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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66F8C it is the complementary color #399073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66F8C shade: #CB6F87, #DC819A, #ED93AD, #FEA5C0 and #FFB7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66F8C shade: #C66F8C, #B55D79, #A44B66, #933953 and #822740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66F8C shade: #C6708D, #C67076 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66F8C shade: #C6708D, #C670A4, #C670BB, #BA70C6 and #A370C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66F8C shade matches the following richer shades: #C6708D, #D66087, #E65082 and #F6407D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66F8C shade: #C6708D, #B68092, #A69098, #96A19D and #85B1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66F8C shade: #C670BA, #C670A4, #C6708D, #C67076 and #C68170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66F8C shade: #A34161, #BA5375, #C6708D, #D28EA4 and #DDABBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66F8C shade: #C66F8C, #C6BA70 and #70AFC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66F8C shade: #C66F8C, #8DC670 and #708DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66F8C shade: #C66F8C, #C6BA70, #70C6A9 and #707CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66F8C shade: #C66F8C, #B8C670, #70C6A9 and #7F70C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

Complementary color

CMYK 60 / 0 / 20 / 44

HEX #399073

RGB 57 144 115

HSL 160, 0.43%, 0.39%

LAB 54.08, -33.37, 7.72

 

CMYK 0 / 45 / 33 / 20

HEX #CB6F87

RGB 203 111 135

HSL 344.35, 0.47%, 0.62%

LAB 57.86, 38.94, 3.15

 

CMYK 0 / 41 / 30 / 14

HEX #DC819A

RGB 220 129 154

HSL 343.52, 0.57%, 0.68%

LAB 64.36, 38.04, 1.93

 

CMYK 0 / 38 / 27 / 7

HEX #ED93AD

RGB 237 147 173

HSL 342.67, 0.71%, 0.75%

LAB 70.79, 37.17, 0.86

 

CMYK 0 / 35 / 24 / 0

HEX #FEA5C0

RGB 254 165 192

HSL 341.8, 0.98%, 0.82%

LAB 77.15, 36.36, -0.11

 

CMYK 0 / 28 / 17 / 0

HEX #FFB7D3

RGB 255 183 211

HSL 336.67, 1%, 0.86%

LAB 81.75, 30.07, -3.67

 

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

CMYK 0 / 49 / 33 / 29

HEX #B55D79

RGB 181 93 121

HSL 340.91, 0.37%, 0.54%

LAB 50.73, 38.71, 0.66

 

CMYK 0 / 54 / 38 / 36

HEX #A44B66

RGB 164 75 102

HSL 341.8, 0.37%, 0.47%

LAB 44.07, 39.6, 2.18

 

CMYK 0 / 61 / 44 / 42

HEX #933953

RGB 147 57 83

HSL 342.67, 0.44%, 0.4%

LAB 37.4, 40.38, 4.07

 

CMYK 0 / 70 / 51 / 49

HEX #822740

RGB 130 39 64

HSL 343.52, 0.54%, 0.33%

LAB 30.8, 40.88, 6.55

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 43 / 40 / 22

HEX #C67076

RGB 198 112 118

HSL 355.81, 0.43%, 0.61%

LAB 56.98, 34.54, 11.68

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 43 / 17 / 22

HEX #C670A4

RGB 198 112 164

HSL 323.72, 0.43%, 0.61%

LAB 58.3, 40.79, -13.09

 

CMYK 0 / 43 / 6 / 22

HEX #C670BB

RGB 198 112 187

HSL 307.67, 0.43%, 0.61%

LAB 59.14, 44.62, -25.01

 

CMYK 6 / 43 / 0 / 22

HEX #BA70C6

RGB 186 112 198

HSL 291.63, 0.43%, 0.61%

LAB 58.14, 43, -32.95

 

CMYK 18 / 43 / 0 / 22

HEX #A370C6

RGB 163 112 198

HSL 275.58, 0.43%, 0.61%

LAB 55.53, 36.17, -37.2

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 55 / 37 / 16

HEX #D66087

RGB 214 96 135

HSL 340.17, 0.59%, 0.61%

LAB 56.5, 50.24, 1.36

 

CMYK 0 / 65 / 43 / 10

HEX #E65082

RGB 230 80 130

HSL 340, 0.75%, 0.61%

LAB 56.26, 61.76, 4.28

 

CMYK 0 / 74 / 49 / 4

HEX #F6407D

RGB 246 64 125

HSL 339.89, 0.91%, 0.61%

LAB 56.82, 71.55, 8.4

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 30 / 20 / 29

HEX #B68092

RGB 182 128 146

HSL 340, 0.27%, 0.61%

LAB 59.4, 23.57, -1.29

 

