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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 136 63 it is the complementary color RGB 33 119 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 136 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 136 63 shade: RGB 227 136 58, RGB 244 154 77, RGB 255 172 96, RGB 255 190 115 and RGB 255 208 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 136 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 205 118 44, RGB 188 100 25, RGB 171 82 6 and RGB 154 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 222 93 63 and RGB 222 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 222 179 63, RGB 222 222 63, RGB 179 222 63 and RGB 136 222 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 136 63 shade matches the following richer shades: RGB 222 136 63 and RGB 240 134 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 204 137 81, RGB 186 139 99, RGB 168 140 117 and RGB 149 142 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 136 63 shade: RGB 222 63 76, RGB 222 92 63, RGB 222 134 63, RGB 222 177 63 and RGB 222 219 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 136 63 shade: RGB 173 95 29, RGB 208 115 35, RGB 222 136 63, RGB 228 158 98 and RGB 234 179 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 118 222 63 and RGB 71 63 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 63 222 134 and RGB 134 63 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 118 222 63, RGB 63 150 222 and RGB 166 63 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 136 63 shade: RGB 222 136 63, RGB 71 222 63, RGB 63 150 222 and RGB 214 63 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

Complementary color

CMYK 83 / 38 / 0 / 25

HEX #2177C0

RGB 33 119 192

HSL 207.55, 0.71%, 0.44%

LAB 48.66, 1.54, -45.17

 

CMYK 0 / 40 / 74 / 11

HEX #E3883A

RGB 227 136 58

HSL 27.69, 0.75%, 0.56%

LAB 65.16, 28.73, 54.65

 

CMYK 0 / 37 / 68 / 4

HEX #F49A4D

RGB 244 154 77

HSL 27.66, 0.88%, 0.63%

LAB 71.47, 27.13, 53.22

 

CMYK 0 / 33 / 62 / 0

HEX #FFAC60

RGB 255 172 96

HSL 28.68, 1%, 0.69%

LAB 77.05, 23.29, 50.73

 

CMYK 0 / 25 / 55 / 0

HEX #FFBE73

RGB 255 190 115

HSL 32.14, 1%, 0.73%

LAB 81.47, 15.24, 46.63

 

CMYK 0 / 18 / 47 / 0

HEX #FFD086

RGB 255 208 134

HSL 36.69, 1%, 0.76%

LAB 86.05, 7.52, 42.83

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 42 / 79 / 20

HEX #CD762C

RGB 205 118 44

HSL 27.58, 0.65%, 0.49%

LAB 58.15, 28.63, 52.89

 

CMYK 0 / 47 / 87 / 26

HEX #BC6419

RGB 188 100 25

HSL 27.61, 0.77%, 0.42%

LAB 51.7, 30.57, 53.65

 

CMYK 0 / 52 / 96 / 33

HEX #AB5206

RGB 171 82 6

HSL 27.64, 0.93%, 0.35%

LAB 45.23, 32.71, 53.11

 

CMYK 0 / 58 / 100 / 40

HEX #9A4000

RGB 154 64 0

HSL 24.94, 1%, 0.3%

LAB 38.79, 35, 49.53

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 58 / 72 / 13

HEX #DE5D3F

RGB 222 93 63

HSL 11.32, 0.71%, 0.56%

LAB 55.8, 48.67, 42.04

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 19 / 72 / 13

HEX #DEB33F

RGB 222 179 63

HSL 43.77, 0.71%, 0.56%

LAB 74.91, 3.95, 62.17

 

CMYK 0 / 0 / 72 / 13

HEX #DEDE3F

RGB 222 222 63

HSL 60, 0.71%, 0.56%

LAB 86.07, -17.97, 73.06

 

CMYK 19 / 0 / 72 / 13

HEX #B3DE3F

RGB 179 222 63

HSL 76.23, 0.71%, 0.56%

LAB 83.01, -35.33, 69.04

 

CMYK 39 / 0 / 72 / 13

HEX #88DE3F

RGB 136 222 63

HSL 92.45, 0.71%, 0.56%

LAB 80.65, -50.94, 65.91

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 44 / 82 / 6

HEX #F0862C

RGB 240 134 44

HSL 27.55, 0.87%, 0.56%

LAB 66.33, 34.56, 62.15

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 33 / 60 / 20

HEX #CC8951

RGB 204 137 81

HSL 27.32, 0.55%, 0.56%

LAB 62.78, 19.95, 40.02

 

