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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 201 72 it is the complementary color RGB 12 54 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 201 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 201 72 shade: RGB 248 201 67, RGB 255 219 86, RGB 255 237 105, RGB 255 255 124 and RGB 255 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 201 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 226 183 53, RGB 209 165 34, RGB 192 147 15 and RGB 175 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 243 155 72, RGB 243 109 72 and RGB 243 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 239 243 72, RGB 193 243 72, RGB 147 243 72 and RGB 101 243 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 201 72 shade matches the following richer shades: RGB 243 201 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 227 193 88, RGB 212 185 104, RGB 196 177 119 and RGB 180 169 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 201 72 shade: RGB 243 109 72, RGB 243 155 72, RGB 243 200 72, RGB 240 243 72 and RGB 195 243 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 201 72 shade: RGB 219 169 14, RGB 240 190 34, RGB 243 201 72, RGB 245 212 111 and RGB 248 224 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 81 243 72 and RGB 132 72 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 72 243 200 and RGB 200 72 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 81 243 72, RGB 72 115 243 and RGB 234 72 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 201 72 shade: RGB 243 201 72, RGB 72 243 115, RGB 72 115 243 and RGB 243 72 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

Complementary color

CMYK 93 / 70 / 0 / 28

HEX #0C36B7

RGB 12 54 183

HSL 225.26, 0.88%, 0.38%

LAB 29.75, 38.98, -70.59

 

CMYK 0 / 19 / 73 / 3

HEX #F8C943

RGB 248 201 67

HSL 44.42, 0.93%, 0.62%

LAB 82.99, 3.71, 69.46

 

CMYK 0 / 14 / 66 / 0

HEX #FFDB56

RGB 255 219 86

HSL 47.22, 1%, 0.67%

LAB 88.25, -1.63, 67.56

 

CMYK 0 / 7 / 59 / 0

HEX #FFED69

RGB 255 237 105

HSL 52.8, 1%, 0.71%

LAB 92.95, -9.47, 64.64

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 0 / 19 / 77 / 11

HEX #E2B735

RGB 226 183 53

HSL 45.09, 0.75%, 0.55%

LAB 76.25, 3.13, 67.35

 

CMYK 0 / 21 / 84 / 18

HEX #D1A522

RGB 209 165 34

HSL 44.91, 0.72%, 0.48%

LAB 69.88, 4.64, 67.06

 

CMYK 0 / 23 / 92 / 25

HEX #C0930F

RGB 192 147 15

HSL 44.75, 0.86%, 0.41%

LAB 63.43, 6.39, 65.58

 

CMYK 0 / 26 / 100 / 31

HEX #AF8100

RGB 175 129 0

HSL 44.23, 1%, 0.34%

LAB 56.89, 8.41, 62.43

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 0 / 36 / 70 / 5

HEX #F39B48

RGB 243 155 72

HSL 29.12, 0.88%, 0.62%

LAB 71.53, 25.94, 55.57

 

CMYK 0 / 55 / 70 / 5

HEX #F36D48

RGB 243 109 72

HSL 12.98, 0.88%, 0.62%

LAB 62.05, 49.2, 45.21

 

CMYK 0 / 70 / 70 / 5

HEX #F34848

RGB 243 72 72

HSL 0, 0.88%, 0.62%

LAB 56.24, 64.69, 38.54

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 2 / 0 / 70 / 5

HEX #EFF348

RGB 239 243 72

HSL 61.4, 0.88%, 0.62%

LAB 92.98, -20.76, 77.1

 

CMYK 21 / 0 / 70 / 5

HEX #C1F348

RGB 193 243 72

HSL 77.54, 0.88%, 0.62%

LAB 89.82, -38.91, 72.94

 

CMYK 40 / 0 / 70 / 5

HEX #93F348

RGB 147 243 72

HSL 93.68, 0.88%, 0.62%

LAB 87.37, -55.15, 69.69

 

CMYK 58 / 0 / 70 / 5

HEX #65F348

RGB 101 243 72

HSL 109.82, 0.88%, 0.62%

LAB 85.67, -68.02, 67.41

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 0 / 15 / 61 / 11

HEX #E3C158

RGB 227 193 88

HSL 45.32, 0.71%, 0.62%

LAB 79.14, 0.18, 56.1

 

CMYK 0 / 13 / 51 / 17

HEX #D4B968

RGB 212 185 104

HSL 45, 0.56%, 0.62%

LAB 75.88, -0.66, 44.33

 

