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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8FDC3 it is the complementary color #37023C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8FDC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8FDC3 shade: #CDFDBE, #DEFFD1, #EFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8FDC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8FDC3 shade: #C8FDC3, #B7EBB0, #A6D99D, #95C78A and #84B577

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8FDC3 shade: #C8FDC3, #D8FDC3, #E7FDC3, #F7FDC3 and #FDF3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8FDC3 shade: #C8FDC3, #C3FDCE, #C3FDDD, #C3FDED and #C3FDFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8FDC3 shade matches the following richer shades: #C8FDC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8FDC3 shade: #C8FDC3, #CCF8C8, #D0F3CD, #D4EED2 and #D8E9D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8FDC3 shade: #E8FDC3, #D8FDC3, #C9FDC3, #C3FDCD and #C3FDDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8FDC3 shade: #7FFA73, #A3FB9B, #C8FDC3 and #EDFEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8FDC3 shade: #C8FDC3, #C3F7FD and #FDC3E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8FDC3 shade: #C8FDC3, #C3C9FD and #FDC3C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8FDC3 shade: #C8FDC3, #C3F7FD, #F7C3FD and #FDC9C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8FDC3 shade: #C8FDC3, #C3E6FD, #F7C3FD and #FDDAC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

Complementary color

CMYK 8 / 97 / 0 / 76

HEX #37023C

RGB 55 2 60

HSL 294.83, 0.94%, 0.12%

LAB 10.42, 33.06, -22.95

 

CMYK 19 / 0 / 25 / 1

HEX #CDFDBE

RGB 205 253 190

HSL 105.71, 0.94%, 0.87%

LAB 94.72, -26.56, 25.27

 

CMYK 13 / 0 / 18 / 0

HEX #DEFFD1

RGB 222 255 209

HSL 103.04, 1%, 0.91%

LAB 96.68, -18.78, 18.48

 

CMYK 6 / 0 / 11 / 0

HEX #EFFFE4

RGB 239 255 228

HSL 95.56, 1%, 0.95%

LAB 98.22, -9.93, 11.11

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 22 / 0 / 25 / 8

HEX #B7EBB0

RGB 183 235 176

HSL 112.88, 0.6%, 0.81%

LAB 88.27, -27.59, 23.35

 

CMYK 24 / 0 / 28 / 15

HEX #A6D99D

RGB 166 217 157

HSL 111, 0.44%, 0.73%

LAB 81.93, -27.78, 24.36

 

CMYK 25 / 0 / 31 / 22

HEX #95C78A

RGB 149 199 138

HSL 109.18, 0.35%, 0.66%

LAB 75.5, -27.97, 25.41

 

CMYK 27 / 0 / 34 / 29

HEX #84B577

RGB 132 181 119

HSL 107.42, 0.3%, 0.59%

LAB 68.96, -28.17, 26.53

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 15 / 0 / 23 / 1

HEX #D8FDC3

RGB 216 253 195

HSL 98.28, 0.94%, 0.88%

LAB 95.49, -22.06, 23.91

 

CMYK 9 / 0 / 23 / 1

HEX #E7FDC3

RGB 231 253 195

HSL 82.76, 0.94%, 0.88%

LAB 96.48, -16.87, 25.43

 

CMYK 2 / 0 / 23 / 1

HEX #F7FDC3

RGB 247 253 195

HSL 66.21, 0.94%, 0.88%

LAB 97.62, -11.18, 27.17

 

CMYK 0 / 4 / 23 / 1

HEX #FDF3C3

RGB 253 243 195

HSL 49.66, 0.94%, 0.88%

LAB 95.55, -4.04, 24.4

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCE

RGB 195 253 206

HSL 131.38, 0.94%, 0.88%

LAB 94.44, -27.18, 16.64

 

CMYK 23 / 0 / 13 / 1

HEX #C3FDDD

RGB 195 253 221

HSL 146.9, 0.94%, 0.88%

LAB 94.77, -24.46, 9.4

 

CMYK 23 / 0 / 6 / 1

HEX #C3FDED

RGB 195 253 237

HSL 163.45, 0.94%, 0.88%

LAB 95.15, -21.36, 1.7

 

CMYK 23 / 0 / 0 / 1

HEX #C3FDFC

RGB 195 253 252

HSL 178.97, 0.94%, 0.88%

LAB 95.53, -18.28, -5.48

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 18 / 0 / 19 / 3

HEX #CCF8C8

RGB 204 248 200

HSL 115, 0.77%, 0.88%

LAB 93.51, -22.89, 18.49

 