CMYK 0 / 25 / 47 / 27

HEX #BA8B63

RGB 186 139 99

HSL 27.59, 0.39%, 0.56%

LAB 61.49, 12.88, 28.31

 

CMYK 0 / 17 / 30 / 34

HEX #A88C75

RGB 168 140 117

HSL 27.06, 0.23%, 0.56%

LAB 60.22, 7.06, 16.24

 

CMYK 0 / 5 / 9 / 42

HEX #958E87

RGB 149 142 135

HSL 30, 0.06%, 0.56%

LAB 59.42, 1.31, 4.64

 

CMYK 0 / 72 / 66 / 13

HEX #DE3F4C

RGB 222 63 76

HSL 355.09, 0.71%, 0.56%

LAB 51.39, 61.68, 29.48

 

CMYK 0 / 59 / 72 / 13

HEX #DE5C3F

RGB 222 92 63

HSL 10.94, 0.71%, 0.56%

LAB 55.63, 49.13, 41.84

 

CMYK 0 / 40 / 72 / 13

HEX #DE863F

RGB 222 134 63

HSL 26.79, 0.71%, 0.56%

LAB 64.11, 27.97, 51.08

 

CMYK 0 / 20 / 72 / 13

HEX #DEB13F

RGB 222 177 63

HSL 43.02, 0.71%, 0.56%

LAB 74.4, 5, 61.67

 

CMYK 0 / 1 / 72 / 13

HEX #DEDB3F

RGB 222 219 63

HSL 58.87, 0.71%, 0.56%

LAB 85.28, -16.49, 72.3

 

CMYK 0 / 45 / 83 / 32

HEX #AD5F1D

RGB 173 95 29

HSL 27.5, 0.71%, 0.4%

LAB 48.46, 27.04, 48.54

 

CMYK 0 / 45 / 83 / 18

HEX #D07323

RGB 208 115 35

HSL 27.75, 0.71%, 0.48%

LAB 57.84, 31.17, 56.37

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 0 / 31 / 57 / 11

HEX #E49E62

RGB 228 158 98

HSL 27.69, 0.71%, 0.64%

LAB 70.75, 19.84, 41.5

 

CMYK 0 / 24 / 43 / 8

HEX #EAB385

RGB 234 179 133

HSL 27.33, 0.71%, 0.72%

LAB 76.94, 14.26, 31.18

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 47 / 0 / 72 / 13

HEX #76DE3F

RGB 118 222 63

HSL 99.25, 0.71%, 0.56%

LAB 79.87, -56.6, 64.88

 

CMYK 68 / 72 / 0 / 13

HEX #473FDE

RGB 71 63 222

HSL 243.02, 0.71%, 0.56%

LAB 38.14, 51.4, -79.38

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 72 / 0 / 40 / 13

HEX #3FDE86

RGB 63 222 134

HSL 146.79, 0.71%, 0.56%

LAB 79.05, -60.17, 31.66

 

CMYK 40 / 72 / 0 / 13

HEX #863FDE

RGB 134 63 222

HSL 266.79, 0.71%, 0.56%

LAB 44.09, 60.49, -69.41

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 47 / 0 / 72 / 13

HEX #76DE3F

RGB 118 222 63

HSL 99.25, 0.71%, 0.56%

LAB 79.87, -56.6, 64.88

 

CMYK 72 / 32 / 0 / 13

HEX #3F96DE

RGB 63 150 222

HSL 207.17, 0.71%, 0.56%

LAB 60.02, -2.5, -44.11

 

CMYK 25 / 72 / 0 / 13

HEX #A63FDE

RGB 166 63 222

HSL 278.87, 0.71%, 0.56%

LAB 48.18, 66.38, -62.58

 

CMYK 0 / 39 / 72 / 13

HEX #DE883F

RGB 222 136 63

HSL 27.55, 0.71%, 0.56%

LAB 64.56, 26.9, 51.55

 

CMYK 68 / 0 / 72 / 13

HEX #47DE3F

RGB 71 222 63

HSL 116.98, 0.71%, 0.56%

LAB 78.43, -68.04, 62.95

 

CMYK 72 / 32 / 0 / 13

HEX #3F96DE

RGB 63 150 222

HSL 207.17, 0.71%, 0.56%

LAB 60.02, -2.5, -44.11

 

CMYK 4 / 72 / 0 / 13

HEX #D63FDE

RGB 214 63 222

HSL 296.98, 0.71%, 0.56%

LAB 55.2, 76.02, -50.93

 

Description

Color code: RGB 222 136 63 | qconv.com Color code: RGB 222 136 63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 136 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 136 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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