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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99D1B it is the complementary color #3662E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99D1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99D1B shade: #CE9D16, #DFAF29, #F0C13C, #FFD34F and #FFE562

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99D1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99D1B shade: #C99D1B, #B88B08, #A77900, #966700 and #855500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99D1B shade: #C99D1B, #C96E1B, #C93F1B and #C91B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99D1B shade: #C99D1B, #C7C91B, #97C91B, #68C91B and #39C91B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99D1B shade matches the following richer shades: #C99D1B and #DCA708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99D1B shade: #C99D1B, #B7942E, #A48B40, #928253 and #7F7965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99D1B shade: #C93E1B, #C96C1B, #C99B1B, #C9C91B and #9BC91B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99D1B shade: #816511, #A58116, #C99D1B, #E2B42C and #E7C150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99D1B shade: #C99D1B, #27C91B and #551BC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99D1B shade: #C99D1B, #1BC99B and #9B1BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99D1B shade: #C99D1B, #27C91B, #1B4AC9 and #BE1BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99D1B shade: #C99D1B, #1BC944, #1B4AC9 and #C91BA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

Complementary color

CMYK 76 / 57 / 0 / 11

HEX #3662E4

RGB 54 98 228

HSL 224.83, 0.76%, 0.55%

LAB 45.8, 30.48, -70.29

 

CMYK 0 / 24 / 89 / 19

HEX #CE9D16

RGB 206 157 22

HSL 44.02, 0.81%, 0.45%

LAB 67.5, 7.33, 67.97

 

CMYK 0 / 22 / 82 / 13

HEX #DFAF29

RGB 223 175 41

HSL 44.18, 0.74%, 0.52%

LAB 73.87, 5.63, 69.01

 

CMYK 0 / 20 / 75 / 6

HEX #F0C13C

RGB 240 193 60

HSL 44.33, 0.86%, 0.59%

LAB 80.17, 4.17, 69.05

 

CMYK 0 / 17 / 69 / 0

HEX #FFD34F

RGB 255 211 79

HSL 45, 1%, 0.65%

LAB 86.21, 2.07, 68.27

 

CMYK 0 / 10 / 62 / 0

HEX #FFE562

RGB 255 229 98

HSL 50.06, 1%, 0.69%

LAB 90.86, -5.95, 65.34

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 0 / 24 / 96 / 28

HEX #B88B08

RGB 184 139 8

HSL 44.66, 0.92%, 0.38%

LAB 60.49, 7.07, 64.13

 

CMYK 0 / 28 / 100 / 35

HEX #A77900

RGB 167 121 0

HSL 43.47, 1%, 0.33%

LAB 53.91, 9.21, 59.96

 

CMYK 0 / 31 / 100 / 41

HEX #966700

RGB 150 103 0

HSL 41.2, 1%, 0.29%

LAB 47.22, 11.58, 54.47

 

CMYK 0 / 36 / 100 / 48

HEX #855500

RGB 133 85 0

HSL 38.35, 1%, 0.26%

LAB 40.38, 14.06, 48.89

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 0 / 45 / 87 / 21

HEX #C96E1B

RGB 201 110 27

HSL 28.62, 0.76%, 0.45%

LAB 55.73, 30.71, 57.04

 

CMYK 0 / 69 / 87 / 21

HEX #C93F1B

RGB 201 63 27

HSL 12.41, 0.76%, 0.45%

LAB 47.04, 53.1, 49.93

 

CMYK 0 / 87 / 87 / 21

HEX #C91B1B

RGB 201 27 27

HSL 0, 0.76%, 0.45%

LAB 43.18, 63.88, 46.76

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 1 / 0 / 87 / 21

HEX #C7C91B

RGB 199 201 27

HSL 60.69, 0.76%, 0.45%

LAB 78.46, -18.5, 75.4

 

CMYK 25 / 0 / 87 / 21

HEX #97C91B

RGB 151 201 27

HSL 77.24, 0.76%, 0.45%

LAB 75.1, -38.25, 71.25

 

CMYK 48 / 0 / 87 / 21

HEX #68C91B

RGB 104 201 27

HSL 93.45, 0.76%, 0.45%

LAB 72.76, -54.73, 68.33

 

CMYK 72 / 0 / 87 / 21

HEX #39C91B

RGB 57 201 27

HSL 109.66, 0.76%, 0.45%

LAB 71.37, -66.03, 66.58

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 0 / 24 / 96 / 14

HEX #DCA708

RGB 220 167 8

HSL 45, 0.93%, 0.45%

LAB 71.47, 7.94, 73.79

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 0 / 19 / 75 / 28

HEX #B7942E

RGB 183 148 46

HSL 44.67, 0.6%, 0.45%

LAB 62.88, 2.73, 55.73

 

