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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 240 229 it is the complementary color RGB 251 15 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 240 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 240 229 shade: RGB 9 240 224, RGB 26 255 243, RGB 43 255 255, RGB 60 255 255 and RGB 77 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 240 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 240 229 shade: RGB 4 240 229, RGB 0 222 210, RGB 0 204 191, RGB 0 186 172 and RGB 0 168 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 240 229 shade: RGB 3 241 230, RGB 3 241 166, RGB 3 241 101, RGB 3 241 37 and RGB 33 241 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 240 229 shade: RGB 3 241 230, RGB 3 188 241, RGB 3 124 241, RGB 3 60 241 and RGB 3 3 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 240 229 shade matches the following richer shades: RGB 3 241 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 240 229 shade: RGB 3 241 230, RGB 23 221 212, RGB 43 201 194, RGB 63 181 176 and RGB 82 161 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 240 229 shade: RGB 3 241 102, RGB 3 241 165, RGB 3 241 229, RGB 3 189 241 and RGB 3 126 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 240 229 shade: RGB 2 159 152, RGB 3 200 191, RGB 3 241 230, RGB 34 251 241 and RGB 75 252 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 240 229 shade: RGB 4 240 229, RGB 39 3 241 and RGB 241 134 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 240 229 shade: RGB 4 240 229, RGB 229 3 241 and RGB 241 229 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 240 229 shade: RGB 4 240 229, RGB 39 3 241, RGB 241 3 15 and RGB 205 241 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 240 229 shade: RGB 4 240 229, RGB 110 3 241, RGB 241 3 15 and RGB 134 241 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

Complementary color

CMYK 0 / 94 / 90 / 2

HEX #FB0F1A

RGB 251 15 26

HSL 357.2, 0.97%, 0.52%

LAB 52.87, 78.29, 59.01

 

CMYK 96 / 0 / 7 / 6

HEX #09F0E0

RGB 9 240 224

HSL 175.84, 0.93%, 0.49%

LAB 85.89, -50.26, -5.73

 

CMYK 90 / 0 / 5 / 0

HEX #1AFFF3

RGB 26 255 243

HSL 176.86, 1%, 0.55%

LAB 90.88, -50.78, -8.26

 

CMYK 83 / 0 / 0 / 0

HEX #2BFFFF

RGB 43 255 255

HSL 180, 1%, 0.58%

LAB 91.35, -46.54, -13.77

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

CMYK 100 / 0 / 5 / 13

HEX #00DED2

RGB 0 222 210

HSL 176.76, 1%, 0.44%

LAB 80.12, -46.77, -6.86

 

CMYK 100 / 0 / 6 / 20

HEX #00CCBF

RGB 0 204 191

HSL 176.18, 1%, 0.4%

LAB 74.16, -44.44, -5.48

 

CMYK 100 / 0 / 8 / 27

HEX #00BAAC

RGB 0 186 172

HSL 175.48, 1%, 0.36%

LAB 68.09, -42.08, -4.06

 

CMYK 100 / 0 / 9 / 34

HEX #00A899

RGB 0 168 153

HSL 174.64, 1%, 0.33%

LAB 61.92, -39.68, -2.59

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E6

RGB 3 241 230

HSL 177.23, 0.98%, 0.48%

LAB 86.33, -49.14, -8.23

 

CMYK 99 / 0 / 31 / 5

HEX #03F1A6

RGB 3 241 166

HSL 161.09, 0.98%, 0.48%

LAB 84.83, -65.08, 22.99

 

CMYK 99 / 0 / 58 / 5

HEX #03F165

RGB 3 241 101

HSL 144.71, 0.98%, 0.48%

LAB 83.9, -76.21, 53.37

 

CMYK 99 / 0 / 85 / 5

HEX #03F125

RGB 3 241 37

HSL 128.57, 0.98%, 0.48%

LAB 83.48, -81.57, 74.97

 

CMYK 86 / 0 / 99 / 5

HEX #21F103

RGB 33 241 3

HSL 112.44, 0.98%, 0.48%

LAB 83.57, -80.98, 79.66

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E6

RGB 3 241 230

HSL 177.23, 0.98%, 0.48%

LAB 86.33, -49.14, -8.23

 

CMYK 99 / 22 / 0 / 5

HEX #03BCF1

RGB 3 188 241

HSL 193.36, 0.98%, 0.48%

LAB 71.1, -20.86, -37.24

 

CMYK 99 / 49 / 0 / 5

HEX #037CF1

RGB 3 124 241

HSL 209.5, 0.98%, 0.48%

LAB 52.71, 15.95, -66.41

 

CMYK 99 / 75 / 0 / 5

HEX #033CF1

RGB 3 60 241

HSL 225.63, 0.98%, 0.48%

LAB 37.12, 55.66, -91.95

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E6

RGB 3 241 230

HSL 177.23, 0.98%, 0.48%

LAB 86.33, -49.14, -8.23

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E6

RGB 3 241 230

HSL 177.23, 0.98%, 0.48%

LAB 86.33, -49.14, -8.23

 

