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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9C7E7 it is the complementary color #063818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9C7E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9C7E7 shade: #FEC7E2, #FFD9F5, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9C7E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9C7E7 shade: #F9C7E7, #E8B5D4, #D7A3C1, #C691AE and #B57F9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9C7E7 shade: #F9C7E7, #F9C7D9, #F9C7CC and #F9C7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9C7E7 shade: #F9C7E7, #F9C7F4, #F0C7F9, #E2C7F9 and #D5C7F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9C7E7 shade matches the following richer shades: #F9C7E7 and #FEC2E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9C7E7 shade: #F9C7E7, #F4CCE5, #EFD1E4, #EAD6E3 and #E5DBE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9C7E7 shade: #F0C7F9, #F9C7F5, #F9C7E7, #F9C7DA and #F9C7CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9C7E7 shade: #F17CC7, #F5A2D7, #F9C7E7 and #FDECF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9C7E7 shade: #F9C7E7, #F9E2C7 and #C7F9F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9C7E7 shade: #F9C7E7, #E7F9C7 and #C7E7F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9C7E7 shade: #F9C7E7, #F9E2C7, #C7F9D8 and #C7DDF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9C7E7 shade: #F9C7E7, #F9F1C7, #C7F9D8 and #C7CFF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

Complementary color

CMYK 89 / 0 / 57 / 78

HEX #063818

RGB 6 56 24

HSL 141.6, 0.81%, 0.12%

LAB 19.77, -24.62, 15.47

 

CMYK 0 / 22 / 11 / 0

HEX #FEC7E2

RGB 254 199 226

HSL 330.55, 0.96%, 0.89%

LAB 85.71, 23.68, -5.86

 

CMYK 0 / 15 / 4 / 0

HEX #FFD9F5

RGB 255 217 245

HSL 315.79, 1%, 0.93%

LAB 90.54, 17.79, -8.74

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 22 / 9 / 9

HEX #E8B5D4

RGB 232 181 212

HSL 323.53, 0.53%, 0.81%

LAB 79.02, 23.35, -8.5

 

CMYK 0 / 24 / 10 / 16

HEX #D7A3C1

RGB 215 163 193

HSL 325.38, 0.39%, 0.74%

LAB 72.56, 23.92, -7.91

 

CMYK 0 / 27 / 12 / 22

HEX #C691AE

RGB 198 145 174

HSL 327.17, 0.32%, 0.67%

LAB 65.99, 24.55, -7.28

 

CMYK 0 / 30 / 14 / 29

HEX #B57F9B

RGB 181 127 155

HSL 328.89, 0.27%, 0.6%

LAB 59.31, 25.23, -6.6

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 20 / 13 / 2

HEX #F9C7D9

RGB 249 199 217

HSL 338.4, 0.81%, 0.88%

LAB 84.99, 20.5, -2.18

 

CMYK 0 / 20 / 18 / 2

HEX #F9C7CC

RGB 249 199 204

HSL 354, 0.81%, 0.88%

LAB 84.66, 18.48, 4.27

 

CMYK 0 / 20 / 20 / 2

HEX #F9C7C7

RGB 249 199 199

HSL 0, 0.81%, 0.88%

LAB 84.54, 17.74, 6.76

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 20 / 2 / 2

HEX #F9C7F4

RGB 249 199 244

HSL 306, 0.81%, 0.88%

LAB 85.76, 25.07, -15.4

 

CMYK 4 / 20 / 0 / 2

HEX #F0C7F9

RGB 240 199 249

HSL 289.2, 0.81%, 0.88%

LAB 85.1, 23.05, -19.13

 

CMYK 9 / 20 / 0 / 2

HEX #E2C7F9

RGB 226 199 249

HSL 272.4, 0.81%, 0.88%

LAB 83.89, 18.56, -21.08

 

CMYK 14 / 20 / 0 / 2

HEX #D5C7F9

RGB 213 199 249

HSL 256.8, 0.81%, 0.88%

LAB 82.82, 14.47, -22.8

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 24 / 9 / 0

HEX #FEC2E8

RGB 254 194 232

HSL 322, 0.97%, 0.88%

LAB 84.73, 27.3, -10.51

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 16 / 6 / 4

HEX #F4CCE5

RGB 244 204 229

HSL 322.5, 0.65%, 0.88%

LAB 86.04, 18.14, -7.07

 