CMYK 0 / 15 / 61 / 36

HEX #A48B40

RGB 164 139 64

HSL 45, 0.44%, 0.45%

LAB 58.72, 0.27, 42.8

 

CMYK 0 / 11 / 43 / 43

HEX #928253

RGB 146 130 83

HSL 44.76, 0.28%, 0.45%

LAB 54.76, -0.84, 27.64

 

CMYK 0 / 5 / 20 / 50

HEX #7F7965

RGB 127 121 101

HSL 46.15, 0.11%, 0.45%

LAB 50.83, -1.27, 11.81

 

CMYK 0 / 69 / 87 / 21

HEX #C93E1B

RGB 201 62 27

HSL 12.07, 0.76%, 0.45%

LAB 46.9, 53.49, 49.81

 

CMYK 0 / 46 / 87 / 21

HEX #C96C1B

RGB 201 108 27

HSL 27.93, 0.76%, 0.45%

LAB 55.3, 31.77, 56.69

 

CMYK 0 / 23 / 87 / 21

HEX #C99B1B

RGB 201 155 27

HSL 44.14, 0.76%, 0.45%

LAB 66.47, 6.3, 65.77

 

CMYK 0 / 0 / 87 / 21

HEX #C9C91B

RGB 201 201 27

HSL 60, 0.76%, 0.45%

LAB 78.62, -17.65, 75.59

 

CMYK 23 / 0 / 87 / 21

HEX #9BC91B

RGB 155 201 27

HSL 75.86, 0.76%, 0.45%

LAB 75.34, -36.69, 71.55

 

CMYK 0 / 22 / 87 / 49

HEX #816511

RGB 129 101 17

HSL 45, 0.77%, 0.29%

LAB 44.25, 3.13, 46.98

 

CMYK 0 / 22 / 87 / 35

HEX #A58116

RGB 165 129 22

HSL 44.9, 0.76%, 0.37%

LAB 55.84, 4.2, 56.8

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 0 / 20 / 81 / 11

HEX #E2B42C

RGB 226 180 44

HSL 44.84, 0.76%, 0.53%

LAB 75.45, 4.39, 69.58

 

CMYK 0 / 16 / 65 / 9

HEX #E7C150

RGB 231 193 80

HSL 44.9, 0.76%, 0.61%

LAB 79.45, 1.35, 60.08

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 81 / 0 / 87 / 21

HEX #27C91B

RGB 39 201 27

HSL 115.86, 0.76%, 0.45%

LAB 71.07, -68.66, 66.2

 

CMYK 58 / 87 / 0 / 21

HEX #551BC9

RGB 85 27 201

HSL 260, 0.76%, 0.45%

LAB 31.65, 62.87, -77.91

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 87 / 0 / 23 / 21

HEX #1BC99B

RGB 27 201 155

HSL 164.14, 0.76%, 0.45%

LAB 72.48, -51.65, 11.56

 

CMYK 23 / 87 / 0 / 21

HEX #9B1BC9

RGB 155 27 201

HSL 284.14, 0.76%, 0.45%

LAB 41.17, 71.59, -61.94

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 81 / 0 / 87 / 21

HEX #27C91B

RGB 39 201 27

HSL 115.86, 0.76%, 0.45%

LAB 71.07, -68.66, 66.2

 

CMYK 87 / 63 / 0 / 21

HEX #1B4AC9

RGB 27 74 201

HSL 223.79, 0.76%, 0.45%

LAB 36.65, 33.59, -69.81

 

CMYK 5 / 87 / 0 / 21

HEX #BE1BC9

RGB 190 27 201

HSL 296.21, 0.76%, 0.45%

LAB 46.91, 77.3, -52.39

 

CMYK 0 / 22 / 87 / 21

HEX #C99D1B

RGB 201 157 27

HSL 44.83, 0.76%, 0.45%

LAB 66.98, 5.22, 66.18

 

CMYK 87 / 0 / 66 / 21

HEX #1BC944

RGB 27 201 68

HSL 134.14, 0.76%, 0.45%

LAB 71.16, -66.94, 53.13

 

CMYK 87 / 63 / 0 / 21

HEX #1B4AC9

RGB 27 74 201

HSL 223.79, 0.76%, 0.45%

LAB 36.65, 33.59, -69.81

 

CMYK 0 / 87 / 20 / 21

HEX #C91BA1

RGB 201 27 161

HSL 313.79, 0.76%, 0.45%

LAB 46.68, 73.69, -29.11

 

Description

Color code: HEX #C99D1B | qconv.com Color code: HEX #C99D1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 157 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 157 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 87 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 87% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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