

CMYK 64 / 54 / 0 / 22

HEX #485CC7

RGB 72 92 199

HSL 230.55, 0.53%, 0.53%

LAB 43, 26.35, -58.22

Pantone 2726 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 82 / 0 / 40 / 18

HEX #26D07C

RGB 38 208 124

HSL 150.35, 0.69%, 0.48%

LAB 74.18, -60.03, 30.27

Pantone 7479 C

CMYK 37 / 57 / 0 / 22

HEX #7D55C7

RGB 125 85 199

HSL 261.05, 0.5%, 0.56%

LAB 45.61, 41.51, -53.8

Pantone 2665 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 23 / 0 / 56 / 16

HEX #A4D65E

RGB 164 214 94

HSL 85, 0.59%, 0.6%

LAB 80.06, -35.12, 53.14

Pantone 367 C

CMYK 72 / 21 / 0 / 10

HEX #41B6E6

RGB 65 182 230

HSL 197.45, 0.77%, 0.58%

LAB 69.68, -17.2, -33.42

Pantone 298 C

CMYK 13 / 60 / 0 / 22

HEX #AC4FC6

RGB 172 79 198

HSL 286.89, 0.51%, 0.54%

LAB 50.03, 55.85, -45.83

Pantone 2582 C

CMYK 0 / 50 / 75 / 0

HEX #FF7F41

RGB 255 127 65

HSL 19.58, 1%, 0.63%

LAB 67.14, 44.67, 54.69

Pantone 164 C

CMYK 44 / 0 / 65 / 16

HEX #78D64B

RGB 120 214 75

HSL 100.58, 0.63%, 0.57%

LAB 77.63, -51.96, 57.99

Pantone 7488 C

CMYK 72 / 21 / 0 / 10

HEX #41B6E6

RGB 65 182 230

HSL 197.45, 0.77%, 0.58%

LAB 69.68, -17.2, -33.42

Pantone 298 C

CMYK 0 / 72 / 19 / 14

HEX #DB3EB1

RGB 219 62 177

HSL 316.05, 0.69%, 0.55%

LAB 53.69, 70.77, -27.41

Pantone 239 C

Description

Color code: Pantone 164 C | qconv.com Color code: Pantone 164 C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 127 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 127 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 75 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 75% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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