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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99CC3C it is the complementary color #6633C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99CC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99CC3C shade: #9ECC37, #AFDE4A, #C0F05D, #D1FF70 and #E2FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99CC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99CC3C shade: #99CC3C, #88BA29, #77A816, #669603 and #558400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99CC3C shade: #99CC3C, #C0CC3C, #CCB23C, #CC8B3C and #CC643C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99CC3C shade: #99CC3C, #72CC3C, #4BCC3C, #3CCC53 and #3CCC7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99CC3C shade matches the following richer shades: #99CC3C, #9FE028 and #A5F414

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99CC3C shade: #99CC3C, #93B950, #8EA563, #889177 and #827D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99CC3C shade: #CCB23C, #C0CC3C, #9ACC3C, #73CC3C and #4DCC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99CC3C shade: #6B9125, #83B22D, #99CC3C, #AAD55D and #BBDD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99CC3C shade: #99CC3C, #3CCC8B and #C53CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99CC3C shade: #99CC3C, #3C9ACC and #CC3C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99CC3C shade: #99CC3C, #3CCC8B, #6E3CCC and #CC3C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99CC3C shade: #99CC3C, #3CCCB7, #6E3CCC and #CC3C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

Complementary color

CMYK 48 / 74 / 0 / 24

HEX #6633C3

RGB 102 51 195

HSL 261.25, 0.59%, 0.48%

LAB 36.24, 53.84, -66.79

 

CMYK 23 / 0 / 73 / 20

HEX #9ECC37

RGB 158 204 55

HSL 78.52, 0.59%, 0.51%

LAB 76.52, -35.73, 65

 

CMYK 21 / 0 / 67 / 13

HEX #AFDE4A

RGB 175 222 74

HSL 79.05, 0.69%, 0.58%

LAB 82.83, -36.21, 64.77

 

CMYK 20 / 0 / 61 / 6

HEX #C0F05D

RGB 192 240 93

HSL 79.59, 0.83%, 0.65%

LAB 89.07, -36.56, 64.14

 

CMYK 18 / 0 / 56 / 0

HEX #D1FF70

RGB 209 255 112

HSL 79.3, 1%, 0.72%

LAB 94.42, -35.47, 62.36

 

CMYK 11 / 0 / 49 / 0

HEX #E2FF83

RGB 226 255 131

HSL 74.03, 1%, 0.76%

LAB 95.72, -27.4, 55.66

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 27 / 0 / 78 / 27

HEX #88BA29

RGB 136 186 41

HSL 80.69, 0.64%, 0.45%

LAB 69.83, -36.83, 62.73

 

CMYK 29 / 0 / 87 / 34

HEX #77A816

RGB 119 168 22

HSL 80.14, 0.77%, 0.37%

LAB 63.33, -36.09, 61.58

 

CMYK 32 / 0 / 98 / 41

HEX #669603

RGB 102 150 3

HSL 79.59, 0.96%, 0.3%

LAB 56.73, -35.11, 59.03

 

CMYK 36 / 0 / 100 / 48

HEX #558400

RGB 85 132 0

HSL 81.36, 1%, 0.26%

LAB 50.02, -33.74, 53.92

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 6 / 0 / 71 / 20

HEX #C0CC3C

RGB 192 204 60

HSL 65, 0.59%, 0.52%

LAB 78.88, -21.74, 66.36

 

CMYK 0 / 13 / 71 / 20

HEX #CCB23C

RGB 204 178 60

HSL 49.17, 0.59%, 0.52%

LAB 72.89, -3.43, 60.78

 

CMYK 0 / 32 / 71 / 20

HEX #CC8B3C

RGB 204 139 60

HSL 32.92, 0.59%, 0.52%

LAB 63.03, 17.54, 50.66

 

CMYK 0 / 51 / 71 / 20

HEX #CC643C

RGB 204 100 60

HSL 16.67, 0.59%, 0.52%

LAB 54.32, 38.36, 41.2

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 44 / 0 / 71 / 20

HEX #72CC3C

RGB 114 204 60

HSL 97.5, 0.59%, 0.52%

LAB 74.25, -51.05, 60.2

 

CMYK 63 / 0 / 71 / 20

HEX #4BCC3C

RGB 75 204 60

HSL 113.75, 0.59%, 0.52%

LAB 72.9, -61.5, 58.38

 

CMYK 71 / 0 / 59 / 20

HEX #3CCC53

RGB 60 204 83

HSL 129.58, 0.59%, 0.52%

LAB 72.74, -62.07, 48.56

 

CMYK 71 / 0 / 40 / 20

HEX #3CCC7A

RGB 60 204 122

HSL 145.83, 0.59%, 0.52%

LAB 73.25, -56.15, 30.15

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 29 / 0 / 82 / 12

HEX #9FE028

RGB 159 224 40

HSL 81.2, 0.75%, 0.52%

LAB 82.29, -44.84, 74.73

 

