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Color name
RGB 198 103 207

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 103 207 it is the complementary color RGB 57 152 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 103 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 103 207 shade: RGB 203 103 202, RGB 220 121 221, RGB 237 139 240, RGB 254 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 103 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 181 85 188, RGB 164 67 169, RGB 147 49 150 and RGB 130 31 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 207 103 188, RGB 207 103 160, RGB 207 103 132 and RGB 207 103 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 170 103 207, RGB 142 103 207, RGB 114 103 207 and RGB 103 103 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 103 207 shade matches the following richer shades: RGB 198 103 207, RGB 211 87 223 and RGB 224 71 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 185 119 191, RGB 171 136 175, RGB 158 152 158 and RGB 145 168 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 103 207 shade: RGB 141 103 207, RGB 169 103 207, RGB 196 103 207, RGB 207 103 190 and RGB 207 103 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 103 207 shade: RGB 163 54 173, RGB 186 72 197, RGB 198 103 207, RGB 210 135 217 and RGB 221 166 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 207 114 103 and RGB 103 207 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 207 196 103 and RGB 103 207 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 207 114 103, RGB 114 207 103 and RGB 103 196 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 103 207 shade: RGB 198 103 207, RGB 207 145 103, RGB 114 207 103 and RGB 103 165 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

Complementary color

CMYK 63 / 0 / 68 / 40

HEX #399830

RGB 57 152 48

HSL 114.81, 0.52%, 0.39%

LAB 55.62, -48.18, 44.8

 

CMYK 0 / 49 / 0 / 20

HEX #CB67CA

RGB 203 103 202

HSL 300.6, 0.49%, 0.6%

LAB 58.66, 53.32, -34.24

 

CMYK 0 / 45 / 0 / 13

HEX #DC79DD

RGB 220 121 221

HSL 299.4, 0.6%, 0.67%

LAB 65.05, 52.66, -34.81

 

CMYK 1 / 42 / 0 / 6

HEX #ED8BF0

RGB 237 139 240

HSL 298.22, 0.77%, 0.74%

LAB 71.39, 51.95, -35.29

 

CMYK 0 / 38 / 0 / 0

HEX #FE9DFF

RGB 254 157 255

HSL 299.39, 1%, 0.81%

LAB 77.52, 50.52, -33.8

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 4 / 55 / 0 / 26

HEX #B555BC

RGB 181 85 188

HSL 295.92, 0.43%, 0.54%

LAB 51.78, 53.41, -37.2

 

CMYK 3 / 60 / 0 / 34

HEX #A443A9

RGB 164 67 169

HSL 297.06, 0.43%, 0.46%

LAB 45.32, 53.81, -36.43

 

CMYK 2 / 67 / 0 / 41

HEX #933196

RGB 147 49 150

HSL 298.22, 0.51%, 0.39%

LAB 38.9, 53.83, -35.37

 

CMYK 1 / 76 / 0 / 49

HEX #821F83

RGB 130 31 131

HSL 299.4, 0.62%, 0.32%

LAB 32.62, 53.17, -33.82

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 0 / 50 / 9 / 19

HEX #CF67BC

RGB 207 103 188

HSL 310.96, 0.52%, 0.61%

LAB 58.6, 52.08, -26.32

 

CMYK 0 / 50 / 23 / 19

HEX #CF67A0

RGB 207 103 160

HSL 327.12, 0.52%, 0.61%

LAB 57.56, 47.76, -11.76

 

CMYK 0 / 50 / 36 / 19

HEX #CF6784

RGB 207 103 132

HSL 343.27, 0.52%, 0.61%

LAB 56.71, 44.09, 3.31

 

CMYK 0 / 50 / 50 / 19

HEX #CF6768

RGB 207 103 104

HSL 359.42, 0.52%, 0.61%

LAB 56.05, 41.14, 18.74

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 18 / 50 / 0 / 19

HEX #AA67CF

RGB 170 103 207

HSL 278.65, 0.52%, 0.61%

LAB 54.82, 45.08, -43.41

 

CMYK 31 / 50 / 0 / 19

HEX #8E67CF

RGB 142 103 207

HSL 262.5, 0.52%, 0.61%

LAB 51.79, 37.58, -48.4

 

CMYK 45 / 50 / 0 / 19

HEX #7267CF

RGB 114 103 207

HSL 246.35, 0.52%, 0.61%

LAB 49.23, 30.64, -52.63

 

CMYK 50 / 50 / 0 / 19

HEX #6767CF

RGB 103 103 207

HSL 240, 0.52%, 0.61%

LAB 48.37, 28.16, -54.06

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 5 / 61 / 0 / 13

HEX #D357DF

RGB 211 87 223

HSL 294.71, 0.68%, 0.61%

LAB 58.03, 66.49, -47.03

 