CMYK 14 / 0 / 16 / 5

HEX #D0F3CD

RGB 208 243 205

HSL 115.26, 0.61%, 0.88%

LAB 92.54, -18.29, 14.58

 

CMYK 11 / 0 / 12 / 7

HEX #D4EED2

RGB 212 238 210

HSL 115.71, 0.45%, 0.88%

LAB 91.59, -13.62, 10.69

 

CMYK 7 / 0 / 8 / 9

HEX #D8E9D7

RGB 216 233 215

HSL 116.67, 0.29%, 0.88%

LAB 90.68, -8.89, 6.81

 

CMYK 8 / 0 / 23 / 1

HEX #E8FDC3

RGB 232 253 195

HSL 81.72, 0.94%, 0.88%

LAB 96.55, -16.51, 25.54

 

CMYK 15 / 0 / 23 / 1

HEX #D8FDC3

RGB 216 253 195

HSL 98.28, 0.94%, 0.88%

LAB 95.49, -22.06, 23.91

 

CMYK 21 / 0 / 23 / 1

HEX #C9FDC3

RGB 201 253 195

HSL 113.79, 0.94%, 0.88%

LAB 94.57, -27.09, 22.49

 

CMYK 23 / 0 / 19 / 1

HEX #C3FDCD

RGB 195 253 205

HSL 130.34, 0.94%, 0.88%

LAB 94.42, -27.35, 17.13

 

CMYK 23 / 0 / 13 / 1

HEX #C3FDDC

RGB 195 253 220

HSL 145.86, 0.94%, 0.88%

LAB 94.75, -24.65, 9.88

 

CMYK 49 / 0 / 54 / 2

HEX #7FFA73

RGB 127 250 115

HSL 114.67, 0.93%, 0.72%

LAB 88.98, -59.84, 53.66

 

CMYK 35 / 0 / 38 / 2

HEX #A3FB9B

RGB 163 251 155

HSL 115, 0.92%, 0.8%

LAB 91.3, -44.54, 37.86

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 7 / 0 / 7 / 0

HEX #EDFEEB

RGB 237 254 235

HSL 113.68, 0.9%, 0.96%

LAB 97.99, -8.92, 7.17

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 2 / 0 / 1

HEX #C3F7FD

RGB 195 247 253

HSL 186.21, 0.94%, 0.88%

LAB 93.98, -15.11, -8.3

 

CMYK 0 / 23 / 11 / 1

HEX #FDC3E0

RGB 253 195 224

HSL 330, 0.94%, 0.88%

LAB 84.64, 25.12, -6.4

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 21 / 0 / 1

HEX #C3C9FD

RGB 195 201 253

HSL 233.79, 0.94%, 0.88%

LAB 82.09, 8.77, -26.17

 

CMYK 0 / 23 / 21 / 1

HEX #FDC3C9

RGB 253 195 201

HSL 353.79, 0.94%, 0.88%

LAB 84.03, 21.57, 5.01

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 2 / 0 / 1

HEX #C3F7FD

RGB 195 247 253

HSL 186.21, 0.94%, 0.88%

LAB 93.98, -15.11, -8.3

 

CMYK 2 / 23 / 0 / 1

HEX #F7C3FD

RGB 247 195 253

HSL 293.79, 0.94%, 0.88%

LAB 84.94, 28.17, -21.44

 

CMYK 0 / 21 / 23 / 1

HEX #FDC9C3

RGB 253 201 195

HSL 6.21, 0.94%, 0.88%

LAB 85.3, 17.56, 10.02

 

CMYK 21 / 0 / 23 / 1

HEX #C8FDC3

RGB 200 253 195

HSL 114.83, 0.94%, 0.88%

LAB 94.51, -27.42, 22.4

 

CMYK 23 / 9 / 0 / 1

HEX #C3E6FD

RGB 195 230 253

HSL 203.79, 0.94%, 0.88%

LAB 89.53, -6.51, -14.92

 

CMYK 2 / 23 / 0 / 1

HEX #F7C3FD

RGB 247 195 253

HSL 293.79, 0.94%, 0.88%

LAB 84.94, 28.17, -21.44

 

CMYK 0 / 14 / 23 / 1

HEX #FDDAC3

RGB 253 218 195

HSL 23.79, 0.94%, 0.88%

LAB 89.38, 8.71, 15.8

 

Description

Color code: HEX #C8FDC3 | qconv.com Color code: HEX #C8FDC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 253 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 253 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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