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Color name
HEX #951B8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #951B8C it is the complementary color #6AE473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #951B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #951B8C shade: #9A1B87, #AB2D9A, #BC3FAD, #CD51C0 and #DE63D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #951B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #951B8C shade: #951B8C, #840979, #730066, #620053 and #510040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #951B8C shade: #961B8D, #961B6C, #961B4B, #961B2A and #961B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #951B8C shade: #961B8D, #7E1B96, #5D1B96, #3C1B96 and #1B1B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #951B8C shade matches the following richer shades: #961B8D and #A50D9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #951B8C shade: #961B8D, #882A81, #793875, #6B4668 and #5D555C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #951B8C shade: #5D1B96, #7E1B96, #961B8E, #961B6D and #961B4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #951B8C shade: #510E4C, #73156C, #961B8D, #B922AE and #D82CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #951B8C shade: #951B8C, #963C1B and #1B966D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #951B8C shade: #951B8C, #8E961B and #1B8E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #951B8C shade: #951B8C, #963C1B, #1B9623 and #1B7596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #951B8C shade: #951B8C, #96611B, #1B9623 and #1B5196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

Complementary color

CMYK 54 / 0 / 50 / 11

HEX #6AE473

RGB 106 228 115

HSL 124.43, 0.69%, 0.65%

LAB 81.72, -56.86, 44.69

 

CMYK 0 / 82 / 12 / 40

HEX #9A1B87

RGB 154 27 135

HSL 308.98, 0.7%, 0.35%

LAB 36.75, 60.25, -29.5

 

CMYK 0 / 74 / 10 / 33

HEX #AB2D9A

RGB 171 45 154

HSL 308.1, 0.58%, 0.42%

LAB 42.56, 61.68, -31.74

 

CMYK 0 / 66 / 8 / 26

HEX #BC3FAD

RGB 188 63 173

HSL 307.2, 0.5%, 0.49%

LAB 48.59, 62.25, -33.39

 

CMYK 0 / 60 / 6 / 20

HEX #CD51C0

RGB 205 81 192

HSL 306.29, 0.55%, 0.56%

LAB 54.73, 62.28, -34.64

 

CMYK 0 / 55 / 5 / 13

HEX #DE63D3

RGB 222 99 211

HSL 305.37, 0.65%, 0.63%

LAB 60.92, 61.99, -35.62

 

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

CMYK 0 / 93 / 8 / 48

HEX #840979

RGB 132 9 121

HSL 305.37, 0.87%, 0.28%

LAB 30.6, 57.2, -30.74

 

CMYK 0 / 100 / 11 / 55

HEX #730066

RGB 115 0 102

HSL 306.78, 1%, 0.23%

LAB 25.58, 52.58, -26.7

 

CMYK 0 / 100 / 15 / 62

HEX #620053

RGB 98 0 83

HSL 309.18, 1%, 0.19%

LAB 20.91, 46.41, -21.7

 

CMYK 0 / 100 / 21 / 68

HEX #510040

RGB 81 0 64

HSL 312.59, 1%, 0.16%

LAB 16.1, 40.05, -16.42

 

CMYK 0 / 82 / 6 / 41

HEX #961B8D

RGB 150 27 141

HSL 304.39, 0.69%, 0.35%

LAB 36.35, 60.3, -33.88

 

CMYK 0 / 82 / 28 / 41

HEX #961B6C

RGB 150 27 108

HSL 320.49, 0.69%, 0.35%

LAB 34.7, 55.66, -15.81

 

CMYK 0 / 82 / 50 / 41

HEX #961B4B

RGB 150 27 75

HSL 336.59, 0.69%, 0.35%

LAB 33.51, 52.14, 3.72

 

CMYK 0 / 82 / 72 / 41

HEX #961B2A

RGB 150 27 42

HSL 352.68, 0.69%, 0.35%

LAB 32.78, 49.9, 24.23

 

CMYK 0 / 82 / 82 / 41

HEX #961B1B

RGB 150 27 27

HSL 0, 0.69%, 0.35%

LAB 32.58, 49.3, 33.19

 

CMYK 0 / 82 / 6 / 41

HEX #961B8D

RGB 150 27 141

HSL 304.39, 0.69%, 0.35%

LAB 36.35, 60.3, -33.88

 

CMYK 16 / 82 / 0 / 41

HEX #7E1B96

RGB 126 27 150

HSL 288.29, 0.69%, 0.35%

LAB 32.75, 57.05, -45.4

 

CMYK 38 / 82 / 0 / 41

HEX #5D1B96

RGB 93 27 150

HSL 272.2, 0.69%, 0.35%

LAB 27.61, 51.27, -53.98

 

CMYK 60 / 82 / 0 / 41

HEX #3C1B96

RGB 60 27 150

HSL 256.1, 0.69%, 0.35%

LAB 23.49, 46.68, -60.89

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 0 / 82 / 6 / 41

HEX #961B8D

RGB 150 27 141

HSL 304.39, 0.69%, 0.35%

LAB 36.35, 60.3, -33.88

 

CMYK 0 / 92 / 7 / 35

HEX #A50D9A

RGB 165 13 154

HSL 304.34, 0.85%, 0.35%

LAB 38.93, 67.84, -37.55

 

