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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB79C0 it is the complementary color #24863F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB79C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB79C0 shade: #E079BB, #F18BCE, #FF9DE1, #FFAFF4 and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB79C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB79C0 shade: #DB79C0, #CA67AD, #B9559A, #A84387 and #973174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB79C0 shade: #DB7AC0, #DB7AA6, #DB7A8C and #DB7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB79C0 shade: #DB7AC0, #DB7ADB, #C17ADB, #A77ADB and #8D7ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB79C0 shade matches the following richer shades: #DB7AC0, #E96CC6 and #F65ECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB79C0 shade: #DB7AC0, #CE87BA, #C095B4, #B2A2AE and #A5B0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB79C0 shade: #C17ADB, #DB7ADB, #DB7AC1, #DB7AA7 and #DB7A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB79C0 shade: #CA38A2, #D259B1, #DB7AC0, #E49AD0 and #ECBBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB79C0 shade: #DB79C0, #DBA77A and #7ADBCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB79C0 shade: #DB79C0, #C1DB7A and #7AC1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB79C0 shade: #DB79C0, #DBA77A, #7ADB94 and #7AAEDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB79C0 shade: #DB79C0, #DBC47A, #7ADB94 and #7A90DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

Complementary color

CMYK 73 / 0 / 53 / 47

HEX #24863F

RGB 36 134 63

HSL 136.53, 0.58%, 0.33%

LAB 49.23, -43.96, 30.12

 

CMYK 0 / 46 / 17 / 12

HEX #E079BB

RGB 224 121 187

HSL 321.55, 0.62%, 0.68%

LAB 64.25, 48.21, -16.91

 

CMYK 0 / 42 / 15 / 5

HEX #F18BCE

RGB 241 139 206

HSL 320.59, 0.78%, 0.75%

LAB 70.61, 47.46, -17.72

 

CMYK 0 / 38 / 12 / 0

HEX #FF9DE1

RGB 255 157 225

HSL 318.37, 1%, 0.81%

LAB 76.56, 45.76, -18.99

 

CMYK 0 / 31 / 4 / 0

HEX #FFAFF4

RGB 255 175 244

HSL 308.25, 1%, 0.84%

LAB 80.99, 39.63, -22.56

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

CMYK 0 / 49 / 14 / 21

HEX #CA67AD

RGB 202 103 173

HSL 317.58, 0.48%, 0.6%

LAB 57.34, 48.13, -19.69

 

CMYK 0 / 54 / 17 / 27

HEX #B9559A

RGB 185 85 154

HSL 318.6, 0.42%, 0.53%

LAB 50.86, 48.78, -18.71

 

CMYK 0 / 60 / 20 / 34

HEX #A84387

RGB 168 67 135

HSL 319.6, 0.43%, 0.46%

LAB 44.36, 49.27, -17.5

 

CMYK 0 / 68 / 23 / 41

HEX #973174

RGB 151 49 116

HSL 320.59, 0.51%, 0.39%

LAB 37.91, 49.42, -15.93

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC0

RGB 219 122 192

HSL 316.7, 0.57%, 0.67%

LAB 63.99, 46.9, -20.2

 

CMYK 0 / 44 / 24 / 14

HEX #DB7AA6

RGB 219 122 166

HSL 332.78, 0.57%, 0.67%

LAB 63.12, 42.96, -6.74

 

CMYK 0 / 44 / 36 / 14

HEX #DB7A8C

RGB 219 122 140

HSL 348.87, 0.57%, 0.67%

LAB 62.4, 39.57, 7.07

 

CMYK 0 / 44 / 44 / 14

HEX #DB7A7A

RGB 219 122 122

HSL 0, 0.57%, 0.67%

LAB 61.98, 37.57, 16.77

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC0

RGB 219 122 192

HSL 316.7, 0.57%, 0.67%

LAB 63.99, 46.9, -20.2

 

CMYK 0 / 44 / 0 / 14

HEX #DB7ADB

RGB 219 122 219

HSL 300, 0.57%, 0.67%

LAB 65.04, 51.51, -33.73

 

CMYK 12 / 44 / 0 / 14

HEX #C17ADB

RGB 193 122 219

HSL 283.92, 0.57%, 0.67%

LAB 61.97, 43.95, -38.74

 

CMYK 24 / 44 / 0 / 14

HEX #A77ADB

RGB 167 122 219

HSL 267.84, 0.57%, 0.67%

LAB 59.2, 36.54, -43.28

 

CMYK 36 / 44 / 0 / 14

HEX #8D7ADB

RGB 141 122 219

HSL 251.75, 0.57%, 0.67%

LAB 56.78, 29.47, -47.27

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC0

RGB 219 122 192

HSL 316.7, 0.57%, 0.67%

LAB 63.99, 46.9, -20.2

 

CMYK 0 / 54 / 15 / 9

HEX #E96CC6

RGB 233 108 198

HSL 316.8, 0.74%, 0.67%

LAB 63.45, 58.91, -24.25

 

CMYK 0 / 62 / 17 / 4

HEX #F65ECC

RGB 246 94 204

HSL 316.58, 0.89%, 0.67%

LAB 63.31, 69.46, -27.69

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC0

RGB 219 122 192

HSL 316.7, 0.57%, 0.67%

LAB 63.99, 46.9, -20.2

 

