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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10.1 126.8 165 it is the complementary color RGB 244.9 128.2 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10.1 126.8 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10.1 126.8 165 shade: RGB 15.1 126.8 160, RGB 32.1 144.8 179, RGB 49.1 162.8 198, RGB 66.1 180.8 217 and RGB 83.1 198.8 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10.1 126.8 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10.1 126.8 165 shade: RGB 10.1 126.8 165, RGB 0 108.8 146, RGB 0 90.8 127, RGB 0 72.8 108 and RGB 0 54.8 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10.1 126.8 165 shade: RGB 10 125 162, RGB 10 84 162, RGB 10 43 162, RGB 18 10 162 and RGB 60 10 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10.1 126.8 165 shade: RGB 10 125 162, RGB 10 84 162, RGB 10 43 162 and RGB 10 10 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10.1 126.8 165 shade matches the following richer shades: RGB 10 125 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10.1 126.8 165 shade: RGB 10 125 162, RGB 24 118 148, RGB 38 111 134, RGB 52 104 120 and RGB 66 96 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10.1 126.8 165 shade: RGB 10 162 117, RGB 10 162 157, RGB 10 127 162, RGB 10 86 162 and RGB 10 46 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10.1 126.8 165 shade: RGB 5 65 85, RGB 7 95 124, RGB 10 125 162, RGB 12 155 201 and RGB 16 184 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10.1 126.8 165 shade: RGB 10.1 126.8 165, RGB 76 10 162 and RGB 162 137 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10.1 126.8 165 shade: RGB 10.1 126.8 165, RGB 162 10 127 and RGB 127 162 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10.1 126.8 165 shade: RGB 10.1 126.8 165, RGB 76 10 162, RGB 162 46 10 and RGB 96 162 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10.1 126.8 165 shade: RGB 10.1 126.8 165, RGB 122 10 162, RGB 162 46 10 and RGB 51 162 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

Complementary color

CMYK 0 / 48 / 63 / 4

HEX #F4805A

RGB 244.9 128.2 90

HSL 14.8, 0.88%, 0.66%

LAB 66.23, 41.54, 40.69

 

CMYK 91 / 21 / 0 / 37

HEX #0F7EA0

RGB 15.1 126.8 160

HSL 193.75, 0.83%, 0.34%

LAB 49.21, -16.36, -25.79

 

CMYK 82 / 19 / 0 / 30

HEX #2090B3

RGB 32.1 144.8 179

HSL 193.97, 0.7%, 0.41%

LAB 55.84, -18.17, -26.47

 

CMYK 75 / 18 / 0 / 22

HEX #31A2C6

RGB 49.1 162.8 198

HSL 194.18, 0.6%, 0.48%

LAB 62.39, -19.55, -27.06

 

CMYK 70 / 17 / 0 / 15

HEX #42B4D9

RGB 66.1 180.8 217

HSL 194.39, 0.67%, 0.56%

LAB 68.85, -20.6, -27.59

 

CMYK 65 / 16 / 0 / 7

HEX #53C6EC

RGB 83.1 198.8 236

HSL 194.6, 0.8%, 0.63%

LAB 75.24, -21.41, -28.06

 

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

CMYK 100 / 25 / 0 / 43

HEX #006C92

RGB 0 108.8 146

HSL 195.29, 1%, 0.29%

LAB 42.72, -12.15, -27.64

 

CMYK 100 / 29 / 0 / 50

HEX #005A7F

RGB 0 90.8 127

HSL 197.1, 1%, 0.25%

LAB 35.95, -8.93, -26.74

 

CMYK 100 / 33 / 0 / 58

HEX #00486C

RGB 0 72.8 108

HSL 199.56, 1%, 0.21%

LAB 28.96, -5.49, -25.88

 

CMYK 100 / 38 / 0 / 65

HEX #003659

RGB 0 54.8 89

HSL 203.06, 1%, 0.17%

LAB 21.71, -1.76, -25.07

 

CMYK 94 / 23 / 0 / 36

HEX #0A7DA2

RGB 10 125 162

HSL 194.61, 0.88%, 0.34%

LAB 48.69, -14.88, -27.78

 

CMYK 94 / 48 / 0 / 36

HEX #0A54A2

RGB 10 84 162

HSL 210.79, 0.88%, 0.34%

LAB 36.01, 10.41, -47.86

 

CMYK 94 / 73 / 0 / 36

HEX #0A2BA2

RGB 10 43 162

HSL 226.97, 0.88%, 0.34%

LAB 24.95, 38.03, -65.92

 

CMYK 89 / 94 / 0 / 36

HEX #120AA2

RGB 18 10 162

HSL 243.16, 0.88%, 0.34%

LAB 19.86, 53.81, -74.38

 

CMYK 63 / 94 / 0 / 36

HEX #3C0AA2

RGB 60 10 162

HSL 259.74, 0.88%, 0.34%

LAB 22.95, 55.64, -69.14

 

CMYK 94 / 23 / 0 / 36

HEX #0A7DA2

RGB 10 125 162

HSL 194.61, 0.88%, 0.34%

LAB 48.69, -14.88, -27.78

 

CMYK 94 / 48 / 0 / 36

HEX #0A54A2

RGB 10 84 162

HSL 210.79, 0.88%, 0.34%

LAB 36.01, 10.41, -47.86

 

CMYK 94 / 73 / 0 / 36

HEX #0A2BA2

RGB 10 43 162

HSL 226.97, 0.88%, 0.34%

LAB 24.95, 38.03, -65.92

 