CMYK 0 / 82 / 6 / 41

HEX #961B8D

RGB 150 27 141

HSL 304.39, 0.69%, 0.35%

LAB 36.35, 60.3, -33.88

 

CMYK 0 / 69 / 5 / 47

HEX #882A81

RGB 136 42 129

HSL 304.47, 0.53%, 0.35%

LAB 34.95, 50.24, -28.82

 

CMYK 0 / 54 / 3 / 53

HEX #793875

RGB 121 56 117

HSL 303.69, 0.37%, 0.35%

LAB 34.35, 37.31, -22.44

 

CMYK 0 / 35 / 3 / 58

HEX #6B4668

RGB 107 70 104

HSL 304.86, 0.21%, 0.35%

LAB 35.01, 21.93, -13.4

 

CMYK 0 / 9 / 1 / 64

HEX #5D555C

RGB 93 85 92

HSL 307.5, 0.04%, 0.35%

LAB 37.11, 4.7, -2.88

 

CMYK 38 / 82 / 0 / 41

HEX #5D1B96

RGB 93 27 150

HSL 272.2, 0.69%, 0.35%

LAB 27.61, 51.27, -53.98

 

CMYK 16 / 82 / 0 / 41

HEX #7E1B96

RGB 126 27 150

HSL 288.29, 0.69%, 0.35%

LAB 32.75, 57.05, -45.4

 

CMYK 0 / 82 / 5 / 41

HEX #961B8E

RGB 150 27 142

HSL 303.9, 0.69%, 0.35%

LAB 36.41, 60.45, -34.4

 

CMYK 0 / 82 / 27 / 41

HEX #961B6D

RGB 150 27 109

HSL 320, 0.69%, 0.35%

LAB 34.75, 55.78, -16.38

 

CMYK 0 / 82 / 49 / 41

HEX #961B4C

RGB 150 27 76

HSL 336.1, 0.69%, 0.35%

LAB 33.54, 52.23, 3.11

 

CMYK 0 / 83 / 6 / 68

HEX #510E4C

RGB 81 14 76

HSL 304.48, 0.71%, 0.19%

LAB 18.3, 37.67, -21.29

 

CMYK 0 / 82 / 6 / 55

HEX #73156C

RGB 115 21 108

HSL 304.47, 0.69%, 0.27%

LAB 27.47, 49.01, -27.59

 

CMYK 0 / 82 / 6 / 41

HEX #961B8D

RGB 150 27 141

HSL 304.39, 0.69%, 0.35%

LAB 36.35, 60.3, -33.88

 

CMYK 0 / 82 / 6 / 27

HEX #B922AE

RGB 185 34 174

HSL 304.37, 0.69%, 0.43%

LAB 44.96, 70.79, -39.74

 

CMYK 0 / 80 / 6 / 15

HEX #D82CCB

RGB 216 44 203

HSL 304.53, 0.69%, 0.51%

LAB 52.63, 78.86, -44.16

 

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

CMYK 0 / 60 / 82 / 41

HEX #963C1B

RGB 150 60 27

HSL 16.1, 0.69%, 0.35%

LAB 37.47, 36.01, 37.98

 

CMYK 82 / 0 / 27 / 41

HEX #1B966D

RGB 27 150 109

HSL 160, 0.69%, 0.35%

LAB 55.23, -42.21, 12.65

 

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

CMYK 5 / 0 / 82 / 41

HEX #8E961B

RGB 142 150 27

HSL 63.9, 0.69%, 0.35%

LAB 59.56, -17.51, 57.72

 

CMYK 82 / 5 / 0 / 41

HEX #1B8E96

RGB 27 142 150

HSL 183.9, 0.69%, 0.35%

LAB 53.79, -26.9, -12.96

 

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

CMYK 0 / 60 / 82 / 41

HEX #963C1B

RGB 150 60 27

HSL 16.1, 0.69%, 0.35%

LAB 37.47, 36.01, 37.98

 

CMYK 82 / 0 / 77 / 41

HEX #1B9623

RGB 27 150 35

HSL 123.9, 0.69%, 0.35%

LAB 54.2, -54.15, 48.23

 

CMYK 82 / 22 / 0 / 41

HEX #1B7596

RGB 27 117 150

HSL 196.1, 0.69%, 0.35%

LAB 45.85, -13.56, -25.12

 

CMYK 0 / 82 / 6 / 42

HEX #951B8C

RGB 149 27 140

HSL 304.43, 0.69%, 0.35%

LAB 36.11, 59.93, -33.65

 

CMYK 0 / 35 / 82 / 41

HEX #96611B

RGB 150 97 27

HSL 34.15, 0.69%, 0.35%

LAB 45.79, 15.66, 45.76

 

CMYK 82 / 0 / 77 / 41

HEX #1B9623

RGB 27 150 35

HSL 123.9, 0.69%, 0.35%

LAB 54.2, -54.15, 48.23

 

CMYK 82 / 46 / 0 / 41

HEX #1B5196

RGB 27 81 150

HSL 213.66, 0.69%, 0.35%

LAB 34.64, 8.77, -42.82

 

Description

Color code: HEX #951B8C | qconv.com Color code: HEX #951B8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 27 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 27 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 6 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 6% 42% C M Y K

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Provide designers and agencies with accurate color values.

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