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Color name
RGB 151 142 16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 142 16 it is the complementary color RGB 104 113 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 142 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 142 16 shade: RGB 156 142 11, RGB 173 160 30, RGB 190 178 49, RGB 207 196 68 and RGB 224 214 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 142 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 142 16 shade: RGB 151 142 16, RGB 134 124 0, RGB 117 106 0, RGB 100 88 0 and RGB 83 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 142 16 shade: RGB 152 143 15, RGB 152 106 15, RGB 152 69 15, RGB 152 32 15 and RGB 152 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 142 16 shade: RGB 152 143 15, RGB 124 152 15, RGB 87 152 15, RGB 51 152 15 and RGB 15 152 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 142 16 shade matches the following richer shades: RGB 152 143 15 and RGB 165 155 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 142 16 shade: RGB 152 143 15, RGB 138 131 29, RGB 125 119 43, RGB 111 107 56 and RGB 97 96 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 142 16 shade: RGB 152 70 15, RGB 152 106 15, RGB 152 143 15, RGB 125 152 15 and RGB 88 152 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 142 16 shade: RGB 77 73 8, RGB 114 108 12, RGB 152 143 15, RGB 189 178 19 and RGB 226 213 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 142 16 shade: RGB 151 142 16, RGB 15 152 34 and RGB 88 15 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 142 16 shade: RGB 151 142 16, RGB 15 152 143 and RGB 143 15 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 142 16 shade: RGB 151 142 16, RGB 15 152 34, RGB 15 25 152 and RGB 152 15 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 142 16 shade: RGB 151 142 16, RGB 15 152 75, RGB 15 25 152 and RGB 152 15 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

Complementary color

CMYK 56 / 53 / 0 / 6

HEX #6871EF

RGB 104 113 239

HSL 236, 0.81%, 0.67%

LAB 52.93, 32.34, -64.78

 

CMYK 0 / 9 / 93 / 39

HEX #9C8E0B

RGB 156 142 11

HSL 54.21, 0.87%, 0.33%

LAB 58.45, -7.34, 60.87

 

CMYK 0 / 8 / 83 / 32

HEX #ADA01E

RGB 173 160 30

HSL 54.55, 0.7%, 0.4%

LAB 65.06, -8.81, 62.68

 

CMYK 0 / 6 / 74 / 25

HEX #BEB231

RGB 190 178 49

HSL 54.89, 0.59%, 0.47%

LAB 71.56, -10.02, 63.14

 

CMYK 0 / 5 / 67 / 19

HEX #CFC444

RGB 207 196 68

HSL 55.25, 0.59%, 0.54%

LAB 77.97, -11.02, 62.84

 

CMYK 0 / 4 / 61 / 12

HEX #E0D657

RGB 224 214 87

HSL 55.62, 0.69%, 0.61%

LAB 84.29, -11.86, 62.12

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 0 / 7 / 100 / 47

HEX #867C00

RGB 134 124 0

HSL 55.52, 1%, 0.26%

LAB 51.25, -7.93, 56.48

 

CMYK 0 / 9 / 100 / 54

HEX #756A00

RGB 117 106 0

HSL 54.36, 1%, 0.23%

LAB 44.36, -5.98, 50.77

 

CMYK 0 / 12 / 100 / 61

HEX #645800

RGB 100 88 0

HSL 52.8, 1%, 0.2%

LAB 37.28, -3.92, 44.9

 

CMYK 0 / 16 / 100 / 67

HEX #534600

RGB 83 70 0

HSL 50.6, 1%, 0.16%

LAB 29.96, -1.73, 38.82

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 0 / 30 / 90 / 40

HEX #986A0F

RGB 152 106 15

HSL 39.85, 0.82%, 0.33%

LAB 48.28, 11.05, 51.95

 

CMYK 0 / 55 / 90 / 40

HEX #98450F

RGB 152 69 15

HSL 23.65, 0.82%, 0.33%

LAB 39.52, 31.85, 45.07

 

CMYK 0 / 79 / 90 / 40

HEX #98200F

RGB 152 32 15

HSL 7.45, 0.82%, 0.33%

LAB 33.44, 48.1, 40.34

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 18 / 0 / 90 / 40

HEX #7C980F

RGB 124 152 15

HSL 72.26, 0.82%, 0.33%

LAB 58.77, -26.74, 59.32

 

CMYK 43 / 0 / 90 / 40

HEX #57980F

RGB 87 152 15

HSL 88.47, 0.82%, 0.33%

LAB 56.6, -41.28, 56.64

 

CMYK 66 / 0 / 90 / 40

HEX #33980F

RGB 51 152 15

HSL 104.23, 0.82%, 0.33%

LAB 55.27, -51.73, 54.98

 

