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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE19C it is the complementary color #251E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE19C shade: #DFE197, #F0F3AA, #FFFFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE19C shade: #DAE19C, #C9CF89, #B8BD76, #A7AB63 and #969950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE19C shade: #DAE19D, #E1D59D, #E1C39D, #E1B19D and #E19F9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE19C shade: #DAE19D, #C7E19D, #B5E19D, #A3E19D and #9DE1A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE19C shade matches the following richer shades: #DAE19D, #E2EB93 and #EAF588

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE19C shade: #DAE19D, #D1D6A7, #C9CCB2, #C1C2BC and #B9B7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE19C shade: #E1C39D, #E1D59D, #DAE19D, #C8E19D and #B6E19D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE19C shade: #C2CD5E, #CED77D, #DAE19D, #E6EABD and #F2F4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE19C shade: #DAE19C, #9DE1B1 and #CC9DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE19C shade: #DAE19C, #9DDAE1 and #E19DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE19C shade: #DAE19C, #9DE1B1, #A49DE1 and #E19DCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE19C shade: #DAE19C, #9DE1C6, #A49DE1 and #E19DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

Complementary color

CMYK 63 / 70 / 0 / 61

HEX #251E63

RGB 37 30 99

HSL 246.09, 0.53%, 0.25%

LAB 16.62, 25.44, -39.79

 

CMYK 1 / 0 / 33 / 12

HEX #DFE197

RGB 223 225 151

HSL 61.62, 0.55%, 0.74%

LAB 87.86, -11.85, 36.05

 

CMYK 1 / 0 / 30 / 5

HEX #F0F3AA

RGB 240 243 170

HSL 62.47, 0.75%, 0.81%

LAB 94.11, -12.08, 34.96

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 3 / 0 / 34 / 19

HEX #C9CF89

RGB 201 207 137

HSL 65.14, 0.42%, 0.67%

LAB 81.21, -12.93, 34.16

 

CMYK 3 / 0 / 38 / 26

HEX #B8BD76

RGB 184 189 118

HSL 64.23, 0.35%, 0.6%

LAB 74.76, -12.69, 35.31

 

CMYK 2 / 0 / 42 / 33

HEX #A7AB63

RGB 167 171 99

HSL 63.33, 0.3%, 0.53%

LAB 68.2, -12.39, 36.51

 

CMYK 2 / 0 / 48 / 40

HEX #969950

RGB 150 153 80

HSL 62.47, 0.31%, 0.46%

LAB 61.52, -12.01, 37.74

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 0 / 5 / 30 / 12

HEX #E1D59D

RGB 225 213 157

HSL 49.41, 0.53%, 0.75%

LAB 85.01, -4.27, 29.23

 

CMYK 0 / 13 / 30 / 12

HEX #E1C39D

RGB 225 195 157

HSL 33.53, 0.53%, 0.75%

LAB 80.44, 5.08, 23.04

 

CMYK 0 / 21 / 30 / 12

HEX #E1B19D

RGB 225 177 157

HSL 17.65, 0.53%, 0.75%

LAB 76, 14.63, 16.9

 

CMYK 0 / 29 / 30 / 12

HEX #E19F9D

RGB 225 159 157

HSL 1.76, 0.53%, 0.75%

LAB 71.72, 24.29, 10.88

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 12 / 0 / 30 / 12

HEX #C7E19D

RGB 199 225 157

HSL 82.94, 0.53%, 0.75%

LAB 86.22, -20.03, 30.51

 

CMYK 20 / 0 / 30 / 12

HEX #B5E19D

RGB 181 225 157

HSL 98.82, 0.53%, 0.75%

LAB 85.05, -26.45, 28.74

 

CMYK 28 / 0 / 30 / 12

HEX #A3E19D

RGB 163 225 157

HSL 114.71, 0.53%, 0.75%

LAB 84, -32.56, 27.14

 

CMYK 30 / 0 / 25 / 12

HEX #9DE1A9

RGB 157 225 169

HSL 130.59, 0.53%, 0.75%

LAB 83.9, -32.48, 20.74

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 4 / 0 / 37 / 8

HEX #E2EB93

RGB 226 235 147

HSL 66.14, 0.69%, 0.75%

LAB 90.64, -16.13, 41.7

 

CMYK 4 / 0 / 44 / 4

HEX #EAF588

RGB 234 245 136

HSL 66.06, 0.84%, 0.75%

LAB 93.7, -19.11, 51

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 2 / 0 / 22 / 16

HEX #D1D6A7

RGB 209 214 167

HSL 66.38, 0.36%, 0.75%

LAB 84.19, -9.44, 22.7

 