CMYK 6 / 70 / 0 / 6

HEX #E047EF

RGB 224 71 239

HSL 294.64, 0.84%, 0.61%

LAB 58.59, 78.25, -55

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 3 / 38 / 0 / 25

HEX #B977BF

RGB 185 119 191

HSL 295, 0.36%, 0.61%

LAB 59.22, 37.55, -27.29

 

CMYK 2 / 22 / 0 / 31

HEX #AB88AF

RGB 171 136 175

HSL 293.85, 0.2%, 0.61%

LAB 61.1, 20.29, -15.46

 

CMYK 0 / 4 / 0 / 38

HEX #9E989E

RGB 158 152 158

HSL 300, 0.03%, 0.61%

LAB 63.5, 3.33, -2.37

 

CMYK 14 / 0 / 15 / 34

HEX #91A88E

RGB 145 168 142

HSL 113.08, 0.13%, 0.61%

LAB 66.5, -13.07, 10.78

 

CMYK 32 / 50 / 0 / 19

HEX #8D67CF

RGB 141 103 207

HSL 261.92, 0.52%, 0.61%

LAB 51.69, 37.32, -48.57

 

CMYK 18 / 50 / 0 / 19

HEX #A967CF

RGB 169 103 207

HSL 278.08, 0.52%, 0.61%

LAB 54.7, 44.81, -43.6

 

CMYK 5 / 50 / 0 / 19

HEX #C467CF

RGB 196 103 207

HSL 293.65, 0.52%, 0.61%

LAB 57.98, 52.27, -38.21

 

CMYK 0 / 50 / 8 / 19

HEX #CF67BE

RGB 207 103 190

HSL 309.81, 0.52%, 0.61%

LAB 58.68, 52.41, -27.33

 

CMYK 0 / 50 / 22 / 19

HEX #CF67A2

RGB 207 103 162

HSL 325.96, 0.52%, 0.61%

LAB 57.63, 48.05, -12.82

 

CMYK 6 / 69 / 0 / 32

HEX #A336AD

RGB 163 54 173

HSL 294.96, 0.52%, 0.45%

LAB 43.42, 59.75, -41.82

 

CMYK 6 / 63 / 0 / 23

HEX #BA48C5

RGB 186 72 197

HSL 294.72, 0.52%, 0.53%

LAB 50.81, 62.18, -43.89

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 3 / 38 / 0 / 15

HEX #D287D9

RGB 210 135 217

HSL 294.88, 0.52%, 0.69%

LAB 66.55, 41.71, -30.36

 

CMYK 3 / 27 / 0 / 11

HEX #DDA6E3

RGB 221 166 227

HSL 294.1, 0.52%, 0.77%

LAB 74.95, 30.43, -22.88

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 0 / 45 / 50 / 19

HEX #CF7267

RGB 207 114 103

HSL 6.35, 0.52%, 0.61%

LAB 58.3, 35.36, 22.34

 

CMYK 50 / 0 / 25 / 19

HEX #67CF9B

RGB 103 207 155

HSL 150, 0.52%, 0.61%

LAB 75.99, -42.2, 16.75

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 0 / 5 / 50 / 19

HEX #CFC467

RGB 207 196 103

HSL 53.65, 0.52%, 0.61%

LAB 78.3, -8.52, 47.63

 

CMYK 50 / 0 / 5 / 19

HEX #67CFC4

RGB 103 207 196

HSL 173.65, 0.52%, 0.61%

LAB 76.98, -32.84, -3.82

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 0 / 45 / 50 / 19

HEX #CF7267

RGB 207 114 103

HSL 6.35, 0.52%, 0.61%

LAB 58.3, 35.36, 22.34

 

CMYK 45 / 0 / 50 / 19

HEX #72CF67

RGB 114 207 103

HSL 113.65, 0.52%, 0.61%

LAB 75.56, -47.93, 42.95

 

CMYK 50 / 5 / 0 / 19

HEX #67C4CF

RGB 103 196 207

HSL 186.35, 0.52%, 0.61%

LAB 74.11, -24.64, -14.03

 

CMYK 4 / 50 / 0 / 19

HEX #C667CF

RGB 198 103 207

HSL 294.81, 0.52%, 0.61%

LAB 58.24, 52.83, -37.79

 

CMYK 0 / 30 / 50 / 19

HEX #CF9167

RGB 207 145 103

HSL 24.23, 0.52%, 0.61%

LAB 65.35, 18.66, 31.58

 

CMYK 45 / 0 / 50 / 19

HEX #72CF67

RGB 114 207 103

HSL 113.65, 0.52%, 0.61%

LAB 75.56, -47.93, 42.95

 

CMYK 50 / 20 / 0 / 19

HEX #67A5CF

RGB 103 165 207

HSL 204.23, 0.52%, 0.61%

LAB 65.2, -8.39, -27.58

 

Description

Color code: RGB 198 103 207 | qconv.com Color code: RGB 198 103 207 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 103 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 103 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 50 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 50% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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