CMYK 94 / 94 / 0 / 36

HEX #0A0AA2

RGB 10 10 162

HSL 240, 0.88%, 0.34%

LAB 19.6, 53.67, -74.82

 

CMYK 94 / 23 / 0 / 36

HEX #0A7DA2

RGB 10 125 162

HSL 194.61, 0.88%, 0.34%

LAB 48.69, -14.88, -27.78

 

CMYK 94 / 23 / 0 / 36

HEX #0A7DA2

RGB 10 125 162

HSL 194.61, 0.88%, 0.34%

LAB 48.69, -14.88, -27.78

 

CMYK 84 / 20 / 0 / 42

HEX #187694

RGB 24 118 148

HSL 194.52, 0.72%, 0.34%

LAB 46.03, -15.14, -23.67

 

CMYK 72 / 17 / 0 / 47

HEX #266F86

RGB 38 111 134

HSL 194.38, 0.56%, 0.34%

LAB 43.51, -14.43, -19.19

 

CMYK 57 / 13 / 0 / 53

HEX #346878

RGB 52 104 120

HSL 194.12, 0.4%, 0.34%

LAB 41.2, -12.42, -14.25

 

CMYK 38 / 9 / 0 / 58

HEX #42606A

RGB 66 96 106

HSL 195, 0.23%, 0.34%

LAB 38.84, -8.21, -9.2

 

CMYK 94 / 0 / 28 / 36

HEX #0AA275

RGB 10 162 117

HSL 162.24, 0.88%, 0.34%

LAB 59.15, -46.38, 13.61

 

CMYK 94 / 0 / 3 / 36

HEX #0AA29D

RGB 10 162 157

HSL 178.03, 0.88%, 0.34%

LAB 60.19, -35.4, -7.39

 

CMYK 94 / 22 / 0 / 36

HEX #0A7FA2

RGB 10 127 162

HSL 193.82, 0.88%, 0.34%

LAB 49.32, -16, -26.8

 

CMYK 94 / 47 / 0 / 36

HEX #0A56A2

RGB 10 86 162

HSL 210, 0.88%, 0.34%

LAB 36.61, 9.08, -46.89

 

CMYK 94 / 72 / 0 / 36

HEX #0A2EA2

RGB 10 46 162

HSL 225.79, 0.88%, 0.34%

LAB 25.64, 36.13, -64.78

 

CMYK 94 / 24 / 0 / 67

HEX #054155

RGB 5 65 85

HSL 195, 0.89%, 0.18%

LAB 25.16, -9.63, -17

 

CMYK 94 / 23 / 0 / 51

HEX #075F7C

RGB 7 95 124

HSL 194.87, 0.89%, 0.26%

LAB 37.27, -12.17, -22.83

 

CMYK 94 / 23 / 0 / 36

HEX #0A7DA2

RGB 10 125 162

HSL 194.61, 0.88%, 0.34%

LAB 48.69, -14.88, -27.78

 

CMYK 94 / 23 / 0 / 21

HEX #0C9BC9

RGB 12 155 201

HSL 194.6, 0.89%, 0.42%

LAB 59.65, -17.17, -33.02

 

CMYK 93 / 23 / 0 / 6

HEX #10B8EF

RGB 16 184 239

HSL 194.8, 0.87%, 0.5%

LAB 69.91, -19.12, -38.01

 

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

CMYK 53 / 94 / 0 / 36

HEX #4C0AA2

RGB 76 10 162

HSL 266.05, 0.88%, 0.34%

LAB 24.83, 56.93, -65.97

 

CMYK 0 / 15 / 94 / 36

HEX #A2890A

RGB 162 137 10

HSL 50.13, 0.88%, 0.34%

LAB 57.65, -1.86, 60.68

 

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

CMYK 0 / 94 / 22 / 36

HEX #A20A7F

RGB 162 10 127

HSL 313.82, 0.88%, 0.34%

LAB 36.8, 63.94, -24.35

 

CMYK 22 / 0 / 94 / 36

HEX #7FA20A

RGB 127 162 10

HSL 73.82, 0.88%, 0.34%

LAB 61.98, -30.38, 62.8

 

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

CMYK 53 / 94 / 0 / 36

HEX #4C0AA2

RGB 76 10 162

HSL 266.05, 0.88%, 0.34%

LAB 24.83, 56.93, -65.97

 

CMYK 0 / 72 / 94 / 36

HEX #A22E0A

RGB 162 46 10

HSL 14.21, 0.88%, 0.34%

LAB 37.22, 46.29, 45.91

 

CMYK 41 / 0 / 94 / 36

HEX #60A20A

RGB 96 162 10

HSL 86.05, 0.88%, 0.34%

LAB 60.2, -42.4, 60.63

 

CMYK 94 / 23 / 0 / 35

HEX #0A7EA5

RGB 10.1 126.8 165

HSL 194.8, 0.88%, 0.34%

LAB 49.39, -14.78, -28.44

 

CMYK 25 / 94 / 0 / 36

HEX #7A0AA2

RGB 122 10 162

HSL 284.21, 0.88%, 0.34%

LAB 31.72, 62.42, -54.4

 

CMYK 0 / 72 / 94 / 36

HEX #A22E0A

RGB 162 46 10

HSL 14.21, 0.88%, 0.34%

LAB 37.22, 46.29, 45.91

 

CMYK 69 / 0 / 94 / 36

HEX #33A20A

RGB 51 162 10

HSL 103.82, 0.88%, 0.34%

LAB 58.57, -55.24, 58.62

 

Description

Color code: RGB 10.1 126.8 165 | qconv.com Color code: RGB 10.1 126.8 165 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10.1 red, 126.8 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10.1 126.8 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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