CMYK 1 / 0 / 13 / 20

HEX #C9CCB2

RGB 201 204 178

HSL 66.92, 0.2%, 0.75%

LAB 81.19, -5.54, 12.61

 

CMYK 1 / 0 / 3 / 24

HEX #C1C2BC

RGB 193 194 188

HSL 70, 0.05%, 0.75%

LAB 78.2, -1.44, 2.88

 

CMYK 7 / 8 / 0 / 22

HEX #B9B7C6

RGB 185 183 198

HSL 248, 0.12%, 0.75%

LAB 74.99, 3.58, -7.33

 

CMYK 0 / 13 / 30 / 12

HEX #E1C39D

RGB 225 195 157

HSL 33.53, 0.53%, 0.75%

LAB 80.44, 5.08, 23.04

 

CMYK 0 / 5 / 30 / 12

HEX #E1D59D

RGB 225 213 157

HSL 49.41, 0.53%, 0.75%

LAB 85.01, -4.27, 29.23

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 11 / 0 / 30 / 12

HEX #C8E19D

RGB 200 225 157

HSL 82.06, 0.53%, 0.75%

LAB 86.29, -19.67, 30.61

 

CMYK 19 / 0 / 30 / 12

HEX #B6E19D

RGB 182 225 157

HSL 97.94, 0.53%, 0.75%

LAB 85.11, -26.1, 28.83

 

CMYK 5 / 0 / 54 / 20

HEX #C2CD5E

RGB 194 205 94

HSL 65.95, 0.53%, 0.59%

LAB 79.58, -19.13, 53.11

 

CMYK 4 / 0 / 42 / 16

HEX #CED77D

RGB 206 215 125

HSL 66, 0.53%, 0.67%

LAB 83.55, -16.37, 43.28

 

CMYK 3 / 0 / 30 / 12

HEX #DAE19D

RGB 218 225 157

HSL 66.18, 0.53%, 0.75%

LAB 87.58, -13, 32.56

 

CMYK 2 / 0 / 19 / 8

HEX #E6EABD

RGB 230 234 189

HSL 65.33, 0.52%, 0.83%

LAB 91.39, -8.7, 21.46

 

CMYK 1 / 0 / 10 / 4

HEX #F2F4DC

RGB 242 244 220

HSL 65, 0.52%, 0.91%

LAB 95.47, -4.72, 11.33

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 30 / 0 / 21 / 12

HEX #9DE1B1

RGB 157 225 177

HSL 137.65, 0.53%, 0.75%

LAB 84.07, -31.04, 16.79

 

CMYK 9 / 30 / 0 / 12

HEX #CC9DE1

RGB 204 157 225

HSL 281.47, 0.53%, 0.75%

LAB 71.14, 29.51, -27.76

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 30 / 3 / 0 / 12

HEX #9DDAE1

RGB 157 218 225

HSL 186.18, 0.53%, 0.75%

LAB 83.31, -17.64, -9.68

 

CMYK 0 / 30 / 3 / 12

HEX #E19DDA

RGB 225 157 218

HSL 306.18, 0.53%, 0.75%

LAB 73.01, 34.9, -20.86

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 30 / 0 / 21 / 12

HEX #9DE1B1

RGB 157 225 177

HSL 137.65, 0.53%, 0.75%

LAB 84.07, -31.04, 16.79

 

CMYK 27 / 30 / 0 / 12

HEX #A49DE1

RGB 164 157 225

HSL 246.18, 0.53%, 0.75%

LAB 67.61, 17.28, -33.49

 

CMYK 0 / 30 / 9 / 12

HEX #E19DCC

RGB 225 157 204

HSL 318.53, 0.53%, 0.75%

LAB 72.55, 32.46, -13.87

 

CMYK 3 / 0 / 31 / 12

HEX #DAE19C

RGB 218 225 156

HSL 66.09, 0.53%, 0.75%

LAB 87.56, -13.13, 33.05

 

CMYK 30 / 0 / 12 / 12

HEX #9DE1C6

RGB 157 225 198

HSL 156.18, 0.53%, 0.75%

LAB 84.53, -26.97, 6.41

 

CMYK 27 / 30 / 0 / 12

HEX #A49DE1

RGB 164 157 225

HSL 246.18, 0.53%, 0.75%

LAB 67.61, 17.28, -33.49

 

CMYK 0 / 30 / 18 / 12

HEX #E19DB8

RGB 225 157 184

HSL 336.18, 0.53%, 0.75%

LAB 71.95, 29.22, -3.72

 

Description

Color code: HEX #DAE19C | qconv.com Color code: HEX #DAE19C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 225 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 225 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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