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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFACE6 it is the complementary color #205319. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFACE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFACE6 shade: #E4ACE1, #F5BEF4, #FFD0FF, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFACE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFACE6 shade: #DFACE6, #CE9AD3, #BD88C0, #AC76AD and #9B649A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFACE6 shade: #DFADE6, #E6ADDE, #E6ADCE, #E6ADBF and #E6ADAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFACE6 shade: #DFADE6, #D0ADE6, #C0ADE6, #B1ADE6 and #ADADE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFACE6 shade matches the following richer shades: #DFADE6, #E6A4EF and #ED9BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFACE6 shade: #DFADE6, #D9B5DE, #D2BED5, #CCC7CC and #C5CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFACE6 shade: #C0ADE6, #CFADE6, #DFADE6, #E6ADDF and #E6ADCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFACE6 shade: #C76DD3, #D38DDD, #DFADE6, #ECCCF0 and #F8ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFACE6 shade: #DFACE6, #E6B0AD and #ADE6C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFACE6 shade: #DFACE6, #E6DFAD and #ADE6DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFACE6 shade: #DFACE6, #E6B0AD, #B4E6AD and #ADE3E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFACE6 shade: #DFACE6, #E6C2AD, #B4E6AD and #ADD1E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

Complementary color

CMYK 61 / 0 / 70 / 67

HEX #205319

RGB 32 83 25

HSL 112.76, 0.54%, 0.21%

LAB 30.79, -29.76, 28.06

 

CMYK 0 / 25 / 1 / 11

HEX #E4ACE1

RGB 228 172 225

HSL 303.21, 0.51%, 0.78%

LAB 76.94, 29.11, -18.7

 

CMYK 0 / 22 / 0 / 4

HEX #F5BEF4

RGB 245 190 244

HSL 301.09, 0.73%, 0.85%

LAB 83.32, 28.52, -19.12

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

CMYK 2 / 27 / 0 / 17

HEX #CE9AD3

RGB 206 154 211

HSL 294.74, 0.39%, 0.72%

LAB 70.13, 29.03, -21.58

 

CMYK 2 / 29 / 0 / 25

HEX #BD88C0

RGB 189 136 192

HSL 296.79, 0.31%, 0.64%

LAB 63.53, 29.69, -21.2

 

CMYK 1 / 32 / 0 / 32

HEX #AC76AD

RGB 172 118 173

HSL 298.91, 0.25%, 0.57%

LAB 56.83, 30.4, -20.8

 

CMYK 0 / 35 / 1 / 39

HEX #9B649A

RGB 155 100 154

HSL 301.09, 0.22%, 0.5%

LAB 50, 31.15, -20.37

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 0 / 25 / 3 / 10

HEX #E6ADDE

RGB 230 173 222

HSL 308.42, 0.53%, 0.79%

LAB 77.27, 28.69, -16.55

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 25 / 17 / 10

HEX #E6ADBF

RGB 230 173 191

HSL 341.05, 0.53%, 0.79%

LAB 76.36, 23.5, -1.03

 

CMYK 0 / 25 / 24 / 10

HEX #E6ADAF

RGB 230 173 175

HSL 357.89, 0.53%, 0.79%

LAB 75.95, 21.11, 7.11

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 10 / 25 / 0 / 10

HEX #D0ADE6

RGB 208 173 230

HSL 276.84, 0.53%, 0.79%

LAB 75.46, 23.04, -23.84

 

CMYK 17 / 25 / 0 / 10

HEX #C0ADE6

RGB 192 173 230

HSL 260, 0.53%, 0.79%

LAB 74.07, 17.99, -26.09

 

CMYK 23 / 25 / 0 / 10

HEX #B1ADE6

RGB 177 173 230

HSL 244.21, 0.53%, 0.79%

LAB 72.86, 13.38, -28.05

 

CMYK 25 / 25 / 0 / 10

HEX #ADADE6

RGB 173 173 230

HSL 240, 0.53%, 0.79%

LAB 72.55, 12.18, -28.55

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 4 / 31 / 0 / 6

HEX #E6A4EF

RGB 230 164 239

HSL 292.8, 0.7%, 0.79%

LAB 75.83, 36.63, -27.97

 

CMYK 4 / 38 / 0 / 3

HEX #ED9BF8

RGB 237 155 248

HSL 292.9, 0.87%, 0.79%

LAB 74.97, 45.21, -34.11

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 2 / 18 / 0 / 13

HEX #D9B5DE

RGB 217 181 222

HSL 292.68, 0.38%, 0.79%

LAB 77.92, 20.07, -15.7

 

