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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD897E it is the complementary color #427681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD897E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD897E shade: #C28979, #D39B8C, #E4AD9F, #F5BFB2 and #FFD1C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD897E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD897E shade: #BD897E, #AC776B, #9B6558, #8A5345 and #794132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD897E shade: #BD897F and #BD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD897E shade: #BD897F, #BD9A7F, #BDAB7F, #BDBC7F and #ADBD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD897E shade matches the following richer shades: #BD897F, #CC7F6F, #DC755F, #EC6B50 and #FB6140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD897E shade: #BD897F, #AD948E, #9D9E9E, #8EA8AE and #7EB2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD897E shade: #BD7F95, #BD7F85, #BD897F, #BD997F and #BDAA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD897E shade: #9A5C4F, #AF7063, #BD897F, #CBA29A and #D9BBB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD897E shade: #BD897E, #A6BD7F and #7F8DBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD897E shade: #BD897E, #7FBD89 and #897FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD897E shade: #BD897E, #A6BD7F, #7FB2BD and #957FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD897E shade: #BD897E, #93BD7F, #7FB2BD and #A87FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

Complementary color

CMYK 49 / 9 / 0 / 49

HEX #427681

RGB 66 118 129

HSL 190.48, 0.32%, 0.38%

LAB 46.58, -14.2, -11.44

 

CMYK 0 / 29 / 38 / 24

HEX #C28979

RGB 194 137 121

HSL 13.15, 0.37%, 0.62%

LAB 62.29, 19.72, 17.27

 

CMYK 0 / 27 / 34 / 17

HEX #D39B8C

RGB 211 155 140

HSL 12.68, 0.45%, 0.69%

LAB 68.89, 18.9, 16.08

 

CMYK 0 / 24 / 30 / 11

HEX #E4AD9F

RGB 228 173 159

HSL 12.17, 0.56%, 0.76%

LAB 75.38, 18.18, 14.99

 

CMYK 0 / 22 / 27 / 4

HEX #F5BFB2

RGB 245 191 178

HSL 11.64, 0.77%, 0.83%

LAB 81.78, 17.53, 13.99

 

CMYK 0 / 18 / 23 / 0

HEX #FFD1C5

RGB 255 209 197

HSL 12.41, 1%, 0.89%

LAB 87.43, 14.39, 12.03

 

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

CMYK 0 / 31 / 38 / 33

HEX #AC776B

RGB 172 119 107

HSL 11.08, 0.28%, 0.55%

LAB 55.1, 19.21, 14.95

 

CMYK 0 / 35 / 43 / 39

HEX #9B6558

RGB 155 101 88

HSL 11.64, 0.28%, 0.48%

LAB 48.24, 20.18, 16.32

 

CMYK 0 / 40 / 50 / 46

HEX #8A5345

RGB 138 83 69

HSL 12.17, 0.33%, 0.41%

LAB 41.25, 21.32, 17.91

 

CMYK 0 / 46 / 59 / 53

HEX #794132

RGB 121 65 50

HSL 12.68, 0.42%, 0.34%

LAB 34.14, 22.65, 19.79

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 19 / 33 / 26

HEX #BD9A7F

RGB 189 154 127

HSL 26.13, 0.32%, 0.62%

LAB 66.11, 9.1, 19.08

 

CMYK 0 / 10 / 33 / 26

HEX #BDAB7F

RGB 189 171 127

HSL 42.58, 0.32%, 0.62%

LAB 70.51, -0.13, 25.06

 

CMYK 0 / 1 / 33 / 26

HEX #BDBC7F

RGB 189 188 127

HSL 59.03, 0.32%, 0.62%

LAB 75.02, -9.11, 31.06

 

CMYK 8 / 0 / 33 / 26

HEX #ADBD7F

RGB 173 189 127

HSL 75.48, 0.32%, 0.62%

LAB 74.07, -15.85, 29.57

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 38 / 46 / 20

HEX #CC7F6F

RGB 204 127 111

HSL 10.32, 0.48%, 0.62%

LAB 60.93, 28.03, 21.25

 

CMYK 0 / 47 / 57 / 14

HEX #DC755F

RGB 220 117 95

HSL 10.56, 0.64%, 0.62%

LAB 60.57, 38.1, 30.18

 

CMYK 0 / 55 / 66 / 7

HEX #EC6B50

RGB 236 107 80

HSL 10.38, 0.8%, 0.62%

LAB 60.72, 48.02, 39.13

 

