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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 233 72 it is the complementary color RGB 107 22 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 233 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 233 72 shade: RGB 153 233 67, RGB 170 251 86, RGB 187 255 105, RGB 204 255 124 and RGB 221 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 233 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 131 215 53, RGB 114 197 34, RGB 97 179 15 and RGB 80 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 191 233 72, RGB 233 231 72, RGB 233 188 72 and RGB 233 144 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 105 233 72, RGB 72 233 83, RGB 72 233 126 and RGB 72 233 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 233 72 shade matches the following richer shades: RGB 148 233 72 and RGB 147 250 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 149 217 88, RGB 150 200 105, RGB 151 184 121 and RGB 152 167 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 233 72 shade: RGB 233 230 72, RGB 193 233 72, RGB 150 233 72, RGB 107 233 72 and RGB 72 233 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 233 72 shade: RGB 106 200 23, RGB 126 229 35, RGB 148 233 72, RGB 170 237 109 and RGB 191 242 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 72 233 187 and RGB 233 72 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 72 150 233 and RGB 233 72 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 72 233 187, RGB 155 72 233 and RGB 233 72 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 233 72 shade: RGB 148 233 72, RGB 72 230 233, RGB 155 72 233 and RGB 233 75 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

Complementary color

CMYK 42 / 88 / 0 / 28

HEX #6B16B7

RGB 107 22 183

HSL 271.68, 0.79%, 0.4%

LAB 32.08, 62.36, -66.51

 

CMYK 34 / 0 / 71 / 9

HEX #99E943

RGB 153 233 67

HSL 88.92, 0.79%, 0.59%

LAB 84.72, -49.43, 68.86

 

CMYK 32 / 0 / 66 / 2

HEX #AAFB56

RGB 170 251 86

HSL 89.45, 0.95%, 0.66%

LAB 90.88, -49.77, 68.5

 

CMYK 27 / 0 / 59 / 0

HEX #BBFF69

RGB 187 255 105

HSL 87.2, 1%, 0.71%

LAB 93.06, -44.04, 63.47

 

CMYK 20 / 0 / 51 / 0

HEX #CCFF7C

RGB 204 255 124

HSL 83.36, 1%, 0.74%

LAB 94.23, -36.21, 56.75

 

CMYK 13 / 0 / 44 / 0

HEX #DDFF8F

RGB 221 255 143

HSL 78.21, 1%, 0.78%

LAB 95.53, -28.04, 49.74

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 39 / 0 / 75 / 16

HEX #83D735

RGB 131 215 53

HSL 91.11, 0.67%, 0.53%

LAB 78.28, -50.38, 66.86

 

CMYK 42 / 0 / 83 / 23

HEX #72C522

RGB 114 197 34

HSL 90.55, 0.71%, 0.45%

LAB 71.98, -49.74, 66.21

 

CMYK 46 / 0 / 92 / 30

HEX #61B30F

RGB 97 179 15

HSL 90, 0.85%, 0.38%

LAB 65.61, -48.82, 64.35

 

CMYK 50 / 0 / 100 / 37

HEX #50A100

RGB 80 161 0

HSL 90.19, 1%, 0.32%

LAB 59.15, -47.56, 60.93

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 18 / 0 / 69 / 9

HEX #BFE948

RGB 191 233 72

HSL 75.65, 0.79%, 0.6%

LAB 86.91, -35.18, 69.99

 

CMYK 0 / 1 / 69 / 9

HEX #E9E748

RGB 233 231 72

HSL 59.25, 0.79%, 0.6%

LAB 89.37, -17.41, 73.43

 

CMYK 0 / 19 / 69 / 9

HEX #E9BC48

RGB 233 188 72

HSL 43.23, 0.79%, 0.6%

LAB 78.32, 4.36, 62.34

 

CMYK 0 / 38 / 69 / 9

HEX #E99048

RGB 233 144 72

HSL 26.83, 0.79%, 0.6%

LAB 67.83, 27.64, 51.22

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 55 / 0 / 69 / 9

HEX #69E948

RGB 105 233 72

HSL 107.7, 0.79%, 0.6%

LAB 82.78, -63.56, 64.45

 

CMYK 69 / 0 / 64 / 9

HEX #48E953

RGB 72 233 83

HSL 124.1, 0.79%, 0.6%

LAB 81.99, -69.63, 59.06

 

CMYK 69 / 0 / 46 / 9

HEX #48E97E

RGB 72 233 126

HSL 140.12, 0.79%, 0.6%

LAB 82.47, -64.08, 40.11

 

CMYK 69 / 0 / 27 / 9

HEX #48E9AA

RGB 72 233 170

HSL 156.52, 0.79%, 0.6%

LAB 83.21, -55.87, 18.79

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 41 / 0 / 78 / 2

HEX #93FA37

RGB 147 250 55

HSL 91.69, 0.95%, 0.6%

LAB 89.32, -58.85, 76.96

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 31 / 0 / 59 / 15

HEX #95D958

RGB 149 217 88

HSL 91.63, 0.63%, 0.6%

LAB 80.02, -42.44, 55.53

 

