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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E962 it is the complementary color #1A169D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E962 shade: #EAE95D, #FBFB70, #FFFF83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E962 shade: #E5E962, #D4D74F, #C3C53C, #B2B329 and #A1A116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E962 shade: #E4E862, #E8C862, #E8A462, #E88062 and #E86262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E962 shade: #E4E862, #C0E862, #9CE862, #78E862 and #62E871

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E962 shade matches the following richer shades: #E4E862 and #F2F754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E962 shade: #E4E862, #D7DA71, #C9CB7F, #BBBD8E and #AEAE9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E962 shade: #E8A362, #E8C762, #E6E862, #C2E862 and #9FE862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E962 shade: #D4D91F, #DEE33E, #E4E862, #EAED86 and #F0F3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E962 shade: #E5E962, #62E87F and #B562E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E962 shade: #E5E962, #62E6E8 and #E862E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E962 shade: #E5E962, #62E87F, #6562E8 and #E862CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E962 shade: #E5E962, #62E8A7, #6562E8 and #E862A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

Complementary color

CMYK 83 / 86 / 0 / 38

HEX #1A169D

RGB 26 22 157

HSL 241.78, 0.75%, 0.35%

LAB 20.93, 48.36, -69.52

 

CMYK 0 / 0 / 60 / 8

HEX #EAE95D

RGB 234 233 93

HSL 59.57, 0.77%, 0.64%

LAB 90.12, -16.79, 66.13

 

CMYK 0 / 0 / 55 / 2

HEX #FBFB70

RGB 251 251 112

HSL 60, 0.95%, 0.71%

LAB 96.28, -17.42, 65.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

CMYK 1 / 0 / 63 / 16

HEX #D4D74F

RGB 212 215 79

HSL 61.32, 0.63%, 0.58%

LAB 83.53, -17.81, 64.32

 

CMYK 1 / 0 / 70 / 23

HEX #C3C53C

RGB 195 197 60

HSL 60.88, 0.54%, 0.5%

LAB 77.2, -17.02, 64.79

 

CMYK 1 / 0 / 77 / 30

HEX #B2B329

RGB 178 179 41

HSL 60.43, 0.63%, 0.43%

LAB 70.78, -16.07, 64.68

 

CMYK 0 / 0 / 86 / 37

HEX #A1A116

RGB 161 161 22

HSL 60, 0.76%, 0.36%

LAB 64.26, -14.9, 63.57

 

CMYK 2 / 0 / 58 / 9

HEX #E4E862

RGB 228 232 98

HSL 61.79, 0.74%, 0.65%

LAB 89.43, -18.38, 63.15

 

CMYK 0 / 14 / 58 / 9

HEX #E8C862

RGB 232 200 98

HSL 45.67, 0.74%, 0.65%

LAB 81.48, -0.67, 54.28

 

CMYK 0 / 29 / 58 / 9

HEX #E8A462

RGB 232 164 98

HSL 29.55, 0.74%, 0.65%

LAB 72.62, 18.28, 43.86

 

CMYK 0 / 45 / 58 / 9

HEX #E88062

RGB 232 128 98

HSL 13.43, 0.74%, 0.65%

LAB 64.54, 37.26, 33.91

 

CMYK 0 / 58 / 58 / 9

HEX #E86262

RGB 232 98 98

HSL 0, 0.74%, 0.65%

LAB 58.76, 51.97, 26.48

 

CMYK 2 / 0 / 58 / 9

HEX #E4E862

RGB 228 232 98

HSL 61.79, 0.74%, 0.65%

LAB 89.43, -18.38, 63.15

 

CMYK 17 / 0 / 58 / 9

HEX #C0E862

RGB 192 232 98

HSL 77.91, 0.74%, 0.65%

LAB 86.9, -32.51, 59.62

 

CMYK 33 / 0 / 58 / 9

HEX #9CE862

RGB 156 232 98

HSL 94.03, 0.74%, 0.65%

LAB 84.82, -45.55, 56.71

 

CMYK 48 / 0 / 58 / 9

HEX #78E862

RGB 120 232 98

HSL 110.15, 0.74%, 0.65%

LAB 83.23, -56.76, 54.45

 

CMYK 58 / 0 / 51 / 9

HEX #62E871

RGB 98 232 113

HSL 126.72, 0.74%, 0.65%

LAB 82.65, -60.54, 46.72

 

CMYK 2 / 0 / 58 / 9

HEX #E4E862

RGB 228 232 98

HSL 61.79, 0.74%, 0.65%

LAB 89.43, -18.38, 63.15

 

CMYK 2 / 0 / 66 / 3

HEX #F2F754

RGB 242 247 84

HSL 61.84, 0.91%, 0.65%

LAB 94.33, -20.86, 74.25

 

CMYK 2 / 0 / 58 / 9

HEX #E4E862

RGB 228 232 98

HSL 61.79, 0.74%, 0.65%

LAB 89.43, -18.38, 63.15

 