CMYK 0 / 61 / 75 / 2

HEX #FB6140

RGB 251 97 64

HSL 10.59, 0.96%, 0.62%

LAB 61.16, 57.07, 48.71

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 14 / 18 / 32

HEX #AD948E

RGB 173 148 142

HSL 11.61, 0.16%, 0.62%

LAB 63.36, 8.32, 6.61

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 18 / 3 / 0 / 32

HEX #8EA8AE

RGB 142 168 174

HSL 191.25, 0.16%, 0.62%

LAB 67.14, -7.64, -6.1

 

CMYK 33 / 6 / 0 / 26

HEX #7EB2BD

RGB 126 178 189

HSL 190.48, 0.32%, 0.62%

LAB 69.43, -14.33, -11.09

 

CMYK 0 / 33 / 21 / 26

HEX #BD7F95

RGB 189 127 149

HSL 338.71, 0.32%, 0.62%

LAB 60.04, 27.18, -1.98

 

CMYK 0 / 33 / 30 / 26

HEX #BD7F85

RGB 189 127 133

HSL 354.19, 0.32%, 0.62%

LAB 59.61, 24.84, 6.59

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 19 / 33 / 26

HEX #BD997F

RGB 189 153 127

HSL 25.16, 0.32%, 0.62%

LAB 65.85, 9.65, 18.74

 

CMYK 0 / 10 / 33 / 26

HEX #BDAA7F

RGB 189 170 127

HSL 41.61, 0.32%, 0.62%

LAB 70.25, 0.4, 24.71

 

CMYK 0 / 40 / 49 / 40

HEX #9A5C4F

RGB 154 92 79

HSL 10.4, 0.32%, 0.46%

LAB 45.76, 23.92, 18.3

 

CMYK 0 / 36 / 43 / 31

HEX #AF7063

RGB 175 112 99

HSL 10.26, 0.32%, 0.54%

LAB 53.6, 23.41, 17.6

 

CMYK 0 / 28 / 33 / 26

HEX #BD897F

RGB 189 137 127

HSL 9.68, 0.32%, 0.62%

LAB 61.86, 18.49, 13.2

 

CMYK 0 / 20 / 24 / 20

HEX #CBA29A

RGB 203 162 154

HSL 9.8, 0.32%, 0.7%

LAB 70.08, 13.91, 9.9

 

CMYK 0 / 14 / 17 / 15

HEX #D9BBB5

RGB 217 187 181

HSL 10, 0.32%, 0.78%

LAB 78.24, 9.74, 6.98

 

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

CMYK 12 / 0 / 33 / 26

HEX #A6BD7F

RGB 166 189 127

HSL 82.26, 0.32%, 0.62%

LAB 73.57, -18.52, 28.82

 

CMYK 33 / 25 / 0 / 26

HEX #7F8DBD

RGB 127 141 189

HSL 226.45, 0.32%, 0.62%

LAB 59.19, 6.45, -26.64

 

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

CMYK 33 / 0 / 28 / 26

HEX #7FBD89

RGB 127 189 137

HSL 129.68, 0.32%, 0.62%

LAB 71.36, -30.66, 20.11

 

CMYK 28 / 33 / 0 / 26

HEX #897FBD

RGB 137 127 189

HSL 249.68, 0.32%, 0.62%

LAB 56.26, 17.59, -31.12

 

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

CMYK 12 / 0 / 33 / 26

HEX #A6BD7F

RGB 166 189 127

HSL 82.26, 0.32%, 0.62%

LAB 73.57, -18.52, 28.82

 

CMYK 33 / 6 / 0 / 26

HEX #7FB2BD

RGB 127 178 189

HSL 190.65, 0.32%, 0.62%

LAB 69.49, -14.04, -11

 

CMYK 21 / 33 / 0 / 26

HEX #957FBD

RGB 149 127 189

HSL 261.29, 0.32%, 0.62%

LAB 57.31, 21.26, -29.41

 

CMYK 0 / 28 / 33 / 26

HEX #BD897E

RGB 189 137 126

HSL 10.48, 0.32%, 0.62%

LAB 61.84, 18.36, 13.74

 

CMYK 22 / 0 / 33 / 26

HEX #93BD7F

RGB 147 189 127

HSL 100.65, 0.32%, 0.62%

LAB 72.32, -25.52, 26.93

 

CMYK 33 / 6 / 0 / 26

HEX #7FB2BD

RGB 127 178 189

HSL 190.65, 0.32%, 0.62%

LAB 69.49, -14.04, -11

 

CMYK 11 / 33 / 0 / 26

HEX #A87FBD

RGB 168 127 189

HSL 279.68, 0.32%, 0.62%

LAB 59.14, 27.28, -26.43

 

Description

Color code: HEX #BD897E | qconv.com Color code: HEX #BD897E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 137 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 137 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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