CMYK 25 / 0 / 48 / 22

HEX #96C869

RGB 150 200 105

HSL 91.58, 0.46%, 0.6%

LAB 75.33, -32.65, 42.1

 

CMYK 18 / 0 / 34 / 28

HEX #97B879

RGB 151 184 121

HSL 91.43, 0.31%, 0.6%

LAB 71.04, -22.48, 28.44

 

CMYK 9 / 0 / 17 / 35

HEX #98A78A

RGB 152 167 138

HSL 91.03, 0.14%, 0.6%

LAB 66.63, -10.69, 13.25

 

CMYK 0 / 1 / 69 / 9

HEX #E9E648

RGB 233 230 72

HSL 58.88, 0.79%, 0.6%

LAB 89.1, -16.92, 73.17

 

CMYK 17 / 0 / 69 / 9

HEX #C1E948

RGB 193 233 72

HSL 74.91, 0.79%, 0.6%

LAB 87.04, -34.4, 70.16

 

CMYK 36 / 0 / 69 / 9

HEX #96E948

RGB 150 233 72

HSL 90.93, 0.79%, 0.6%

LAB 84.6, -50.13, 66.91

 

CMYK 54 / 0 / 69 / 9

HEX #6BE948

RGB 107 233 72

HSL 106.96, 0.79%, 0.6%

LAB 82.85, -63.05, 64.54

 

CMYK 69 / 0 / 66 / 9

HEX #48E950

RGB 72 233 80

HSL 122.98, 0.79%, 0.6%

LAB 81.97, -69.93, 60.24

 

CMYK 47 / 0 / 89 / 22

HEX #6AC817

RGB 106 200 23

HSL 91.86, 0.79%, 0.44%

LAB 72.52, -53.87, 68.93

 

CMYK 45 / 0 / 85 / 10

HEX #7EE523

RGB 126 229 35

HSL 91.86, 0.79%, 0.52%

LAB 82.16, -58.27, 75.14

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 28 / 0 / 54 / 7

HEX #AAED6D

RGB 170 237 109

HSL 91.41, 0.78%, 0.68%

LAB 87.1, -41.81, 54.64

 

CMYK 21 / 0 / 40 / 5

HEX #BFF292

RGB 191 242 146

HSL 91.88, 0.79%, 0.76%

LAB 90.16, -32.46, 41.11

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 69 / 0 / 20 / 9

HEX #48E9BB

RGB 72 233 187

HSL 162.86, 0.79%, 0.6%

LAB 83.57, -52.06, 10.42

 

CMYK 0 / 69 / 8 / 9

HEX #E948D6

RGB 233 72 214

HSL 307.08, 0.79%, 0.6%

LAB 58.8, 75.92, -40.52

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 69 / 36 / 0 / 9

HEX #4896E9

RGB 72 150 233

HSL 210.93, 0.79%, 0.6%

LAB 60.85, 2.59, -48.88

 

CMYK 0 / 69 / 36 / 9

HEX #E94896

RGB 233 72 150

HSL 330.93, 0.79%, 0.6%

LAB 56.25, 67.68, -7.48

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 69 / 0 / 20 / 9

HEX #48E9BB

RGB 72 233 187

HSL 162.86, 0.79%, 0.6%

LAB 83.57, -52.06, 10.42

 

CMYK 33 / 69 / 0 / 9

HEX #9B48E9

RGB 155 72 233

HSL 270.93, 0.79%, 0.6%

LAB 48.87, 62.87, -67.77

 

CMYK 0 / 69 / 49 / 9

HEX #E94876

RGB 233 72 118

HSL 342.86, 0.79%, 0.6%

LAB 55.35, 64.63, 10.15

 

CMYK 36 / 0 / 69 / 9

HEX #94E948

RGB 148 233 72

HSL 91.68, 0.79%, 0.6%

LAB 84.51, -50.8, 66.78

 

CMYK 69 / 1 / 0 / 9

HEX #48E6E9

RGB 72 230 233

HSL 181.12, 0.79%, 0.6%

LAB 83.89, -38.92, -13.37

 

CMYK 33 / 69 / 0 / 9

HEX #9B48E9

RGB 155 72 233

HSL 270.93, 0.79%, 0.6%

LAB 48.87, 62.87, -67.77

 

CMYK 0 / 68 / 69 / 9

HEX #E94B48

RGB 233 75 72

HSL 1.12, 0.79%, 0.6%

LAB 54.89, 60.47, 36.51

 

Description

Color code: RGB 148 233 72 | qconv.com Color code: RGB 148 233 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 233 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 233 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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