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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3FD5 it is the complementary color #02C02A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3FD5 shade: #FF3FD0, #FF51E3, #FF63F6, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3FD5 shade: #FD3FD5, #EC2DC2, #DB1BAF, #CA099C and #B90089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3FD5 shade: #FD3FD5, #FD3FA1, #FD3F6E and #FD3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3FD5 shade: #FD3FD5, #F13FFD, #BE3FFD, #8B3FFD and #583FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3FD5 shade matches the following richer shades: #FD3FD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3FD5 shade: #FD3FD5, #ED4ECC, #DD5EC2, #CE6EB9 and #BE7DB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3FD5 shade: #BD3FFD, #F03FFD, #FD3FD7, #FD3FA4 and #FD3F71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3FD5 shade: #E702B7, #FC16CC, #FD3FD5, #FD67DE and #FD90E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3FD5 shade: #FD3FD5, #FD8B3F and #3FFDD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3FD5 shade: #FD3FD5, #D7FD3F and #3FD7FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3FD5 shade: #FD3FD5, #FD8B3F, #3FFD65 and #3FB1FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3FD5 shade: #FD3FD5, #FDC43F, #3FFD65 and #3F78FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

Complementary color

CMYK 99 / 0 / 78 / 25

HEX #02C02A

RGB 2 192 42

HSL 132.63, 0.98%, 0.38%

LAB 67.93, -67.93, 59.28

 

CMYK 0 / 75 / 18 / 0

HEX #FF3FD0

RGB 255 63 208

HSL 314.69, 1%, 0.62%

LAB 61.11, 82.79, -33.25

 

CMYK 0 / 68 / 11 / 0

HEX #FF51E3

RGB 255 81 227

HSL 309.66, 1%, 0.66%

LAB 63.91, 79.78, -39.58

 

CMYK 0 / 61 / 4 / 0

HEX #FF63F6

RGB 255 99 246

HSL 303.46, 1%, 0.69%

LAB 67.15, 75.99, -45.03

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 81 / 18 / 7

HEX #EC2DC2

RGB 236 45 194

HSL 313.19, 0.83%, 0.55%

LAB 55.69, 81.46, -33.93

 

CMYK 0 / 88 / 20 / 14

HEX #DB1BAF

RGB 219 27 175

HSL 313.75, 0.78%, 0.48%

LAB 50.62, 79.07, -31.02

 

CMYK 0 / 96 / 23 / 21

HEX #CA099C

RGB 202 9 156

HSL 314.3, 0.91%, 0.41%

LAB 45.84, 75.59, -27.41

 

CMYK 0 / 100 / 26 / 27

HEX #B90089

RGB 185 0 137

HSL 315.57, 1%, 0.36%

LAB 41.41, 70.86, -23.02

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 75 / 36 / 1

HEX #FD3FA1

RGB 253 63 161

HSL 329.05, 0.98%, 0.62%

LAB 58.98, 76.94, -9.48

 

CMYK 0 / 75 / 57 / 1

HEX #FD3F6E

RGB 253 63 110

HSL 345.16, 0.98%, 0.62%

LAB 57.62, 72.66, 18.59

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 5 / 75 / 0 / 1

HEX #F13FFD

RGB 241 63 253

HSL 296.21, 0.98%, 0.62%

LAB 61.09, 86.35, -58.64

 

CMYK 25 / 75 / 0 / 1

HEX #BE3FFD

RGB 190 63 253

HSL 280.11, 0.98%, 0.62%

LAB 53.59, 77.03, -71.09

 

CMYK 45 / 75 / 0 / 1

HEX #8B3FFD

RGB 139 63 253

HSL 264, 0.98%, 0.62%

LAB 47.15, 68.81, -81.86

 

CMYK 65 / 75 / 0 / 1

HEX #583FFD

RGB 88 63 253

HSL 247.89, 0.98%, 0.62%

LAB 42.34, 62.49, -89.95

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 67 / 14 / 7

HEX #ED4ECC

RGB 237 78 204

HSL 312.45, 0.82%, 0.62%

LAB 59.72, 73.31, -33.36

 

CMYK 0 / 57 / 12 / 13

HEX #DD5EC2

RGB 221 94 194

HSL 312.76, 0.65%, 0.62%

LAB 59.23, 61.24, -28.62

 

