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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 23 174 it is the complementary color RGB 12 232 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 23 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 23 174 shade: RGB 248 23 169, RGB 255 41 188, RGB 255 59 207, RGB 255 77 226 and RGB 255 95 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 23 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 23 174 shade: RGB 243 23 174, RGB 226 5 155, RGB 209 0 136, RGB 192 0 117 and RGB 175 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 23 174 shade: RGB 242 22 173, RGB 242 22 114, RGB 242 22 54 and RGB 242 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 23 174 shade: RGB 242 22 173, RGB 242 22 233, RGB 193 22 242, RGB 133 22 242 and RGB 74 22 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 23 174 shade matches the following richer shades: RGB 242 22 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 23 174 shade: RGB 242 22 173, RGB 222 42 166, RGB 203 62 158, RGB 183 81 151 and RGB 163 101 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 23 174 shade: RGB 191 22 242, RGB 242 22 235, RGB 242 22 176, RGB 242 22 117 and RGB 242 22 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 23 174 shade: RGB 173 9 121, RGB 212 11 149, RGB 242 22 173, RGB 244 61 187 and RGB 246 100 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 23 174 shade: RGB 243 23 174, RGB 242 132 22 and RGB 22 242 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 23 174 shade: RGB 243 23 174, RGB 176 242 22 and RGB 22 176 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 23 174 shade: RGB 243 23 174, RGB 242 132 22, RGB 22 242 88 and RGB 22 132 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 23 174 shade: RGB 243 23 174, RGB 242 198 22, RGB 22 242 88 and RGB 22 66 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

Complementary color

CMYK 95 / 0 / 65 / 9

HEX #0CE851

RGB 12 232 81

HSL 138.82, 0.9%, 0.48%

LAB 80.95, -75.61, 58.53

 

CMYK 0 / 91 / 32 / 3

HEX #F817A9

RGB 248 23 169

HSL 321.07, 0.94%, 0.53%

LAB 55.52, 84.81, -19.49

 

CMYK 0 / 84 / 26 / 0

HEX #FF29BC

RGB 255 41 188

HSL 318.79, 1%, 0.58%

LAB 58.49, 85.53, -25.87

 

CMYK 0 / 77 / 19 / 0

HEX #FF3BCF

RGB 255 59 207

HSL 314.69, 1%, 0.62%

LAB 60.69, 83.74, -33.34

 

CMYK 0 / 70 / 11 / 0

HEX #FF4DE2

RGB 255 77 226

HSL 309.78, 1%, 0.65%

LAB 63.39, 80.97, -39.83

 

CMYK 0 / 63 / 4 / 0

HEX #FF5FF5

RGB 255 95 245

HSL 303.75, 1%, 0.69%

LAB 66.55, 77.39, -45.43

 

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

CMYK 0 / 98 / 31 / 11

HEX #E2059B

RGB 226 5 155

HSL 319.28, 0.96%, 0.45%

LAB 50.27, 80.54, -19.6

 

CMYK 0 / 100 / 35 / 18

HEX #D10088

RGB 209 0 136

HSL 320.96, 1%, 0.41%

LAB 46.09, 75.59, -14.82

 

CMYK 0 / 100 / 39 / 25

HEX #C00075

RGB 192 0 117

HSL 323.44, 1%, 0.38%

LAB 41.99, 70.2, -9.64

 

CMYK 0 / 100 / 44 / 31

HEX #AF0062

RGB 175 0 98

HSL 326.4, 1%, 0.34%

LAB 37.83, 64.77, -4.22

 

CMYK 0 / 91 / 29 / 5

HEX #F216AD

RGB 242 22 173

HSL 318.82, 0.89%, 0.52%

LAB 54.52, 84.13, -23.46

 

CMYK 0 / 91 / 53 / 5

HEX #F21672

RGB 242 22 114

HSL 334.91, 0.89%, 0.52%

LAB 52.58, 78.9, 8.88

 

CMYK 0 / 91 / 78 / 5

HEX #F21636

RGB 242 22 54

HSL 351.27, 0.89%, 0.52%

LAB 51.52, 75.93, 43.31

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 91 / 29 / 5

HEX #F216AD

RGB 242 22 173

HSL 318.82, 0.89%, 0.52%

LAB 54.52, 84.13, -23.46

 

CMYK 0 / 91 / 4 / 5

HEX #F216E9

RGB 242 22 233

HSL 302.45, 0.89%, 0.52%

LAB 57.4, 91.54, -53.36

 

CMYK 20 / 91 / 0 / 5

HEX #C116F2

RGB 193 22 242

HSL 286.64, 0.89%, 0.52%

LAB 49.88, 85.34, -70.94

 

CMYK 45 / 91 / 0 / 5

HEX #8516F2

RGB 133 22 242

HSL 270.27, 0.89%, 0.52%

LAB 41.17, 78.1, -85.55

 

CMYK 69 / 91 / 0 / 5

HEX #4A16F2

RGB 74 22 242

HSL 254.18, 0.89%, 0.52%

LAB 34.88, 73.73, -96.15

 

CMYK 0 / 91 / 29 / 5

HEX #F216AD

RGB 242 22 173

HSL 318.82, 0.89%, 0.52%

LAB 54.52, 84.13, -23.46

 

