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Color name
HEX #C9FAA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9FAA8 it is the complementary color #360557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9FAA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9FAA8 shade: #CEFAA3, #DFFFB6, #F0FFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9FAA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9FAA8 shade: #C9FAA8, #B8E895, #A7D682, #96C46F and #85B25C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9FAA8 shade: #C9FAA8, #DFFAA8, #F5FAA8, #FAE9A8 and #FAD3A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9FAA8 shade: #C9FAA8, #B3FAA8, #A8FAB3, #A8FAC9 and #A8FADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9FAA8 shade matches the following richer shades: #C9FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9FAA8 shade: #C9FAA8, #CBF3B0, #CCEBB7, #CDE4BF and #CFDCC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9FAA8 shade: #F6FAA8, #E0FAA8, #CAFAA8, #B5FAA8 and #A8FAB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9FAA8 shade: #99F55A, #B1F881, #C9FAA8, #E1FCCF and #FAFEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9FAA8 shade: #C9FAA8, #A8FAE8 and #FAA8EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9FAA8 shade: #C9FAA8, #A8CAFA and #FAA8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9FAA8 shade: #C9FAA8, #A8FAE8, #D8A8FA and #FAA8BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9FAA8 shade: #C9FAA8, #A8F3FA, #D8A8FA and #FAAFA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

Complementary color

CMYK 38 / 94 / 0 / 66

HEX #360557

RGB 54 5 87

HSL 275.85, 0.89%, 0.18%

LAB 13.11, 37.56, -37.4

 

CMYK 18 / 0 / 35 / 2

HEX #CEFAA3

RGB 206 250 163

HSL 90.34, 0.9%, 0.81%

LAB 93.51, -28.7, 37.23

 

CMYK 13 / 0 / 29 / 0

HEX #DFFFB6

RGB 223 255 182

HSL 86.3, 1%, 0.86%

LAB 96.24, -22.5, 31.57

 

CMYK 6 / 0 / 21 / 0

HEX #F0FFC9

RGB 240 255 201

HSL 76.67, 1%, 0.89%

LAB 97.74, -13.8, 24.21

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 21 / 0 / 36 / 9

HEX #B8E895

RGB 184 232 149

HSL 94.7, 0.64%, 0.75%

LAB 87.03, -29.87, 35.47

 

CMYK 22 / 0 / 39 / 16

HEX #A7D682

RGB 167 214 130

HSL 93.57, 0.51%, 0.67%

LAB 80.69, -29.96, 36.6

 

CMYK 23 / 0 / 43 / 23

HEX #96C46F

RGB 150 196 111

HSL 92.47, 0.42%, 0.6%

LAB 74.26, -30.04, 37.77

 

CMYK 25 / 0 / 48 / 30

HEX #85B25C

RGB 133 178 92

HSL 91.4, 0.36%, 0.53%

LAB 67.72, -30.08, 38.96

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 11 / 0 / 33 / 2

HEX #DFFAA8

RGB 223 250 168

HSL 79.76, 0.89%, 0.82%

LAB 94.69, -21.98, 36.51

 

CMYK 2 / 0 / 33 / 2

HEX #F5FAA8

RGB 245 250 168

HSL 63.66, 0.89%, 0.82%

LAB 96.25, -13.9, 38.85

 

CMYK 0 / 7 / 33 / 2

HEX #FAE9A8

RGB 250 233 168

HSL 47.56, 0.89%, 0.82%

LAB 92.32, -3.58, 33.73

 

CMYK 0 / 16 / 33 / 2

HEX #FAD3A8

RGB 250 211 168

HSL 31.46, 0.89%, 0.82%

LAB 86.87, 7.67, 26.39

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 28 / 0 / 33 / 2

HEX #B3FAA8

RGB 179 250 168

HSL 111.95, 0.89%, 0.82%

LAB 92.03, -37.12, 32.5

 

CMYK 33 / 0 / 28 / 2

HEX #A8FAB3

RGB 168 250 179

HSL 128.05, 0.89%, 0.82%

LAB 91.66, -38.82, 26.35

 

CMYK 33 / 0 / 20 / 2

HEX #A8FAC9

RGB 168 250 201

HSL 144.15, 0.89%, 0.82%

LAB 92.09, -34.92, 15.69

 

CMYK 33 / 0 / 11 / 2

HEX #A8FADF

RGB 168 250 223

HSL 160.24, 0.89%, 0.82%

LAB 92.59, -30.59, 5.04

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 16 / 0 / 28 / 5

HEX #CBF3B0

RGB 203 243 176

HSL 95.82, 0.74%, 0.82%

LAB 91.65, -24.61, 28.18

 