CMYK 90 / 0 / 4 / 13

HEX #17DDD4

RGB 23 221 212

HSL 177.27, 0.81%, 0.48%

LAB 79.98, -45.07, -8.12

 

CMYK 79 / 0 / 3 / 21

HEX #2BC9C2

RGB 43 201 194

HSL 177.34, 0.65%, 0.48%

LAB 73.66, -40.03, -7.8

 

CMYK 65 / 0 / 3 / 29

HEX #3FB5B0

RGB 63 181 176

HSL 177.46, 0.48%, 0.48%

LAB 67.46, -33.45, -7.12

 

CMYK 49 / 0 / 2 / 37

HEX #52A19E

RGB 82 161 158

HSL 177.72, 0.33%, 0.48%

LAB 61.44, -24.97, -5.94

 

CMYK 99 / 0 / 58 / 5

HEX #03F166

RGB 3 241 102

HSL 144.96, 0.98%, 0.48%

LAB 83.91, -76.08, 52.94

 

CMYK 99 / 0 / 32 / 5

HEX #03F1A5

RGB 3 241 165

HSL 160.84, 0.98%, 0.48%

LAB 84.82, -65.29, 23.48

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E5

RGB 3 241 229

HSL 176.97, 0.98%, 0.48%

LAB 86.3, -49.42, -7.75

 

CMYK 99 / 22 / 0 / 5

HEX #03BDF1

RGB 3 189 241

HSL 193.11, 0.98%, 0.48%

LAB 71.4, -21.38, -36.79

 

CMYK 99 / 48 / 0 / 5

HEX #037EF1

RGB 3 126 241

HSL 208.99, 0.98%, 0.48%

LAB 53.27, 14.7, -65.52

 

CMYK 99 / 0 / 4 / 38

HEX #029F98

RGB 2 159 152

HSL 177.32, 0.98%, 0.32%

LAB 59.04, -35.86, -6.27

 

CMYK 99 / 0 / 5 / 22

HEX #03C8BF

RGB 3 200 191

HSL 177.26, 0.97%, 0.4%

LAB 72.95, -42.61, -7.26

 

CMYK 99 / 0 / 5 / 5

HEX #03F1E6

RGB 3 241 230

HSL 177.23, 0.98%, 0.48%

LAB 86.33, -49.14, -8.23

 

CMYK 86 / 0 / 4 / 2

HEX #22FBF1

RGB 34 251 241

HSL 177.24, 0.96%, 0.56%

LAB 89.71, -49.27, -8.94

 

CMYK 70 / 0 / 4 / 1

HEX #4BFCF3

RGB 75 252 243

HSL 176.95, 0.97%, 0.64%

LAB 90.59, -45.61, -8.62

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

CMYK 84 / 99 / 0 / 5

HEX #2703F1

RGB 39 3 241

HSL 249.08, 0.98%, 0.48%

LAB 31.46, 75.75, -101.36

 

CMYK 0 / 44 / 99 / 5

HEX #F18603

RGB 241 134 3

HSL 33.03, 0.98%, 0.48%

LAB 66.33, 34.28, 72.17

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

CMYK 5 / 99 / 0 / 5

HEX #E503F1

RGB 229 3 241

HSL 296.97, 0.98%, 0.48%

LAB 55.15, 92.11, -61.58

 

CMYK 0 / 5 / 99 / 5

HEX #F1E503

RGB 241 229 3

HSL 56.97, 0.98%, 0.48%

LAB 89.27, -14.81, 88.01

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

CMYK 84 / 99 / 0 / 5

HEX #2703F1

RGB 39 3 241

HSL 249.08, 0.98%, 0.48%

LAB 31.46, 75.75, -101.36

 

CMYK 0 / 99 / 94 / 5

HEX #F1030F

RGB 241 3 15

HSL 356.97, 0.98%, 0.48%

LAB 50.45, 76.65, 60.41

 

CMYK 15 / 0 / 99 / 5

HEX #CDF103

RGB 205 241 3

HSL 69.08, 0.98%, 0.48%

LAB 89.81, -35.3, 87.21

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E5

RGB 4 240 229

HSL 177.2, 0.97%, 0.48%

LAB 86.01, -48.98, -8.18

 

CMYK 54 / 99 / 0 / 5

HEX #6E03F1

RGB 110 3 241

HSL 266.97, 0.98%, 0.48%

LAB 37.36, 78.59, -91.38

 

CMYK 0 / 99 / 94 / 5

HEX #F1030F

RGB 241 3 15

HSL 356.97, 0.98%, 0.48%

LAB 50.45, 76.65, 60.41

 

CMYK 44 / 0 / 99 / 5

HEX #86F103

RGB 134 241 3

HSL 86.97, 0.98%, 0.48%

LAB 86, -60.93, 82.62

 

Description

Color code: RGB 4 240 229 | qconv.com Color code: RGB 4 240 229 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 240 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 240 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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