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Color name
RGB 11 252 103

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 252 103 it is the complementary color RGB 244 3 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 252 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 252 103 shade: RGB 16 252 98, RGB 33 255 117, RGB 50 255 136, RGB 67 255 155 and RGB 84 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 252 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 252 103 shade: RGB 11 252 103, RGB 0 234 84, RGB 0 216 65, RGB 0 198 46 and RGB 0 180 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 252 103 shade: RGB 12 252 104, RGB 12 252 39, RGB 50 252 12, RGB 115 252 12 and RGB 179 252 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 252 103 shade: RGB 12 252 104, RGB 12 252 168, RGB 12 252 233, RGB 12 206 252 and RGB 12 142 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 252 103 shade matches the following richer shades: RGB 12 252 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 252 103 shade: RGB 12 252 104, RGB 32 232 108, RGB 52 212 113, RGB 72 193 118 and RGB 91 173 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 252 103 shade: RGB 52 252 12, RGB 12 252 36, RGB 12 252 100, RGB 12 252 164 and RGB 12 252 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 252 103 shade: RGB 1 180 70, RGB 2 221 86, RGB 12 252 104, RGB 53 252 129 and RGB 94 253 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 252 103 shade: RGB 11 252 103, RGB 12 116 252 and RGB 252 12 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 252 103 shade: RGB 11 252 103, RGB 100 12 252 and RGB 252 100 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 252 103 shade: RGB 11 252 103, RGB 12 116 252, RGB 252 12 164 and RGB 252 148 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 252 103 shade: RGB 11 252 103, RGB 12 44 252, RGB 252 12 164 and RGB 252 220 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

Complementary color

CMYK 0 / 99 / 38 / 4

HEX #F40398

RGB 244 3 152

HSL 322.9, 0.98%, 0.48%

LAB 53.56, 84.02, -12.48

 

CMYK 94 / 0 / 61 / 1

HEX #10FC62

RGB 16 252 98

HSL 140.85, 0.98%, 0.53%

LAB 87.3, -79.41, 58.6

 

CMYK 87 / 0 / 54 / 0

HEX #21FF75

RGB 33 255 117

HSL 142.7, 1%, 0.56%

LAB 88.51, -77.03, 51.72

 

CMYK 80 / 0 / 47 / 0

HEX #32FF88

RGB 50 255 136

HSL 145.17, 1%, 0.6%

LAB 88.91, -72.82, 43.38

 

CMYK 74 / 0 / 39 / 0

HEX #43FF9B

RGB 67 255 155

HSL 148.09, 1%, 0.63%

LAB 89.43, -67.68, 34.83

 

CMYK 67 / 0 / 32 / 0

HEX #54FFAE

RGB 84 255 174

HSL 151.58, 1%, 0.66%

LAB 90.07, -61.67, 26.23

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 100 / 0 / 64 / 8

HEX #00EA54

RGB 0 234 84

HSL 141.54, 1%, 0.46%

LAB 81.56, -76.25, 57.96

 

CMYK 100 / 0 / 70 / 15

HEX #00D841

RGB 0 216 65

HSL 138.06, 1%, 0.42%

LAB 75.76, -72.98, 59.19

 

CMYK 100 / 0 / 77 / 22

HEX #00C62E

RGB 0 198 46

HSL 133.94, 1%, 0.39%

LAB 69.88, -69.43, 59.91

 

CMYK 100 / 0 / 85 / 29

HEX #00B41B

RGB 0 180 27

HSL 129, 1%, 0.35%

LAB 63.93, -65.52, 59.72

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 95 / 0 / 85 / 1

HEX #0CFC27

RGB 12 252 39

HSL 126.75, 0.98%, 0.52%

LAB 86.92, -84.13, 77.63

 

CMYK 80 / 0 / 95 / 1

HEX #32FC0C

RGB 50 252 12

HSL 110.5, 0.98%, 0.52%

LAB 87.16, -82.23, 81.93

 

CMYK 54 / 0 / 95 / 1

HEX #73FC0C

RGB 115 252 12

HSL 94.25, 0.98%, 0.52%

LAB 88.59, -70.13, 83.68

 

CMYK 29 / 0 / 95 / 1

HEX #B3FC0C

RGB 179 252 12

HSL 78.25, 0.98%, 0.52%

LAB 91.34, -49.92, 87.03

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 95 / 0 / 33 / 1

HEX #0CFCA8

RGB 12 252 168

HSL 159, 0.98%, 0.52%

LAB 88.22, -68.3, 26.61

 

CMYK 95 / 0 / 8 / 1

HEX #0CFCE9

RGB 12 252 233

HSL 175.25, 0.98%, 0.52%

LAB 89.66, -52.72, -4.86

 

CMYK 95 / 18 / 0 / 1

HEX #0CCEFC

RGB 12 206 252

HSL 191.5, 0.98%, 0.52%

LAB 76.83, -26.08, -34.28

 