CMYK 0 / 13 / 5 / 6

HEX #EFD1E4

RGB 239 209 228

HSL 322, 0.48%, 0.88%

LAB 86.78, 13.63, -5.5

 

CMYK 0 / 9 / 3 / 8

HEX #EAD6E3

RGB 234 214 227

HSL 321, 0.32%, 0.88%

LAB 87.55, 9.13, -3.88

 

CMYK 0 / 4 / 2 / 10

HEX #E5DBE1

RGB 229 219 225

HSL 324, 0.16%, 0.88%

LAB 88.33, 4.47, -1.73

 

CMYK 4 / 20 / 0 / 2

HEX #F0C7F9

RGB 240 199 249

HSL 289.2, 0.81%, 0.88%

LAB 85.1, 23.05, -19.13

 

CMYK 0 / 20 / 2 / 2

HEX #F9C7F5

RGB 249 199 245

HSL 304.8, 0.81%, 0.88%

LAB 85.8, 25.25, -15.89

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 20 / 12 / 2

HEX #F9C7DA

RGB 249 199 218

HSL 337.2, 0.81%, 0.88%

LAB 85.02, 20.66, -2.67

 

CMYK 0 / 20 / 18 / 2

HEX #F9C7CD

RGB 249 199 205

HSL 352.8, 0.81%, 0.88%

LAB 84.69, 18.63, 3.77

 

CMYK 0 / 49 / 17 / 5

HEX #F17CC7

RGB 241 124 199

HSL 321.54, 0.81%, 0.72%

LAB 67.46, 53.86, -18.59

 

CMYK 0 / 34 / 12 / 4

HEX #F5A2D7

RGB 245 162 215

HSL 321.69, 0.81%, 0.8%

LAB 76.17, 38.31, -14.25

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 7 / 2 / 1

HEX #FDECF7

RGB 253 236 247

HSL 321.18, 0.81%, 0.96%

LAB 94.99, 7.62, -3.24

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 9 / 20 / 2

HEX #F9E2C7

RGB 249 226 199

HSL 32.4, 0.81%, 0.88%

LAB 91.08, 3.7, 16.06

 

CMYK 20 / 0 / 1 / 2

HEX #C7F9F6

RGB 199 249 246

HSL 176.4, 0.81%, 0.88%

LAB 94.55, -16.38, -3.8

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 7 / 0 / 20 / 2

HEX #E7F9C7

RGB 231 249 199

HSL 81.6, 0.81%, 0.88%

LAB 95.52, -14.31, 22.07

 

CMYK 20 / 7 / 0 / 2

HEX #C7E7F9

RGB 199 231 249

HSL 201.6, 0.81%, 0.88%

LAB 89.92, -6.69, -12.22

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 9 / 20 / 2

HEX #F9E2C7

RGB 249 226 199

HSL 32.4, 0.81%, 0.88%

LAB 91.08, 3.7, 16.06

 

CMYK 20 / 0 / 13 / 2

HEX #C7F9D8

RGB 199 249 216

HSL 140.4, 0.81%, 0.88%

LAB 93.82, -22.2, 10.65

 

CMYK 20 / 11 / 0 / 2

HEX #C7DDF9

RGB 199 221 249

HSL 213.6, 0.81%, 0.88%

LAB 87.34, -1.52, -16.09

 

CMYK 0 / 20 / 7 / 2

HEX #F9C7E7

RGB 249 199 231

HSL 321.6, 0.81%, 0.88%

LAB 85.38, 22.81, -9.06

 

CMYK 0 / 3 / 20 / 2

HEX #F9F1C7

RGB 249 241 199

HSL 50.4, 0.81%, 0.88%

LAB 94.81, -3.92, 21.28

 

CMYK 20 / 0 / 13 / 2

HEX #C7F9D8

RGB 199 249 216

HSL 140.4, 0.81%, 0.88%

LAB 93.82, -22.2, 10.65

 

CMYK 20 / 17 / 0 / 2

HEX #C7CFF9

RGB 199 207 249

HSL 230.4, 0.81%, 0.88%

LAB 83.76, 5.87, -21.48

 

Description

Color code: HEX #F9C7E7 | qconv.com Color code: HEX #F9C7E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 199 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 199 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 7 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 7% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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