CMYK 0 / 10 / 39 / 23

HEX #C4B177

RGB 196 177 119

HSL 45.19, 0.39%, 0.62%

LAB 72.57, -1.48, 32.16

 

CMYK 0 / 6 / 25 / 29

HEX #B4A987

RGB 180 169 135

HSL 45.33, 0.23%, 0.62%

LAB 69.35, -1.54, 19.01

 

CMYK 0 / 55 / 70 / 5

HEX #F36D48

RGB 243 109 72

HSL 12.98, 0.88%, 0.62%

LAB 62.05, 49.2, 45.21

 

CMYK 0 / 36 / 70 / 5

HEX #F39B48

RGB 243 155 72

HSL 29.12, 0.88%, 0.62%

LAB 71.53, 25.94, 55.57

 

CMYK 0 / 18 / 70 / 5

HEX #F3C848

RGB 243 200 72

HSL 44.91, 0.88%, 0.62%

LAB 82.29, 2.35, 66.69

 

CMYK 1 / 0 / 70 / 5

HEX #F0F348

RGB 240 243 72

HSL 61.05, 0.88%, 0.62%

LAB 93.06, -20.36, 77.2

 

CMYK 20 / 0 / 70 / 5

HEX #C3F348

RGB 195 243 72

HSL 76.84, 0.88%, 0.62%

LAB 89.94, -38.15, 73.1

 

CMYK 0 / 23 / 94 / 14

HEX #DBA90E

RGB 219 169 14

HSL 45.37, 0.88%, 0.46%

LAB 71.87, 6.51, 73.28

 

CMYK 0 / 21 / 86 / 6

HEX #F0BE22

RGB 240 190 34

HSL 45.44, 0.87%, 0.54%

LAB 79.31, 4.92, 76.12

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 0 / 13 / 55 / 4

HEX #F5D46F

RGB 245 212 111

HSL 45.22, 0.87%, 0.7%

LAB 85.83, -0.52, 53.56

 

CMYK 0 / 10 / 40 / 3

HEX #F8E096

RGB 248 224 150

HSL 45.31, 0.88%, 0.78%

LAB 89.61, -1.83, 39.23

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 67 / 0 / 70 / 5

HEX #51F348

RGB 81 243 72

HSL 116.84, 0.88%, 0.62%

LAB 85.16, -72.22, 66.71

 

CMYK 46 / 70 / 0 / 5

HEX #8448F3

RGB 132 72 243

HSL 261.05, 0.88%, 0.62%

LAB 46.99, 61.23, -76.56

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 70 / 0 / 18 / 5

HEX #48F3C8

RGB 72 243 200

HSL 164.91, 0.88%, 0.62%

LAB 86.82, -53.08, 8.27

 

CMYK 18 / 70 / 0 / 5

HEX #C848F3

RGB 200 72 243

HSL 284.91, 0.88%, 0.62%

LAB 55.47, 73.74, -62.42

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 67 / 0 / 70 / 5

HEX #51F348

RGB 81 243 72

HSL 116.84, 0.88%, 0.62%

LAB 85.16, -72.22, 66.71

 

CMYK 70 / 53 / 0 / 5

HEX #4873F3

RGB 72 115 243

HSL 224.91, 0.88%, 0.62%

LAB 51.96, 27.34, -68.67

 

CMYK 4 / 70 / 0 / 5

HEX #EA48F3

RGB 234 72 243

HSL 296.84, 0.88%, 0.62%

LAB 60.43, 80.63, -54.21

 

CMYK 0 / 17 / 70 / 5

HEX #F3C948

RGB 243 201 72

HSL 45.26, 0.88%, 0.62%

LAB 82.54, 1.84, 66.94

 

CMYK 70 / 0 / 53 / 5

HEX #48F373

RGB 72 243 115

HSL 135.09, 0.88%, 0.62%

LAB 85.36, -69.15, 48.95

 

CMYK 70 / 53 / 0 / 5

HEX #4873F3

RGB 72 115 243

HSL 224.91, 0.88%, 0.62%

LAB 51.96, 27.34, -68.67

 

CMYK 0 / 70 / 18 / 5

HEX #F348C8

RGB 243 72 200

HSL 315.09, 0.88%, 0.62%

LAB 59.76, 76.27, -30.94

 

Description

Color code: RGB 243 201 72 | qconv.com Color code: RGB 243 201 72 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 201 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 201 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 70 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 70% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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