CMYK 90 / 0 / 89 / 40

HEX #0F9811

RGB 15 152 17

HSL 120.88, 0.82%, 0.33%

LAB 54.66, -57.06, 53.79

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 0 / 6 / 99 / 35

HEX #A59B02

RGB 165 155 2

HSL 56.32, 0.98%, 0.33%

LAB 62.88, -10.32, 65.89

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 0 / 5 / 79 / 46

HEX #8A831D

RGB 138 131 29

HSL 56.15, 0.65%, 0.33%

LAB 53.73, -9.15, 51.79

 

CMYK 0 / 5 / 66 / 51

HEX #7D772B

RGB 125 119 43

HSL 55.61, 0.49%, 0.33%

LAB 49.16, -7.77, 41.26

 

CMYK 0 / 4 / 50 / 56

HEX #6F6B38

RGB 111 107 56

HSL 55.64, 0.33%, 0.33%

LAB 44.49, -6.28, 28.96

 

CMYK 0 / 1 / 28 / 62

HEX #616046

RGB 97 96 70

HSL 57.78, 0.16%, 0.33%

LAB 40.16, -4.33, 15.04

 

CMYK 0 / 54 / 90 / 40

HEX #98460F

RGB 152 70 15

HSL 24.09, 0.82%, 0.33%

LAB 39.73, 31.32, 45.23

 

CMYK 0 / 30 / 90 / 40

HEX #986A0F

RGB 152 106 15

HSL 39.85, 0.82%, 0.33%

LAB 48.28, 11.05, 51.95

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 18 / 0 / 90 / 40

HEX #7D980F

RGB 125 152 15

HSL 71.82, 0.82%, 0.33%

LAB 58.84, -26.31, 59.41

 

CMYK 42 / 0 / 90 / 40

HEX #58980F

RGB 88 152 15

HSL 88.03, 0.82%, 0.33%

LAB 56.65, -40.92, 56.7

 

CMYK 0 / 5 / 90 / 70

HEX #4D4908

RGB 77 73 8

HSL 56.52, 0.81%, 0.17%

LAB 30.3, -6.35, 35.72

 

CMYK 0 / 5 / 89 / 55

HEX #726C0C

RGB 114 108 12

HSL 56.47, 0.81%, 0.25%

LAB 44.7, -8.27, 48.1

 

CMYK 0 / 6 / 90 / 40

HEX #988F0F

RGB 152 143 15

HSL 56.06, 0.82%, 0.33%

LAB 58.37, -9.64, 59.94

 

CMYK 0 / 6 / 90 / 26

HEX #BDB213

RGB 189 178 19

HSL 56.12, 0.82%, 0.41%

LAB 71.36, -11.37, 70.85

 

CMYK 0 / 6 / 90 / 11

HEX #E2D517

RGB 226 213 23

HSL 56.16, 0.82%, 0.49%

LAB 83.87, -13.04, 81.32

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 90 / 0 / 78 / 40

HEX #0F9822

RGB 15 152 34

HSL 128.32, 0.82%, 0.33%

LAB 54.73, -56.07, 49.06

 

CMYK 42 / 90 / 0 / 40

HEX #580F98

RGB 88 15 152

HSL 271.97, 0.82%, 0.33%

LAB 25.81, 54.73, -58.18

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 90 / 0 / 6 / 40

HEX #0F988F

RGB 15 152 143

HSL 176.06, 0.82%, 0.33%

LAB 56.63, -34.78, -4.72

 

CMYK 6 / 90 / 0 / 40

HEX #8F0F98

RGB 143 15 152

HSL 296.06, 0.82%, 0.33%

LAB 34.9, 63.23, -43.01

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 90 / 0 / 78 / 40

HEX #0F9822

RGB 15 152 34

HSL 128.32, 0.82%, 0.33%

LAB 54.73, -56.07, 49.06

 

CMYK 90 / 84 / 0 / 40

HEX #0F1998

RGB 15 25 152

HSL 235.62, 0.82%, 0.33%

LAB 20.3, 44.95, -67.52

 

CMYK 0 / 90 / 12 / 40

HEX #980F86

RGB 152 15 134

HSL 307.88, 0.82%, 0.33%

LAB 35.48, 62.15, -30.91

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 90 / 0 / 51 / 40

HEX #0F984B

RGB 15 152 75

HSL 146.28, 0.82%, 0.33%

LAB 55.14, -51.05, 31.12

 

CMYK 90 / 84 / 0 / 40

HEX #0F1998

RGB 15 25 152

HSL 235.62, 0.82%, 0.33%

LAB 20.3, 44.95, -67.52

 

CMYK 0 / 90 / 39 / 40

HEX #980F5D

RGB 152 15 93

HSL 325.84, 0.82%, 0.33%

LAB 33.58, 57.07, -7.86

 

Description

Color code: RGB 151 142 16 | qconv.com Color code: RGB 151 142 16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 142 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 142 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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