CMYK 0 / 34 / 10 / 19

HEX #CE87BA

RGB 206 135 186

HSL 316.9, 0.42%, 0.67%

LAB 64.96, 34.82, -15.48

 

CMYK 0 / 22 / 6 / 25

HEX #C095B4

RGB 192 149 180

HSL 316.74, 0.25%, 0.67%

LAB 66.52, 21.26, -9.92

 

CMYK 0 / 9 / 2 / 30

HEX #B2A2AE

RGB 178 162 174

HSL 315, 0.09%, 0.67%

LAB 68.29, 7.99, -4.09

 

CMYK 6 / 0 / 5 / 31

HEX #A5B0A8

RGB 165 176 168

HSL 136.36, 0.07%, 0.67%

LAB 70.79, -5.38, 2.76

 

CMYK 12 / 44 / 0 / 14

HEX #C17ADB

RGB 193 122 219

HSL 283.92, 0.57%, 0.67%

LAB 61.97, 43.95, -38.74

 

CMYK 0 / 44 / 0 / 14

HEX #DB7ADB

RGB 219 122 219

HSL 300, 0.57%, 0.67%

LAB 65.04, 51.51, -33.73

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC1

RGB 219 122 193

HSL 316.08, 0.57%, 0.67%

LAB 64.02, 47.06, -20.71

 

CMYK 0 / 44 / 24 / 14

HEX #DB7AA7

RGB 219 122 167

HSL 332.16, 0.57%, 0.67%

LAB 63.15, 43.11, -7.27

 

CMYK 0 / 44 / 36 / 14

HEX #DB7A8D

RGB 219 122 141

HSL 348.25, 0.57%, 0.67%

LAB 62.43, 39.69, 6.53

 

CMYK 0 / 72 / 20 / 21

HEX #CA38A2

RGB 202 56 162

HSL 316.44, 0.58%, 0.51%

LAB 49.49, 66.62, -25.33

 

CMYK 0 / 58 / 16 / 18

HEX #D259B1

RGB 210 89 177

HSL 316.36, 0.57%, 0.59%

LAB 56.11, 57.81, -23.79

 

CMYK 0 / 44 / 12 / 14

HEX #DB7AC0

RGB 219 122 192

HSL 316.7, 0.57%, 0.67%

LAB 63.99, 46.9, -20.2

 

CMYK 0 / 32 / 9 / 11

HEX #E49AD0

RGB 228 154 208

HSL 316.22, 0.58%, 0.75%

LAB 72.33, 35.74, -16.36

 

CMYK 0 / 21 / 6 / 7

HEX #ECBBDF

RGB 236 187 223

HSL 315.92, 0.56%, 0.83%

LAB 81.13, 23.4, -11.25

 

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

CMYK 0 / 24 / 44 / 14

HEX #DBA77A

RGB 219 167 122

HSL 27.84, 0.57%, 0.67%

LAB 72.3, 13.52, 30.64

 

CMYK 44 / 0 / 6 / 14

HEX #7ADBCE

RGB 122 219 206

HSL 171.96, 0.57%, 0.67%

LAB 81.43, -31.72, -2.53

 

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

CMYK 12 / 0 / 44 / 14

HEX #C1DB7A

RGB 193 219 122

HSL 76.08, 0.57%, 0.67%

LAB 83.66, -23.68, 44.68

 

CMYK 44 / 12 / 0 / 14

HEX #7AC1DB

RGB 122 193 219

HSL 196.08, 0.57%, 0.67%

LAB 74.44, -15.5, -19.96

 

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

CMYK 0 / 24 / 44 / 14

HEX #DBA77A

RGB 219 167 122

HSL 27.84, 0.57%, 0.67%

LAB 72.3, 13.52, 30.64

 

CMYK 44 / 0 / 32 / 14

HEX #7ADB94

RGB 122 219 148

HSL 136.08, 0.57%, 0.67%

LAB 80.15, -43.82, 26.24

 

CMYK 44 / 21 / 0 / 14

HEX #7AAEDB

RGB 122 174 219

HSL 207.84, 0.57%, 0.67%

LAB 69.13, -5.35, -28.07

 

CMYK 0 / 45 / 12 / 14

HEX #DB79C0

RGB 219 121 192

HSL 316.53, 0.58%, 0.67%

LAB 63.79, 47.41, -20.5

 

CMYK 0 / 11 / 44 / 14

HEX #DBC47A

RGB 219 196 122

HSL 45.77, 0.57%, 0.67%

LAB 79.58, -1.84, 40.01

 

CMYK 44 / 0 / 32 / 14

HEX #7ADB94

RGB 122 219 148

HSL 136.08, 0.57%, 0.67%

LAB 80.15, -43.82, 26.24

 

CMYK 44 / 34 / 0 / 14

HEX #7A90DB

RGB 122 144 219

HSL 226.39, 0.57%, 0.67%

LAB 60.96, 11.67, -40.77

 

Description

Color code: HEX #DB79C0 | qconv.com Color code: HEX #DB79C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 121 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 121 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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