CMYK 0 / 47 / 10 / 19

HEX #CE6EB9

RGB 206 110 185

HSL 313.13, 0.49%, 0.62%

LAB 59.69, 47.79, -22.94

 

CMYK 0 / 34 / 7 / 25

HEX #BE7DB0

RGB 190 125 176

HSL 312.92, 0.33%, 0.62%

LAB 60.56, 33.12, -16.65

 

CMYK 25 / 75 / 0 / 1

HEX #BD3FFD

RGB 189 63 253

HSL 279.79, 0.98%, 0.62%

LAB 53.46, 76.85, -71.32

 

CMYK 5 / 75 / 0 / 1

HEX #F03FFD

RGB 240 63 253

HSL 295.89, 0.98%, 0.62%

LAB 60.93, 86.16, -58.89

 

CMYK 0 / 75 / 15 / 1

HEX #FD3FD7

RGB 253 63 215

HSL 312, 0.98%, 0.62%

LAB 61.08, 83.26, -37.28

 

CMYK 0 / 75 / 35 / 1

HEX #FD3FA4

RGB 253 63 164

HSL 328.11, 0.98%, 0.62%

LAB 59.08, 77.25, -11.08

 

CMYK 0 / 75 / 55 / 1

HEX #FD3F71

RGB 253 63 113

HSL 344.21, 0.98%, 0.62%

LAB 57.68, 72.86, 16.9

 

CMYK 0 / 99 / 21 / 9

HEX #E702B7

RGB 231 2 183

HSL 312.58, 0.98%, 0.46%

LAB 52.34, 84.81, -32.84

 

CMYK 0 / 91 / 19 / 1

HEX #FC16CC

RGB 252 22 204

HSL 312.52, 0.97%, 0.54%

LAB 57.68, 89.58, -36.35

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 59 / 12 / 1

HEX #FD67DE

RGB 253 103 222

HSL 312.4, 0.97%, 0.7%

LAB 66.41, 70.2, -32.91

 

CMYK 0 / 43 / 9 / 1

HEX #FD90E6

RGB 253 144 230

HSL 312.66, 0.96%, 0.78%

LAB 73.9, 52.5, -25.8

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 45 / 75 / 1

HEX #FD8B3F

RGB 253 139 63

HSL 24, 0.98%, 0.62%

LAB 69.26, 37.84, 57.68

 

CMYK 75 / 0 / 15 / 1

HEX #3FFDD7

RGB 63 253 215

HSL 168, 0.98%, 0.62%

LAB 89.96, -54.6, 4.97

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 15 / 0 / 75 / 1

HEX #D7FD3F

RGB 215 253 63

HSL 72, 0.98%, 0.62%

LAB 93.91, -35.39, 80.25

 

CMYK 75 / 15 / 0 / 1

HEX #3FD7FD

RGB 63 215 253

HSL 192, 0.98%, 0.62%

LAB 80.04, -26.94, -29.83

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 45 / 75 / 1

HEX #FD8B3F

RGB 253 139 63

HSL 24, 0.98%, 0.62%

LAB 69.26, 37.84, 57.68

 

CMYK 75 / 0 / 60 / 1

HEX #3FFD65

RGB 63 253 101

HSL 132, 0.98%, 0.62%

LAB 88.09, -75.45, 58.36

 

CMYK 75 / 30 / 0 / 1

HEX #3FB1FD

RGB 63 177 253

HSL 204, 0.98%, 0.62%

LAB 69.18, -7.06, -46.7

 

CMYK 0 / 75 / 16 / 1

HEX #FD3FD5

RGB 253 63 213

HSL 312.63, 0.98%, 0.62%

LAB 60.99, 83, -36.28

 

CMYK 0 / 23 / 75 / 1

HEX #FDC43F

RGB 253 196 63

HSL 42, 0.98%, 0.62%

LAB 82.23, 8.23, 70.37

 

CMYK 75 / 0 / 60 / 1

HEX #3FFD65

RGB 63 253 101

HSL 132, 0.98%, 0.62%

LAB 88.09, -75.45, 58.36

 

CMYK 75 / 53 / 0 / 1

HEX #3F78FD

RGB 63 120 253

HSL 222, 0.98%, 0.62%

LAB 53.58, 26.71, -71.61

 

Description

Color code: HEX #FD3FD5 | qconv.com Color code: HEX #FD3FD5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 63 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 63 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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