CMYK 0 / 91 / 29 / 5

HEX #F216AD

RGB 242 22 173

HSL 318.82, 0.89%, 0.52%

LAB 54.52, 84.13, -23.46

 

CMYK 0 / 81 / 25 / 13

HEX #DE2AA6

RGB 222 42 166

HSL 318.67, 0.73%, 0.52%

LAB 51.77, 75.71, -23.88

 

CMYK 0 / 69 / 22 / 20

HEX #CB3E9E

RGB 203 62 158

HSL 319.15, 0.58%, 0.52%

LAB 50.23, 64.25, -21.8

 

CMYK 0 / 56 / 17 / 28

HEX #B75197

RGB 183 81 151

HSL 318.82, 0.41%, 0.52%

LAB 49.72, 49.63, -18.7

 

CMYK 0 / 38 / 12 / 36

HEX #A36590

RGB 163 101 144

HSL 318.39, 0.25%, 0.52%

LAB 50.81, 31.48, -13.14

 

CMYK 21 / 91 / 0 / 5

HEX #BF16F2

RGB 191 22 242

HSL 286.09, 0.89%, 0.52%

LAB 49.57, 85.07, -71.46

 

CMYK 0 / 91 / 3 / 5

HEX #F216EB

RGB 242 22 235

HSL 301.91, 0.89%, 0.52%

LAB 57.51, 91.82, -54.31

 

CMYK 0 / 91 / 27 / 5

HEX #F216B0

RGB 242 22 176

HSL 318, 0.89%, 0.52%

LAB 54.64, 84.45, -25.02

 

CMYK 0 / 91 / 52 / 5

HEX #F21675

RGB 242 22 117

HSL 334.09, 0.89%, 0.52%

LAB 52.66, 79.11, 7.17

 

CMYK 0 / 91 / 76 / 5

HEX #F2163B

RGB 242 22 59

HSL 349.91, 0.89%, 0.52%

LAB 51.57, 76.09, 40.54

 

CMYK 0 / 95 / 30 / 32

HEX #AD0979

RGB 173 9 121

HSL 319.02, 0.9%, 0.36%

LAB 38.66, 65.64, -17.55

 

CMYK 0 / 95 / 30 / 17

HEX #D40B95

RGB 212 11 149

HSL 318.81, 0.9%, 0.44%

LAB 47.5, 76.62, -20.48

 

CMYK 0 / 91 / 29 / 5

HEX #F216AD

RGB 242 22 173

HSL 318.82, 0.89%, 0.52%

LAB 54.52, 84.13, -23.46

 

CMYK 0 / 75 / 23 / 4

HEX #F43DBB

RGB 244 61 187

HSL 318.69, 0.89%, 0.6%

LAB 58.19, 78.25, -25.91

 

CMYK 0 / 59 / 18 / 4

HEX #F664C9

RGB 246 100 201

HSL 318.49, 0.89%, 0.68%

LAB 64.1, 66.56, -24.78

 

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

CMYK 0 / 45 / 91 / 5

HEX #F28416

RGB 242 132 22

HSL 30, 0.89%, 0.52%

LAB 66.09, 35.91, 68.84

 

CMYK 91 / 0 / 9 / 5

HEX #16F2DC

RGB 22 242 220

HSL 174, 0.89%, 0.52%

LAB 86.43, -51.79, -2.84

 

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

CMYK 27 / 0 / 91 / 5

HEX #B0F216

RGB 176 242 22

HSL 78, 0.89%, 0.52%

LAB 88.35, -46.69, 83.53

 

CMYK 91 / 27 / 0 / 5

HEX #16B0F2

RGB 22 176 242

HSL 198, 0.89%, 0.52%

LAB 67.75, -13.57, -43.02

 

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

CMYK 0 / 45 / 91 / 5

HEX #F28416

RGB 242 132 22

HSL 30, 0.89%, 0.52%

LAB 66.09, 35.91, 68.84

 

CMYK 91 / 0 / 64 / 5

HEX #16F258

RGB 22 242 88

HSL 138, 0.89%, 0.52%

LAB 84.16, -77.34, 59.24

 

CMYK 91 / 45 / 0 / 5

HEX #1684F2

RGB 22 132 242

HSL 210, 0.89%, 0.52%

LAB 55.16, 11.96, -63.02

 

CMYK 0 / 91 / 28 / 5

HEX #F317AE

RGB 243 23 174

HSL 318.82, 0.9%, 0.52%

LAB 54.79, 84.32, -23.62

 

CMYK 0 / 18 / 91 / 5

HEX #F2C616

RGB 242 198 22

HSL 48, 0.89%, 0.52%

LAB 81.47, 1.42, 80.26

 

CMYK 91 / 0 / 64 / 5

HEX #16F258

RGB 22 242 88

HSL 138, 0.89%, 0.52%

LAB 84.16, -77.34, 59.24

 

CMYK 91 / 73 / 0 / 5

HEX #1642F2

RGB 22 66 242

HSL 228, 0.89%, 0.52%

LAB 38.69, 53.03, -89.91

 

Description

Color code: RGB 243 23 174 | qconv.com Color code: RGB 243 23 174 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 23 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 23 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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