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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 145 172 it is the complementary color RGB 54 110 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 145 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 145 172 shade: RGB 206 145 167, RGB 223 163 186, RGB 240 181 205, RGB 255 199 224 and RGB 255 217 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 145 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 184 127 153, RGB 167 109 134, RGB 150 91 115 and RGB 133 73 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 201 145 157 and RGB 201 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 201 145 187, RGB 199 145 201, RGB 184 145 201 and RGB 170 145 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 145 172 shade matches the following richer shades: RGB 201 145 172, RGB 214 132 171, RGB 227 119 171, RGB 240 106 170 and RGB 253 92 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 187 158 172, RGB 174 172 173, RGB 161 185 173 and RGB 148 198 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 145 172 shade: RGB 200 145 201, RGB 201 145 187, RGB 201 145 172, RGB 201 145 157 and RGB 201 148 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 145 172 shade: RGB 173 90 130, RGB 187 118 151, RGB 201 145 172, RGB 214 173 193 and RGB 228 200 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 201 185 145 and RGB 145 194 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 172 201 145 and RGB 145 172 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 201 185 145, RGB 145 201 174 and RGB 145 161 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 145 172 shade: RGB 201 145 172, RGB 200 201 145, RGB 145 201 174 and RGB 146 145 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

Complementary color

CMYK 51 / 0 / 25 / 57

HEX #366E53

RGB 54 110 83

HSL 151.07, 0.34%, 0.32%

LAB 42.09, -25.43, 9.47

 

CMYK 0 / 30 / 19 / 19

HEX #CE91A7

RGB 206 145 167

HSL 338.36, 0.38%, 0.69%

LAB 66.64, 26.28, -2.28

 

CMYK 0 / 27 / 17 / 13

HEX #DFA3BA

RGB 223 163 186

HSL 337, 0.48%, 0.76%

LAB 73.17, 25.6, -3.05

 

CMYK 0 / 25 / 15 / 6

HEX #F0B5CD

RGB 240 181 205

HSL 335.59, 0.66%, 0.83%

LAB 79.6, 24.97, -3.76

 

CMYK 0 / 22 / 12 / 0

HEX #FFC7E0

RGB 255 199 224

HSL 333.21, 1%, 0.89%

LAB 85.75, 23.7, -4.73

 

CMYK 0 / 15 / 5 / 0

HEX #FFD9F3

RGB 255 217 243

HSL 318.95, 1%, 0.93%

LAB 90.49, 17.44, -7.78

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 31 / 17 / 28

HEX #B87F99

RGB 184 127 153

HSL 332.63, 0.29%, 0.61%

LAB 59.59, 25.99, -5

 

CMYK 0 / 35 / 20 / 35

HEX #A76D86

RGB 167 109 134

HSL 334.14, 0.25%, 0.54%

LAB 52.81, 26.76, -4.2

 

CMYK 0 / 39 / 23 / 41

HEX #965B73

RGB 150 91 115

HSL 335.59, 0.24%, 0.47%

LAB 45.91, 27.59, -3.29

 

CMYK 0 / 45 / 28 / 48

HEX #854960

RGB 133 73 96

HSL 337, 0.29%, 0.4%

LAB 38.89, 28.5, -2.21

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 28 / 22 / 21

HEX #C9919D

RGB 201 145 157

HSL 347.14, 0.34%, 0.68%

LAB 65.83, 22.92, 2.09

 

CMYK 0 / 28 / 28 / 21

HEX #C99191

RGB 201 145 145

HSL 0, 0.34%, 0.68%

LAB 65.52, 21.17, 8.4

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 28 / 7 / 21

HEX #C991BB

RGB 201 145 187

HSL 315, 0.34%, 0.68%

LAB 66.72, 27.85, -13.45

 

CMYK 1 / 28 / 0 / 21

HEX #C791C9

RGB 199 145 201

HSL 297.86, 0.34%, 0.68%

LAB 66.98, 29.75, -20.89

 

CMYK 8 / 28 / 0 / 21

HEX #B891C9

RGB 184 145 201

HSL 281.79, 0.34%, 0.68%

LAB 65.48, 24.83, -23.32

 

CMYK 15 / 28 / 0 / 21

HEX #AA91C9

RGB 170 145 201

HSL 266.79, 0.34%, 0.68%

LAB 64.17, 20.32, -25.44

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 38 / 20 / 16

HEX #D684AB

RGB 214 132 171

HSL 331.46, 0.5%, 0.68%

LAB 64.75, 36.75, -7.22

 

CMYK 0 / 48 / 25 / 11

HEX #E377AB

RGB 227 119 171

HSL 331.11, 0.66%, 0.68%

LAB 63.73, 47.85, -8.58

 

CMYK 0 / 56 / 29 / 6

HEX #F06AAA

RGB 240 106 170

HSL 331.34, 0.82%, 0.68%

LAB 63.12, 58.07, -8.71

 

