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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 187 37 it is the complementary color RGB 43 68 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 187 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 187 37 shade: RGB 217 187 32, RGB 234 205 51, RGB 251 223 70, RGB 255 241 89 and RGB 255 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 187 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 195 169 18, RGB 178 151 0, RGB 161 133 0 and RGB 144 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 212 140 37, RGB 212 93 37, RGB 212 45 37 and RGB 212 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 190 212 37, RGB 143 212 37, RGB 95 212 37 and RGB 48 212 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 187 37 shade matches the following richer shades: RGB 212 187 37 and RGB 232 201 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 192 172 57, RGB 171 158 77, RGB 151 144 98 and RGB 131 129 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 187 37 shade: RGB 212 92 37, RGB 212 139 37, RGB 212 186 37, RGB 192 212 37 and RGB 145 212 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 187 37 shade: RGB 142 125 25, RGB 177 156 31, RGB 212 187 37, RGB 222 200 68 and RGB 228 210 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 37 212 46 and RGB 116 37 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 37 212 186 and RGB 186 37 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 37 212 46, RGB 37 63 212 and RGB 212 37 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 187 37 shade: RGB 212 187 37, RGB 37 212 98, RGB 37 63 212 and RGB 212 37 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

Complementary color

CMYK 80 / 69 / 0 / 15

HEX #2B44DA

RGB 43 68 218

HSL 231.43, 0.7%, 0.51%

LAB 37.32, 44.63, -78.5

 

CMYK 0 / 14 / 85 / 15

HEX #D9BB20

RGB 217 187 32

HSL 50.27, 0.74%, 0.49%

LAB 76.31, -3.5, 73.23

 

CMYK 0 / 12 / 78 / 8

HEX #EACD33

RGB 234 205 51

HSL 50.49, 0.81%, 0.56%

LAB 82.59, -4.89, 74.06

 

CMYK 0 / 11 / 72 / 2

HEX #FBDF46

RGB 251 223 70

HSL 50.72, 0.96%, 0.63%

LAB 88.79, -6.09, 74.09

 

CMYK 0 / 5 / 65 / 0

HEX #FFF159

RGB 255 241 89

HSL 54.94, 1%, 0.67%

LAB 93.84, -12.43, 72.17

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 0 / 13 / 91 / 24

HEX #C3A912

RGB 195 169 18

HSL 51.19, 0.83%, 0.42%

LAB 69.48, -4.04, 69.8

 

CMYK 0 / 15 / 100 / 30

HEX #B29700

RGB 178 151 0

HSL 50.9, 1%, 0.35%

LAB 63.01, -2.31, 66.83

 

CMYK 0 / 17 / 100 / 37

HEX #A18500

RGB 161 133 0

HSL 49.57, 1%, 0.32%

LAB 56.44, -0.27, 61.4

 

CMYK 0 / 20 / 100 / 44

HEX #907300

RGB 144 115 0

HSL 47.92, 1%, 0.28%

LAB 49.73, 1.86, 55.86

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 0 / 34 / 83 / 17

HEX #D48C25

RGB 212 140 37

HSL 35.31, 0.7%, 0.49%

LAB 64.07, 19.51, 61.29

 

CMYK 0 / 56 / 83 / 17

HEX #D45D25

RGB 212 93 37

HSL 19.2, 0.7%, 0.49%

LAB 53.98, 43.99, 52.38

 

CMYK 0 / 79 / 83 / 17

HEX #D42D25

RGB 212 45 37

HSL 2.74, 0.7%, 0.49%

LAB 46.98, 62.88, 45.97

 

CMYK 0 / 83 / 83 / 17

HEX #D42525

RGB 212 37 37

HSL 0, 0.7%, 0.49%

LAB 46.25, 64.96, 45.29

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 10 / 0 / 83 / 17

HEX #BED425

RGB 190 212 37

HSL 67.54, 0.7%, 0.49%

LAB 80.83, -27.36, 74.95

 

CMYK 33 / 0 / 83 / 17

HEX #8FD425

RGB 143 212 37

HSL 83.66, 0.7%, 0.49%

LAB 77.91, -45.71, 71.27

 

CMYK 55 / 0 / 83 / 17

HEX #5FD425

RGB 95 212 37

HSL 100.11, 0.7%, 0.49%

LAB 75.86, -60.89, 68.66

 

CMYK 77 / 0 / 83 / 17

HEX #30D425

RGB 48 212 37

HSL 116.23, 0.7%, 0.49%

LAB 74.73, -70.31, 67.22

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 0 / 13 / 93 / 9

HEX #E8C911

RGB 232 201 17

HSL 51.35, 0.86%, 0.49%

LAB 81.27, -4.49, 80.43

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 0 / 10 / 70 / 25

HEX #C0AC39

RGB 192 172 57

HSL 51.11, 0.54%, 0.49%

LAB 70.18, -5.63, 58.89

 