CMYK 1 / 0 / 48 / 15

HEX #D7DA71

RGB 215 218 113

HSL 61.71, 0.59%, 0.65%

LAB 84.89, -15.49, 50.88

 

CMYK 1 / 0 / 37 / 20

HEX #C9CB7F

RGB 201 203 127

HSL 61.58, 0.42%, 0.65%

LAB 79.99, -12.08, 37.68

 

CMYK 1 / 0 / 25 / 26

HEX #BBBD8E

RGB 187 189 142

HSL 62.55, 0.26%, 0.65%

LAB 75.4, -8.42, 23.6

 

CMYK 0 / 0 / 10 / 32

HEX #AEAE9C

RGB 174 174 156

HSL 60, 0.1%, 0.65%

LAB 70.64, -3.22, 9.24

 

CMYK 0 / 30 / 58 / 9

HEX #E8A362

RGB 232 163 98

HSL 29.1, 0.74%, 0.65%

LAB 72.38, 18.81, 43.58

 

CMYK 0 / 14 / 58 / 9

HEX #E8C762

RGB 232 199 98

HSL 45.22, 0.74%, 0.65%

LAB 81.23, -0.15, 53.99

 

CMYK 1 / 0 / 58 / 9

HEX #E6E862

RGB 230 232 98

HSL 60.9, 0.74%, 0.65%

LAB 89.59, -17.58, 63.36

 

CMYK 16 / 0 / 58 / 9

HEX #C2E862

RGB 194 232 98

HSL 77.01, 0.74%, 0.65%

LAB 87.03, -31.75, 59.8

 

CMYK 31 / 0 / 58 / 9

HEX #9FE862

RGB 159 232 98

HSL 92.69, 0.74%, 0.65%

LAB 84.98, -44.52, 56.93

 

CMYK 2 / 0 / 86 / 15

HEX #D4D91F

RGB 212 217 31

HSL 61.61, 0.75%, 0.49%

LAB 83.82, -20.77, 79.4

 

CMYK 2 / 0 / 73 / 11

HEX #DEE33E

RGB 222 227 62

HSL 61.82, 0.75%, 0.57%

LAB 87.4, -20.45, 74.64

 

CMYK 2 / 0 / 58 / 9

HEX #E4E862

RGB 228 232 98

HSL 61.79, 0.74%, 0.65%

LAB 89.43, -18.38, 63.15

 

CMYK 1 / 0 / 43 / 7

HEX #EAED86

RGB 234 237 134

HSL 61.75, 0.74%, 0.73%

LAB 91.59, -15.41, 49.35

 

CMYK 1 / 0 / 30 / 5

HEX #F0F3AB

RGB 240 243 171

HSL 62.5, 0.75%, 0.81%

LAB 94.13, -11.96, 34.48

 

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

CMYK 58 / 0 / 45 / 9

HEX #62E87F

RGB 98 232 127

HSL 132.99, 0.74%, 0.65%

LAB 82.83, -58.54, 40.21

 

CMYK 22 / 58 / 0 / 9

HEX #B562E8

RGB 181 98 232

HSL 277.16, 0.74%, 0.65%

LAB 56.47, 55.93, -54.8

 

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

CMYK 58 / 1 / 0 / 9

HEX #62E6E8

RGB 98 230 232

HSL 180.9, 0.74%, 0.65%

LAB 84.49, -35.26, -11.88

 

CMYK 0 / 58 / 1 / 9

HEX #E862E6

RGB 232 98 230

HSL 300.9, 0.74%, 0.65%

LAB 63.01, 68.17, -42.89

 

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

CMYK 58 / 0 / 45 / 9

HEX #62E87F

RGB 98 232 127

HSL 132.99, 0.74%, 0.65%

LAB 82.83, -58.54, 40.21

 

CMYK 56 / 58 / 0 / 9

HEX #6562E8

RGB 101 98 232

HSL 241.34, 0.74%, 0.65%

LAB 48.67, 38.59, -67.76

 

CMYK 0 / 58 / 13 / 9

HEX #E862CB

RGB 232 98 203

HSL 312.99, 0.74%, 0.65%

LAB 61.83, 63.88, -29.58

 

CMYK 2 / 0 / 58 / 9

HEX #E5E962

RGB 229 233 98

HSL 61.78, 0.75%, 0.65%

LAB 89.77, -18.47, 63.55

 

CMYK 58 / 0 / 28 / 9

HEX #62E8A7

RGB 98 232 167

HSL 150.9, 0.74%, 0.65%

LAB 83.49, -51.47, 20.84

 

CMYK 56 / 58 / 0 / 9

HEX #6562E8

RGB 101 98 232

HSL 241.34, 0.74%, 0.65%

LAB 48.67, 38.59, -67.76

 

CMYK 0 / 58 / 30 / 9

HEX #E862A3

RGB 232 98 163

HSL 330.9, 0.74%, 0.65%

LAB 60.37, 58.36, -8.92

 

Description

Color code: HEX #E5E962 | qconv.com Color code: HEX #E5E962 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 233 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 233 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 58 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 58% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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