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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 180.8 188 it is the complementary color RGB 160 74.2 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 180.8 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 95 180.8 188 shade: RGB 100 180.8 183, RGB 117 198.8 202, RGB 134 216.8 221, RGB 151 234.8 240 and RGB 168 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 180.8 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 95 180.8 188 shade: RGB 95 180.8 188, RGB 78 162.8 169, RGB 61 144.8 150, RGB 44 126.8 131 and RGB 27 108.8 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 95 180.8 188 shade: RGB 93 180 187, RGB 93 154 187, RGB 93 129 187, RGB 93 103 187 and RGB 107 93 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 95 180.8 188 shade: RGB 93 180 187, RGB 93 154 187, RGB 93 129 187, RGB 93 103 187 and RGB 93 93 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 95 180.8 188 shade matches the following richer shades: RGB 93 180 187, RGB 74 195 205, RGB 56 211 224 and RGB 37 227 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 95 180.8 188 shade: RGB 93 180 187, RGB 111 164 168, RGB 130 148 150, RGB 148 132 131 and RGB 167 117 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 95 180.8 188 shade: RGB 93 187 143, RGB 93 187 168, RGB 93 181 187, RGB 93 155 187 and RGB 93 130 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 95 180.8 188 shade: RGB 58 133 139, RGB 70 161 168, RGB 93 180 187, RGB 122 193 199 and RGB 151 206 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 95 180.8 188 shade: RGB 95 180.8 188, RGB 118 93 187 and RGB 187 155 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 95 180.8 188 shade: RGB 95 180.8 188, RGB 187 93 181 and RGB 181 187 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 95 180.8 188 shade: RGB 95 180.8 188, RGB 118 93 187, RGB 187 99 93 and RGB 162 187 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 95 180.8 188 shade: RGB 95 180.8 188, RGB 146 93 187, RGB 187 99 93 and RGB 133 187 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

Complementary color

CMYK 0 / 54 / 58 / 37

HEX #A04A43

RGB 160 74.2 67

HSL 4.65, 0.41%, 0.45%

LAB 42.47, 34.98, 21.32

 

CMYK 45 / 1 / 0 / 28

HEX #64B4B7

RGB 100 180.8 183

HSL 181.59, 0.37%, 0.55%

LAB 68.82, -24.09, -8.83

 

CMYK 42 / 2 / 0 / 21

HEX #75C6CA

RGB 117 198.8 202

HSL 182.26, 0.45%, 0.63%

LAB 75.33, -24.1, -9.44

 

CMYK 39 / 2 / 0 / 13

HEX #86D8DD

RGB 134 216.8 221

HSL 182.9, 0.56%, 0.7%

LAB 81.74, -24.09, -10.02

 

CMYK 37 / 2 / 0 / 6

HEX #97EAF0

RGB 151 234.8 240

HSL 183.51, 0.75%, 0.77%

LAB 88.05, -24.06, -10.57

 

CMYK 34 / 1 / 0 / 0

HEX #A8FCFF

RGB 168 252.8 255

HSL 181.52, 1%, 0.83%

LAB 94.17, -24.94, -9.2

 

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

CMYK 54 / 4 / 0 / 34

HEX #4EA2A9

RGB 78 162.8 169

HSL 184.09, 0.37%, 0.48%

LAB 62.18, -23.74, -11.05

 

CMYK 59 / 3 / 0 / 41

HEX #3D9096

RGB 61 144.8 150

HSL 183.51, 0.42%, 0.41%

LAB 55.47, -23.46, -10.37

 

CMYK 66 / 3 / 0 / 49

HEX #2C7E83

RGB 44 126.8 131

HSL 182.9, 0.5%, 0.34%

LAB 48.64, -23, -9.61

 

CMYK 76 / 3 / 0 / 56

HEX #1B6C70

RGB 27 108.8 112

HSL 182.26, 0.61%, 0.27%

LAB 41.69, -22.24, -8.74

 

CMYK 50 / 4 / 0 / 27

HEX #5DB4BB

RGB 93 180 187

HSL 184.47, 0.41%, 0.55%

LAB 68.43, -24.23, -11.64

 

CMYK 50 / 18 / 0 / 27

HEX #5D9ABB

RGB 93 154 187

HSL 201.06, 0.41%, 0.55%

LAB 60.8, -10.53, -23.2

 

CMYK 50 / 31 / 0 / 27

HEX #5D81BB

RGB 93 129 187

HSL 217.02, 0.41%, 0.55%

LAB 53.62, 3.79, -34.33

 

CMYK 50 / 45 / 0 / 27

HEX #5D67BB

RGB 93 103 187

HSL 233.62, 0.41%, 0.55%

LAB 46.47, 19.65, -45.63

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 50 / 4 / 0 / 27

HEX #5DB4BB

RGB 93 180 187

HSL 184.47, 0.41%, 0.55%

LAB 68.43, -24.23, -11.64

 

CMYK 50 / 18 / 0 / 27

HEX #5D9ABB

RGB 93 154 187

HSL 201.06, 0.41%, 0.55%

LAB 60.8, -10.53, -23.2

 

CMYK 50 / 31 / 0 / 27

HEX #5D81BB

RGB 93 129 187

HSL 217.02, 0.41%, 0.55%

LAB 53.62, 3.79, -34.33

 

CMYK 50 / 45 / 0 / 27

HEX #5D67BB

RGB 93 103 187

HSL 233.62, 0.41%, 0.55%

LAB 46.47, 19.65, -45.63

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 50 / 4 / 0 / 27

HEX #5DB4BB

RGB 93 180 187

HSL 184.47, 0.41%, 0.55%

LAB 68.43, -24.23, -11.64

 