CMYK 0 / 8 / 55 / 33

HEX #AB9E4D

RGB 171 158 77

HSL 51.7, 0.38%, 0.49%

LAB 64.68, -5.97, 43.44

 

CMYK 0 / 5 / 35 / 41

HEX #979062

RGB 151 144 98

HSL 52.08, 0.21%, 0.49%

LAB 59.35, -4.68, 25.42

 

CMYK 0 / 2 / 10 / 49

HEX #838176

RGB 131 129 118

HSL 50.77, 0.05%, 0.49%

LAB 53.85, -1.32, 6.22

 

CMYK 0 / 57 / 83 / 17

HEX #D45C25

RGB 212 92 37

HSL 18.86, 0.7%, 0.49%

LAB 53.8, 44.47, 52.21

 

CMYK 0 / 34 / 83 / 17

HEX #D48B25

RGB 212 139 37

HSL 34.97, 0.7%, 0.49%

LAB 63.83, 20.05, 61.09

 

CMYK 0 / 12 / 83 / 17

HEX #D4BA25

RGB 212 186 37

HSL 51.09, 0.7%, 0.49%

LAB 75.61, -5.03, 71.2

 

CMYK 9 / 0 / 83 / 17

HEX #C0D425

RGB 192 212 37

HSL 66.86, 0.7%, 0.49%

LAB 80.98, -26.53, 75.13

 

CMYK 32 / 0 / 83 / 17

HEX #91D425

RGB 145 212 37

HSL 82.97, 0.7%, 0.49%

LAB 78.02, -44.98, 71.41

 

CMYK 0 / 12 / 82 / 44

HEX #8E7D19

RGB 142 125 25

HSL 51.28, 0.7%, 0.33%

LAB 52.38, -4.14, 52.03

 

CMYK 0 / 12 / 82 / 31

HEX #B19C1F

RGB 177 156 31

HSL 51.37, 0.7%, 0.41%

LAB 64.34, -4.86, 61.93

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 0 / 10 / 69 / 13

HEX #DEC844

RGB 222 200 68

HSL 51.43, 0.7%, 0.57%

LAB 80.32, -6.71, 65.64

 

CMYK 0 / 8 / 54 / 11

HEX #E4D268

RGB 228 210 104

HSL 51.29, 0.7%, 0.65%

LAB 83.75, -6.98, 54.03

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 83 / 0 / 78 / 17

HEX #25D42E

RGB 37 212 46

HSL 123.09, 0.7%, 0.49%

LAB 74.62, -71.11, 64.59

 

CMYK 45 / 83 / 0 / 17

HEX #7425D4

RGB 116 37 212

HSL 267.09, 0.7%, 0.49%

LAB 37.46, 65.7, -74.6

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 83 / 0 / 12 / 17

HEX #25D4BA

RGB 37 212 186

HSL 171.09, 0.7%, 0.49%

LAB 76.69, -47.52, 0.97

 

CMYK 12 / 83 / 0 / 17

HEX #BA25D4

RGB 186 37 212

HSL 291.09, 0.7%, 0.49%

LAB 47.64, 76.36, -57.58

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 83 / 0 / 78 / 17

HEX #25D42E

RGB 37 212 46

HSL 123.09, 0.7%, 0.49%

LAB 74.62, -71.11, 64.59

 

CMYK 83 / 70 / 0 / 17

HEX #253FD4

RGB 37 63 212

HSL 231.09, 0.7%, 0.49%

LAB 35.4, 45.13, -78.21

 

CMYK 0 / 83 / 4 / 17

HEX #D425CB

RGB 212 37 203

HSL 303.09, 0.7%, 0.49%

LAB 51.42, 79.65, -46.12

 

CMYK 0 / 12 / 83 / 17

HEX #D4BB25

RGB 212 187 37

HSL 51.43, 0.7%, 0.49%

LAB 75.87, -5.54, 71.42

 

CMYK 83 / 0 / 54 / 17

HEX #25D462

RGB 37 212 98

HSL 140.91, 0.7%, 0.49%

LAB 75.05, -65.78, 44.27

 

CMYK 83 / 70 / 0 / 17

HEX #253FD4

RGB 37 63 212

HSL 231.09, 0.7%, 0.49%

LAB 35.4, 45.13, -78.21

 

CMYK 0 / 83 / 29 / 17

HEX #D42597

RGB 212 37 151

HSL 320.91, 0.7%, 0.49%

LAB 48.95, 72.87, -19.45

 

Description

Color code: RGB 212 187 37 | qconv.com Color code: RGB 212 187 37 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 187 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 187 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 83 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 83% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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