CMYK 1 / 11 / 0 / 16

HEX #D2BED5

RGB 210 190 213

HSL 292.17, 0.21%, 0.79%

LAB 79.23, 11.17, -8.93

 

CMYK 0 / 2 / 0 / 20

HEX #CCC7CC

RGB 204 199 204

HSL 300, 0.05%, 0.79%

LAB 80.76, 2.64, -1.89

 

CMYK 5 / 0 / 5 / 19

HEX #C5CFC4

RGB 197 207 196

HSL 114.55, 0.1%, 0.79%

LAB 82.1, -5.42, 4.28

 

CMYK 17 / 25 / 0 / 10

HEX #C0ADE6

RGB 192 173 230

HSL 260, 0.53%, 0.79%

LAB 74.07, 17.99, -26.09

 

CMYK 10 / 25 / 0 / 10

HEX #CFADE6

RGB 207 173 230

HSL 275.79, 0.53%, 0.79%

LAB 75.37, 22.73, -23.99

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 0 / 25 / 3 / 10

HEX #E6ADDF

RGB 230 173 223

HSL 307.37, 0.53%, 0.79%

LAB 77.3, 28.87, -17.05

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCF

RGB 230 173 207

HSL 324.21, 0.53%, 0.79%

LAB 76.81, 26.09, -9.09

 

CMYK 6 / 48 / 0 / 17

HEX #C76DD3

RGB 199 109 211

HSL 292.94, 0.54%, 0.63%

LAB 59.69, 50.86, -37.76

 

CMYK 5 / 36 / 0 / 13

HEX #D38DDD

RGB 211 141 221

HSL 292.5, 0.54%, 0.71%

LAB 68.11, 39.58, -30.16

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 2 / 15 / 0 / 6

HEX #ECCCF0

RGB 236 204 240

HSL 293.33, 0.55%, 0.87%

LAB 85.66, 17.42, -13.55

 

CMYK 0 / 5 / 0 / 2

HEX #F8ECF9

RGB 248 236 249

HSL 295.38, 0.52%, 0.95%

LAB 94.65, 6.31, -4.83

 

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

CMYK 0 / 23 / 25 / 10

HEX #E6B0AD

RGB 230 176 173

HSL 3.16, 0.53%, 0.79%

LAB 76.61, 19.23, 9.15

 

CMYK 25 / 0 / 13 / 10

HEX #ADE6C8

RGB 173 230 200

HSL 148.42, 0.53%, 0.79%

LAB 86.82, -24.15, 8.76

 

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

CMYK 0 / 3 / 25 / 10

HEX #E6DFAD

RGB 230 223 173

HSL 52.63, 0.53%, 0.79%

LAB 88.26, -5.39, 25.42

 

CMYK 25 / 0 / 3 / 10

HEX #ADE6DF

RGB 173 230 223

HSL 172.63, 0.53%, 0.79%

LAB 87.39, -19.49, -2.49

 

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

CMYK 0 / 23 / 25 / 10

HEX #E6B0AD

RGB 230 176 173

HSL 3.16, 0.53%, 0.79%

LAB 76.61, 19.23, 9.15

 

CMYK 22 / 0 / 25 / 10

HEX #B4E6AD

RGB 180 230 173

HSL 112.63, 0.53%, 0.79%

LAB 86.66, -26.7, 22.66

 

CMYK 25 / 1 / 0 / 10

HEX #ADE3E6

RGB 173 227 230

HSL 183.16, 0.53%, 0.79%

LAB 86.77, -16.48, -7.09

 

CMYK 3 / 25 / 0 / 10

HEX #DFACE6

RGB 223 172 230

HSL 292.76, 0.54%, 0.79%

LAB 76.62, 28.41, -21.94

 

CMYK 0 / 16 / 25 / 10

HEX #E6C2AD

RGB 230 194 173

HSL 22.11, 0.53%, 0.79%

LAB 80.97, 9.66, 15.32

 

CMYK 22 / 0 / 25 / 10

HEX #B4E6AD

RGB 180 230 173

HSL 112.63, 0.53%, 0.79%

LAB 86.66, -26.7, 22.66

 

CMYK 25 / 9 / 0 / 10

HEX #ADD1E6

RGB 173 209 230

HSL 202.11, 0.53%, 0.79%

LAB 81.95, -7.26, -14.28

 

Description

Color code: HEX #DFACE6 | qconv.com Color code: HEX #DFACE6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 172 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 172 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 25 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 25% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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