CMYK 13 / 0 / 22 / 8

HEX #CCEBB7

RGB 204 235 183

HSL 95.77, 0.57%, 0.82%

LAB 89.71, -19.32, 21.94

 

CMYK 10 / 0 / 16 / 11

HEX #CDE4BF

RGB 205 228 191

HSL 97.3, 0.41%, 0.82%

LAB 88.08, -14.23, 15.52

 

CMYK 6 / 0 / 10 / 14

HEX #CFDCC6

RGB 207 220 198

HSL 95.45, 0.24%, 0.82%

LAB 86.27, -8.31, 9.31

 

CMYK 2 / 0 / 33 / 2

HEX #F6FAA8

RGB 246 250 168

HSL 62.93, 0.89%, 0.82%

LAB 96.32, -13.53, 38.96

 

CMYK 10 / 0 / 33 / 2

HEX #E0FAA8

RGB 224 250 168

HSL 79.02, 0.89%, 0.82%

LAB 94.76, -21.62, 36.61

 

CMYK 19 / 0 / 33 / 2

HEX #CAFAA8

RGB 202 250 168

HSL 95.12, 0.89%, 0.82%

LAB 93.34, -29.42, 34.48

 

CMYK 28 / 0 / 33 / 2

HEX #B5FAA8

RGB 181 250 168

HSL 110.49, 0.89%, 0.82%

LAB 92.14, -36.47, 32.66

 

CMYK 33 / 0 / 29 / 2

HEX #A8FAB2

RGB 168 250 178

HSL 127.32, 0.89%, 0.82%

LAB 91.64, -38.99, 26.83

 

CMYK 38 / 0 / 63 / 4

HEX #99F55A

RGB 153 245 90

HSL 95.61, 0.89%, 0.66%

LAB 88.36, -52.67, 63.98

 

CMYK 29 / 0 / 48 / 3

HEX #B1F881

RGB 177 248 129

HSL 95.8, 0.89%, 0.74%

LAB 90.81, -42.07, 49.94

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 11 / 0 / 18 / 1

HEX #E1FCCF

RGB 225 252 207

HSL 96, 0.88%, 0.9%

LAB 96.05, -16.62, 18.66

 

CMYK 2 / 0 / 3 / 0

HEX #FAFEF6

RGB 250 254 246

HSL 90, 0.8%, 0.98%

LAB 99.17, -2.71, 3.35

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 33 / 0 / 7 / 2

HEX #A8FAE8

RGB 168 250 232

HSL 166.83, 0.89%, 0.82%

LAB 92.8, -28.7, 0.7

 

CMYK 0 / 33 / 6 / 2

HEX #FAA8EB

RGB 250 168 235

HSL 310.98, 0.89%, 0.82%

LAB 78.65, 40.13, -21.31

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 33 / 19 / 0 / 2

HEX #A8CAFA

RGB 168 202 250

HSL 215.12, 0.89%, 0.82%

LAB 80.44, -0.25, -27.26

 

CMYK 0 / 33 / 19 / 2

HEX #FAA8CA

RGB 250 168 202

HSL 335.12, 0.89%, 0.82%

LAB 77.63, 34.85, -4.91

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 33 / 0 / 7 / 2

HEX #A8FAE8

RGB 168 250 232

HSL 166.83, 0.89%, 0.82%

LAB 92.8, -28.7, 0.7

 

CMYK 14 / 33 / 0 / 2

HEX #D8A8FA

RGB 216 168 250

HSL 275.12, 0.89%, 0.82%

LAB 75.77, 32.37, -34.13

 

CMYK 0 / 33 / 26 / 2

HEX #FAA8BA

RGB 250 168 186

HSL 346.83, 0.89%, 0.82%

LAB 77.21, 32.56, 3.19

 

CMYK 20 / 0 / 33 / 2

HEX #C9FAA8

RGB 201 250 168

HSL 95.85, 0.89%, 0.82%

LAB 93.28, -29.76, 34.39

 

CMYK 33 / 3 / 0 / 2

HEX #A8F3FA

RGB 168 243 250

HSL 185.12, 0.89%, 0.82%

LAB 91.38, -21.32, -10.75

 

CMYK 14 / 33 / 0 / 2

HEX #D8A8FA

RGB 216 168 250

HSL 275.12, 0.89%, 0.82%

LAB 75.77, 32.37, -34.13

 

CMYK 0 / 30 / 33 / 2

HEX #FAAFA8

RGB 250 175 168

HSL 5.12, 0.89%, 0.82%

LAB 78.35, 26.53, 14.62

 

Description

Color code: HEX #C9FAA8 | qconv.com Color code: HEX #C9FAA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 250 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 250 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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