CMYK 95 / 44 / 0 / 1

HEX #0C8EFC

RGB 12 142 252

HSL 207.5, 0.98%, 0.52%

LAB 58.46, 9.31, -63.23

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 86 / 0 / 53 / 9

HEX #20E86C

RGB 32 232 108

HSL 142.8, 0.81%, 0.52%

LAB 81.35, -71.19, 47.2

 

CMYK 75 / 0 / 47 / 17

HEX #34D471

RGB 52 212 113

HSL 142.88, 0.65%, 0.52%

LAB 75.46, -61.76, 37.53

 

CMYK 63 / 0 / 39 / 24

HEX #48C176

RGB 72 193 118

HSL 142.81, 0.49%, 0.52%

LAB 70.05, -50.51, 28.06

 

CMYK 47 / 0 / 29 / 32

HEX #5BAD7A

RGB 91 173 122

HSL 142.68, 0.33%, 0.52%

LAB 64.58, -36.77, 18.65

 

CMYK 79 / 0 / 95 / 1

HEX #34FC0C

RGB 52 252 12

HSL 110, 0.98%, 0.52%

LAB 87.18, -82.01, 81.96

 

CMYK 95 / 0 / 86 / 1

HEX #0CFC24

RGB 12 252 36

HSL 126, 0.98%, 0.52%

LAB 86.91, -84.25, 78.23

 

CMYK 95 / 0 / 60 / 1

HEX #0CFC64

RGB 12 252 100

HSL 142, 0.98%, 0.52%

LAB 87.3, -79.31, 57.76

 

CMYK 95 / 0 / 35 / 1

HEX #0CFCA4

RGB 12 252 164

HSL 158, 0.98%, 0.52%

LAB 88.15, -69.11, 28.53

 

CMYK 95 / 0 / 10 / 1

HEX #0CFCE4

RGB 12 252 228

HSL 174, 0.98%, 0.52%

LAB 89.53, -54.06, -2.45

 

CMYK 99 / 0 / 61 / 29

HEX #01B446

RGB 1 180 70

HSL 143.13, 0.99%, 0.35%

LAB 64.23, -61.72, 44.45

 

CMYK 99 / 0 / 61 / 13

HEX #02DD56

RGB 2 221 86

HSL 143.01, 0.98%, 0.44%

LAB 77.52, -72.15, 52.57

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC68

RGB 12 252 104

HSL 143, 0.98%, 0.52%

LAB 87.34, -78.83, 56.08

 

CMYK 79 / 0 / 49 / 1

HEX #35FC81

RGB 53 252 129

HSL 142.91, 0.97%, 0.6%

LAB 87.95, -72.62, 45.51

 

CMYK 63 / 0 / 39 / 1

HEX #5EFD9B

RGB 94 253 155

HSL 143.02, 0.98%, 0.68%

LAB 89.39, -62.69, 34.88

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 95 / 54 / 0 / 1

HEX #0C74FC

RGB 12 116 252

HSL 214, 0.98%, 0.52%

LAB 51.38, 25.46, -74.68

 

CMYK 0 / 95 / 92 / 1

HEX #FC0C14

RGB 252 12 20

HSL 358, 0.98%, 0.52%

LAB 52.96, 78.71, 61.4

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 60 / 95 / 0 / 1

HEX #640CFC

RGB 100 12 252

HSL 262, 0.98%, 0.52%

LAB 37.84, 79.3, -96.8

 

CMYK 0 / 60 / 95 / 1

HEX #FC640C

RGB 252 100 12

HSL 22, 0.98%, 0.52%

LAB 61.51, 54.92, 68.59

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 95 / 54 / 0 / 1

HEX #0C74FC

RGB 12 116 252

HSL 214, 0.98%, 0.52%

LAB 51.38, 25.46, -74.68

 

CMYK 0 / 95 / 35 / 1

HEX #FC0CA4

RGB 252 12 164

HSL 322, 0.98%, 0.52%

LAB 55.72, 86.17, -16.16

 

CMYK 0 / 41 / 95 / 1

HEX #FC940C

RGB 252 148 12

HSL 34, 0.98%, 0.52%

LAB 70.8, 31.62, 74.59

 

CMYK 96 / 0 / 59 / 1

HEX #0BFC67

RGB 11 252 103

HSL 142.9, 0.98%, 0.52%

LAB 87.33, -78.98, 56.5

 

CMYK 95 / 83 / 0 / 1

HEX #0C2CFC

RGB 12 44 252

HSL 232, 0.98%, 0.52%

LAB 35.81, 67.1, -100.33

 

CMYK 0 / 95 / 35 / 1

HEX #FC0CA4

RGB 252 12 164

HSL 322, 0.98%, 0.52%

LAB 55.72, 86.17, -16.16

 

CMYK 0 / 13 / 95 / 1

HEX #FCDC0C

RGB 252 220 12

HSL 52, 0.98%, 0.52%

LAB 87.92, -5.62, 86.72

 

Description

Color code: RGB 11 252 103 | qconv.com Color code: RGB 11 252 103 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 252 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 252 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 59 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 59% 1% C M Y K

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Provide designers and agencies with accurate color values.

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