CMYK 0 / 64 / 33 / 1

HEX #FD5CAA

RGB 253 92 170

HSL 330.93, 0.98%, 0.68%

LAB 62.88, 67.88, -8.87

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 16 / 8 / 27

HEX #BB9EAC

RGB 187 158 172

HSL 331.03, 0.18%, 0.68%

LAB 68.02, 13.07, -3.28

 

CMYK 0 / 1 / 1 / 32

HEX #AEACAD

RGB 174 172 173

HSL 330, 0.01%, 0.68%

LAB 70.54, 0.9, -0.27

 

CMYK 13 / 0 / 6 / 27

HEX #A1B9AD

RGB 161 185 173

HSL 150, 0.15%, 0.68%

LAB 73.08, -10.57, 3.31

 

CMYK 25 / 0 / 12 / 22

HEX #94C6AE

RGB 148 198 174

HSL 151.2, 0.3%, 0.68%

LAB 75.91, -21.32, 6.74

 

CMYK 0 / 28 / 0 / 21

HEX #C891C9

RGB 200 145 201

HSL 298.93, 0.34%, 0.68%

LAB 67.09, 30.08, -20.72

 

CMYK 0 / 28 / 7 / 21

HEX #C991BB

RGB 201 145 187

HSL 315, 0.34%, 0.68%

LAB 66.72, 27.85, -13.45

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 28 / 22 / 21

HEX #C9919D

RGB 201 145 157

HSL 347.14, 0.34%, 0.68%

LAB 65.83, 22.92, 2.09

 

CMYK 0 / 26 / 28 / 21

HEX #C99491

RGB 201 148 145

HSL 3.21, 0.34%, 0.68%

LAB 66.25, 19.53, 9.43

 

CMYK 0 / 48 / 25 / 32

HEX #AD5A82

RGB 173 90 130

HSL 331.08, 0.34%, 0.52%

LAB 49.26, 38.71, -7.01

 

CMYK 0 / 37 / 19 / 27

HEX #BB7697

RGB 187 118 151

HSL 331.3, 0.34%, 0.6%

LAB 57.8, 31.72, -6.46

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 19 / 10 / 16

HEX #D6ADC1

RGB 214 173 193

HSL 330.73, 0.33%, 0.76%

LAB 74.85, 18.15, -4.53

 

CMYK 0 / 12 / 6 / 11

HEX #E4C8D6

RGB 228 200 214

HSL 330, 0.34%, 0.84%

LAB 83.26, 12.18, -3.34

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 8 / 28 / 21

HEX #C9B991

RGB 201 185 145

HSL 42.86, 0.34%, 0.68%

LAB 75.55, -0.5, 22.39

 

CMYK 28 / 3 / 0 / 21

HEX #91C2C9

RGB 145 194 201

HSL 187.5, 0.34%, 0.68%

LAB 75.34, -14.35, -8.73

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 14 / 0 / 28 / 21

HEX #ACC991

RGB 172 201 145

HSL 91.07, 0.34%, 0.68%

LAB 77.63, -19.71, 24.86

 

CMYK 28 / 14 / 0 / 21

HEX #91ACC9

RGB 145 172 201

HSL 211.07, 0.34%, 0.68%

LAB 69.29, -2.62, -17.81

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 8 / 28 / 21

HEX #C9B991

RGB 201 185 145

HSL 42.86, 0.34%, 0.68%

LAB 75.55, -0.5, 22.39

 

CMYK 28 / 0 / 13 / 21

HEX #91C9AE

RGB 145 201 174

HSL 151.07, 0.34%, 0.68%

LAB 76.59, -23.75, 7.69

 

CMYK 28 / 20 / 0 / 21

HEX #91A1C9

RGB 145 161 201

HSL 222.86, 0.34%, 0.68%

LAB 66.31, 3.47, -22.34

 

CMYK 0 / 28 / 14 / 21

HEX #C991AC

RGB 201 145 172

HSL 331.07, 0.34%, 0.68%

LAB 66.25, 25.28, -5.73

 

CMYK 0 / 0 / 28 / 21

HEX #C8C991

RGB 200 201 145

HSL 61.07, 0.34%, 0.68%

LAB 79.67, -9.23, 27.96

 

CMYK 28 / 0 / 13 / 21

HEX #91C9AE

RGB 145 201 174

HSL 151.07, 0.34%, 0.68%

LAB 76.59, -23.75, 7.69

 

CMYK 27 / 28 / 0 / 21

HEX #9291C9

RGB 146 145 201

HSL 241.07, 0.34%, 0.68%

LAB 62.15, 12.86, -28.72

 

Description

Color code: RGB 201 145 172 | qconv.com Color code: RGB 201 145 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 145 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 145 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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