CMYK 32 / 0 / 92 / 4

HEX #A5F414

RGB 165 244 20

HSL 81.16, 0.91%, 0.52%

LAB 88.33, -51.54, 83.53

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 21 / 0 / 57 / 27

HEX #93B950

RGB 147 185 80

HSL 81.71, 0.43%, 0.52%

LAB 70.51, -29.35, 48.28

 

CMYK 14 / 0 / 40 / 35

HEX #8EA563

RGB 142 165 99

HSL 80.91, 0.27%, 0.52%

LAB 64.61, -19.35, 31.58

 

CMYK 6 / 0 / 18 / 43

HEX #889177

RGB 136 145 119

HSL 80.77, 0.11%, 0.52%

LAB 58.8, -8.13, 12.72

 

CMYK 6 / 10 / 0 / 45

HEX #827D8B

RGB 130 125 139

HSL 261.43, 0.06%, 0.52%

LAB 53.25, 4.73, -6.89

 

CMYK 0 / 13 / 71 / 20

HEX #CCB23C

RGB 204 178 60

HSL 49.17, 0.59%, 0.52%

LAB 72.89, -3.43, 60.78

 

CMYK 6 / 0 / 71 / 20

HEX #C0CC3C

RGB 192 204 60

HSL 65, 0.59%, 0.52%

LAB 78.88, -21.74, 66.36

 

CMYK 25 / 0 / 71 / 20

HEX #9ACC3C

RGB 154 204 60

HSL 80.83, 0.59%, 0.52%

LAB 76.3, -36.99, 62.95

 

CMYK 44 / 0 / 71 / 20

HEX #73CC3C

RGB 115 204 60

HSL 97.08, 0.59%, 0.52%

LAB 74.29, -50.73, 60.26

 

CMYK 62 / 0 / 71 / 20

HEX #4DCC3C

RGB 77 204 60

HSL 112.92, 0.59%, 0.52%

LAB 72.95, -61.06, 58.45

 

CMYK 26 / 0 / 74 / 43

HEX #6B9125

RGB 107 145 37

HSL 81.11, 0.59%, 0.36%

LAB 55.59, -29.54, 49.88

 

CMYK 26 / 0 / 75 / 30

HEX #83B22D

RGB 131 178 45

HSL 81.2, 0.6%, 0.44%

LAB 67.17, -34.94, 58.8

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 20 / 0 / 56 / 16

HEX #AAD55D

RGB 170 213 93

HSL 81.5, 0.59%, 0.6%

LAB 80.14, -32.5, 53.77

 

CMYK 15 / 0 / 43 / 13

HEX #BBDD7D

RGB 187 221 125

HSL 81.25, 0.59%, 0.68%

LAB 83.84, -26.58, 43.35

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 71 / 0 / 32 / 20

HEX #3CCC8B

RGB 60 204 139

HSL 152.92, 0.59%, 0.52%

LAB 73.55, -52.85, 21.67

 

CMYK 3 / 71 / 0 / 20

HEX #C53CCC

RGB 197 60 204

HSL 297.08, 0.59%, 0.52%

LAB 51.22, 70.46, -47.16

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 71 / 25 / 0 / 20

HEX #3C9ACC

RGB 60 154 204

HSL 200.83, 0.59%, 0.52%

LAB 60.28, -11.36, -33.66

 

CMYK 0 / 71 / 25 / 20

HEX #CC3C9A

RGB 204 60 154

HSL 320.83, 0.59%, 0.52%

LAB 49.98, 64.7, -19.79

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 71 / 0 / 32 / 20

HEX #3CCC8B

RGB 60 204 139

HSL 152.92, 0.59%, 0.52%

LAB 73.55, -52.85, 21.67

 

CMYK 46 / 71 / 0 / 20

HEX #6E3CCC

RGB 110 60 204

HSL 260.83, 0.59%, 0.52%

LAB 39.42, 53.18, -66.79

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 25 / 0 / 71 / 20

HEX #99CC3C

RGB 153 204 60

HSL 81.25, 0.59%, 0.52%

LAB 76.24, -37.37, 62.87

 

CMYK 71 / 0 / 10 / 20

HEX #3CCCB7

RGB 60 204 183

HSL 171.25, 0.59%, 0.52%

LAB 74.55, -42.45, -0.5

 

CMYK 46 / 71 / 0 / 20

HEX #6E3CCC

RGB 110 60 204

HSL 260.83, 0.59%, 0.52%

LAB 39.42, 53.18, -66.79

 

CMYK 0 / 71 / 60 / 20

HEX #CC3C52

RGB 204 60 82

HSL 350.83, 0.59%, 0.52%

LAB 47.85, 57.63, 20.69

 

Description

Color code: HEX #99CC3C | qconv.com Color code: HEX #99CC3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 204 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 204 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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