CMYK 0 / 13 / 8 / 35

HEX #A69098

RGB 166 144 152

HSL 338.18, 0.11%, 0.61%

LAB 61.93, 9.62, -1.2

 

CMYK 7 / 0 / 2 / 37

HEX #96A19D

RGB 150 161 157

HSL 158.18, 0.06%, 0.61%

LAB 65.29, -4.69, 0.73

 

CMYK 25 / 0 / 8 / 31

HEX #85B1A2

RGB 133 177 162

HSL 159.55, 0.22%, 0.61%

LAB 68.78, -17.9, 2.89

 

CMYK 0 / 43 / 6 / 22

HEX #C670BA

RGB 198 112 186

HSL 308.37, 0.43%, 0.61%

LAB 59.1, 44.45, -24.5

 

CMYK 0 / 43 / 17 / 22

HEX #C670A4

RGB 198 112 164

HSL 323.72, 0.43%, 0.61%

LAB 58.3, 40.79, -13.09

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 43 / 40 / 22

HEX #C67076

RGB 198 112 118

HSL 355.81, 0.43%, 0.61%

LAB 56.98, 34.54, 11.68

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 0 / 60 / 40 / 36

HEX #A34161

RGB 163 65 97

HSL 340.41, 0.43%, 0.45%

LAB 41.89, 43.6, 2.1

 

CMYK 0 / 55 / 37 / 27

HEX #BA5375

RGB 186 83 117

HSL 340.19, 0.43%, 0.53%

LAB 49.39, 45.02, 1.2

 

CMYK 0 / 43 / 29 / 22

HEX #C6708D

RGB 198 112 141

HSL 339.77, 0.43%, 0.61%

LAB 57.58, 37.42, -0.84

 

CMYK 0 / 32 / 22 / 18

HEX #D28EA4

RGB 210 142 164

HSL 340.59, 0.43%, 0.69%

LAB 66.31, 28.9, -1.03

 

CMYK 0 / 23 / 15 / 13

HEX #DDABBC

RGB 221 171 188

HSL 339.6, 0.42%, 0.77%

LAB 74.91, 20.89, -1.62

 

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

CMYK 0 / 6 / 43 / 22

HEX #C6BA70

RGB 198 186 112

HSL 51.63, 0.43%, 0.61%

LAB 75.01, -6.16, 38.95

 

CMYK 43 / 12 / 0 / 22

HEX #70AFC6

RGB 112 175 198

HSL 196.05, 0.43%, 0.61%

LAB 68.15, -14.16, -18.05

 

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

CMYK 29 / 0 / 43 / 22

HEX #8DC670

RGB 141 198 112

HSL 99.77, 0.43%, 0.61%

LAB 74.33, -34.06, 37.25

 

CMYK 43 / 29 / 0 / 22

HEX #708DC6

RGB 112 141 198

HSL 219.77, 0.43%, 0.61%

LAB 58.58, 4.78, -32.76

 

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

CMYK 0 / 6 / 43 / 22

HEX #C6BA70

RGB 198 186 112

HSL 51.63, 0.43%, 0.61%

LAB 75.01, -6.16, 38.95

 

CMYK 43 / 0 / 15 / 22

HEX #70C6A9

RGB 112 198 169

HSL 159.77, 0.43%, 0.61%

LAB 74, -32.85, 6.46

 

CMYK 43 / 37 / 0 / 22

HEX #707CC6

RGB 112 124 198

HSL 231.63, 0.43%, 0.61%

LAB 53.96, 14.84, -39.99

 

CMYK 0 / 44 / 29 / 22

HEX #C66F8C

RGB 198 111 140

HSL 340, 0.43%, 0.61%

LAB 57.34, 37.81, -0.61

 

CMYK 7 / 0 / 43 / 22

HEX #B8C670

RGB 184 198 112

HSL 69.77, 0.43%, 0.61%

LAB 77.13, -17.93, 41.36

 

CMYK 43 / 0 / 15 / 22

HEX #70C6A9

RGB 112 198 169

HSL 159.77, 0.43%, 0.61%

LAB 74, -32.85, 6.46

 

CMYK 36 / 43 / 0 / 22

HEX #7F70C6

RGB 127 112 198

HSL 250.47, 0.43%, 0.61%

LAB 52.04, 25.98, -42.95

 

Description

Color code: HEX #C66F8C | qconv.com Color code: HEX #C66F8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 111 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 111 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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