CMYK 64 / 5 / 0 / 20

HEX #4AC3CD

RGB 74 195 205

HSL 184.58, 0.57%, 0.55%

LAB 72.82, -30.16, -14.97

 

CMYK 75 / 6 / 0 / 12

HEX #38D3E0

RGB 56 211 224

HSL 184.64, 0.73%, 0.55%

LAB 77.76, -34.59, -17.82

 

CMYK 85 / 6 / 0 / 5

HEX #25E3F2

RGB 37 227 242

HSL 184.39, 0.89%, 0.55%

LAB 82.78, -38.21, -19.86

 

CMYK 50 / 4 / 0 / 27

HEX #5DB4BB

RGB 93 180 187

HSL 184.47, 0.41%, 0.55%

LAB 68.43, -24.23, -11.64

 

CMYK 34 / 2 / 0 / 34

HEX #6FA4A8

RGB 111 164 168

HSL 184.21, 0.25%, 0.55%

LAB 63.96, -16.4, -7.66

 

CMYK 13 / 1 / 0 / 41

HEX #829496

RGB 130 148 150

HSL 186, 0.09%, 0.55%

LAB 60, -5.96, -3.23

 

CMYK 0 / 11 / 11 / 42

HEX #948483

RGB 148 132 131

HSL 3.53, 0.07%, 0.55%

LAB 56.52, 5.87, 2.74

 

CMYK 0 / 30 / 32 / 35

HEX #A77571

RGB 167 117 113

HSL 4.44, 0.23%, 0.55%

LAB 54.17, 19.11, 10.08

 

CMYK 50 / 0 / 24 / 27

HEX #5DBB8F

RGB 93 187 143

HSL 151.91, 0.41%, 0.55%

LAB 69.36, -38.28, 13.87

 

CMYK 50 / 0 / 10 / 27

HEX #5DBBA8

RGB 93 187 168

HSL 167.87, 0.41%, 0.55%

LAB 69.96, -32.56, 1.07

 

CMYK 50 / 3 / 0 / 27

HEX #5DB5BB

RGB 93 181 187

HSL 183.83, 0.41%, 0.55%

LAB 68.72, -24.73, -11.2

 

CMYK 50 / 17 / 0 / 27

HEX #5D9BBB

RGB 93 155 187

HSL 200.43, 0.41%, 0.55%

LAB 61.1, -11.08, -22.75

 

CMYK 50 / 30 / 0 / 27

HEX #5D82BB

RGB 93 130 187

HSL 216.38, 0.41%, 0.55%

LAB 53.9, 3.2, -33.89

 

CMYK 58 / 4 / 0 / 45

HEX #3A858B

RGB 58 133 139

HSL 184.44, 0.41%, 0.39%

LAB 51.31, -21.19, -10.24

 

CMYK 58 / 4 / 0 / 34

HEX #46A1A8

RGB 70 161 168

HSL 184.29, 0.41%, 0.47%

LAB 61.32, -24.73, -11.79

 

CMYK 50 / 4 / 0 / 27

HEX #5DB4BB

RGB 93 180 187

HSL 184.47, 0.41%, 0.55%

LAB 68.43, -24.23, -11.64

 

CMYK 39 / 3 / 0 / 22

HEX #7AC1C7

RGB 122 193 199

HSL 184.68, 0.41%, 0.63%

LAB 73.8, -20.68, -10.05

 

CMYK 28 / 2 / 0 / 17

HEX #97CED3

RGB 151 206 211

HSL 185, 0.41%, 0.71%

LAB 79.29, -16.47, -8.22

 

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

CMYK 37 / 50 / 0 / 27

HEX #765DBB

RGB 118 93 187

HSL 255.96, 0.41%, 0.55%

LAB 46, 31.91, -46.25

 

CMYK 0 / 17 / 50 / 27

HEX #BB9B5D

RGB 187 155 93

HSL 39.57, 0.41%, 0.55%

LAB 65.59, 3.91, 36.76

 

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

CMYK 0 / 50 / 3 / 27

HEX #BB5DB5

RGB 187 93 181

HSL 303.83, 0.41%, 0.55%

LAB 53.74, 49.93, -30.03

 

CMYK 3 / 0 / 50 / 27

HEX #B5BB5D

RGB 181 187 93

HSL 63.83, 0.41%, 0.55%

LAB 73.65, -15.49, 46.41

 

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

CMYK 37 / 50 / 0 / 27

HEX #765DBB

RGB 118 93 187

HSL 255.96, 0.41%, 0.55%

LAB 46, 31.91, -46.25

 

CMYK 0 / 47 / 50 / 27

HEX #BB635D

RGB 187 99 93

HSL 3.83, 0.41%, 0.55%

LAB 52.15, 34.65, 19.4

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 49 / 4 / 0 / 26

HEX #5FB4BC

RGB 95 180.8 188

HSL 184.65, 0.41%, 0.55%

LAB 68.77, -23.91, -11.67

 

CMYK 22 / 50 / 0 / 27

HEX #925DBB

RGB 146 93 187

HSL 273.83, 0.41%, 0.55%

LAB 48.92, 39.42, -41.43

 

CMYK 0 / 47 / 50 / 27

HEX #BB635D

RGB 187 99 93

HSL 3.83, 0.41%, 0.55%

LAB 52.15, 34.65, 19.4

 

CMYK 29 / 0 / 50 / 27

HEX #85BB5D

RGB 133 187 93

HSL 94.47, 0.41%, 0.55%

LAB 70.4, -34.18, 41.73

 

Description

Color code: RGB 95 180.8 188 | qconv.com Color code: RGB 95 180.8 188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 180.8 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 180.8 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 4 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 4% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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