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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE4A8 it is the complementary color #751B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE4A8 shade: #8FE4A3, #A0F6B6, #B1FFC9, #C2FFDC and #D3FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE4A8 shade: #8AE4A8, #79D295, #68C082, #57AE6F and #469C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE4A8 shade: #8AE4A8, #8AE490, #9DE48A, #B5E48A and #CDE48A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE4A8 shade: #8AE4A8, #8AE4C0, #8AE4D9, #8AD7E4 and #8ABFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE4A8 shade matches the following richer shades: #8AE4A8, #7FF0A4 and #73FBA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE4A8 shade: #8AE4A8, #96D9AC, #A1CDB0, #ADC1B4 and #B8B6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE4A8 shade: #9CE48A, #8AE490, #8AE4A8, #8AE4C0 and #8AE4D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE4A8 shade: #47D576, #68DC8F, #8AE4A8, #ACECC1 and #CDF3DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE4A8 shade: #8AE4A8, #8AB4E4 and #E48A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE4A8 shade: #8AE4A8, #A88AE4 and #E4A88A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE4A8 shade: #8AE4A8, #8AB4E4, #E48AC6 and #E4BA8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE4A8 shade: #8AE4A8, #8A99E4, #E48AC6 and #E4D58A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

Complementary color

CMYK 0 / 77 / 26 / 54

HEX #751B57

RGB 117 27 87

HSL 320, 0.63%, 0.28%

LAB 27.45, 44.35, -13.9

 

CMYK 37 / 0 / 29 / 11

HEX #8FE4A3

RGB 143 228 163

HSL 134.12, 0.61%, 0.73%

LAB 83.95, -39.16, 23.81

 

CMYK 35 / 0 / 26 / 4

HEX #A0F6B6

RGB 160 246 182

HSL 135.35, 0.83%, 0.8%

LAB 90.21, -38.9, 22.76

 

CMYK 31 / 0 / 21 / 0

HEX #B1FFC9

RGB 177 255 201

HSL 138.46, 1%, 0.85%

LAB 93.92, -34.56, 18.32

 

CMYK 24 / 0 / 14 / 0

HEX #C2FFDC

RGB 194 255 220

HSL 145.57, 1%, 0.88%

LAB 95.23, -25.91, 10.56

 

CMYK 17 / 0 / 6 / 0

HEX #D3FFEF

RGB 211 255 239

HSL 158.18, 1%, 0.91%

LAB 96.66, -17.06, 2.98

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 42 / 0 / 29 / 18

HEX #79D295

RGB 121 210 149

HSL 138.88, 0.5%, 0.65%

LAB 77.48, -39.96, 22.08

 

CMYK 46 / 0 / 32 / 25

HEX #68C082

RGB 104 192 130

HSL 137.73, 0.41%, 0.58%

LAB 71.05, -40.19, 23.25

 

CMYK 50 / 0 / 36 / 32

HEX #57AE6F

RGB 87 174 111

HSL 136.55, 0.35%, 0.51%

LAB 64.52, -40.37, 24.5

 

CMYK 55 / 0 / 41 / 39

HEX #469C5C

RGB 70 156 92

HSL 135.35, 0.38%, 0.44%

LAB 57.9, -40.46, 25.86

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 0 / 37 / 11

HEX #8AE490

RGB 138 228 144

HSL 124, 0.63%, 0.72%

LAB 83.39, -43.81, 32.75

 

CMYK 31 / 0 / 39 / 11

HEX #9DE48A

RGB 157 228 138

HSL 107.33, 0.63%, 0.72%

LAB 84.22, -38.75, 37.03

 

CMYK 21 / 0 / 39 / 11

HEX #B5E48A

RGB 181 228 138

HSL 91.33, 0.63%, 0.72%

LAB 85.58, -30.51, 39.05

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 0 / 16 / 11

HEX #8AE4C0

RGB 138 228 192

HSL 156, 0.63%, 0.72%

LAB 84.33, -34.99, 9.15

 

CMYK 39 / 0 / 5 / 11

HEX #8AE4D9

RGB 138 228 217

HSL 172.67, 0.63%, 0.72%

LAB 84.95, -29.48, -3.13

 

CMYK 39 / 6 / 0 / 11

HEX #8AD7E4

RGB 138 215 228

HSL 188.67, 0.63%, 0.72%

LAB 81.62, -20.46, -13.89

 

CMYK 39 / 16 / 0 / 11

HEX #8ABFE4

RGB 138 191 228

HSL 204.67, 0.63%, 0.72%

LAB 74.99, -8.03, -23.92

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 47 / 0 / 32 / 6

HEX #7FF0A4

RGB 127 240 164

HSL 139.65, 0.79%, 0.72%

LAB 86.76, -48.62, 27.01

 

CMYK 54 / 0 / 36 / 2

HEX #73FBA0

RGB 115 251 160

HSL 139.85, 0.94%, 0.72%

LAB 89.48, -56.71, 32.61

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AC

RGB 150 217 172

HSL 139.7, 0.47%, 0.72%

LAB 81.34, -30.34, 15.54

 

CMYK 21 / 0 / 14 / 20

HEX #A1CDB0

RGB 161 205 176

HSL 140.45, 0.31%, 0.72%

LAB 78.68, -20.24, 9.74

 

CMYK 10 / 0 / 7 / 24

HEX #ADC1B4

RGB 173 193 180

HSL 141, 0.14%, 0.72%

LAB 76.26, -9.32, 4.22

 

CMYK 0 / 1 / 0 / 28

HEX #B8B6B8

RGB 184 182 184

HSL 300, 0.01%, 0.72%

LAB 74.26, 1.08, -0.77

 

CMYK 32 / 0 / 39 / 11

HEX #9CE48A

RGB 156 228 138

HSL 108, 0.63%, 0.72%

LAB 84.17, -39.08, 36.96

 

CMYK 39 / 0 / 37 / 11

HEX #8AE490

RGB 138 228 144

HSL 124, 0.63%, 0.72%

LAB 83.39, -43.81, 32.75

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 0 / 16 / 11

HEX #8AE4C0

RGB 138 228 192

HSL 156, 0.63%, 0.72%

LAB 84.33, -34.99, 9.15

 

CMYK 39 / 0 / 5 / 11

HEX #8AE4D8

RGB 138 228 216

HSL 172, 0.63%, 0.72%

LAB 84.92, -29.71, -2.64

 

CMYK 67 / 0 / 45 / 16

HEX #47D576

RGB 71 213 118

HSL 139.86, 0.63%, 0.56%

LAB 76.21, -58.32, 36.08

 

CMYK 53 / 0 / 35 / 14

HEX #68DC8F

RGB 104 220 143

HSL 140.17, 0.62%, 0.64%

LAB 79.68, -49.77, 28.08

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 27 / 0 / 18 / 7

HEX #ACECC1

RGB 172 236 193

HSL 139.69, 0.63%, 0.8%

LAB 88.26, -28.66, 14.45

 

CMYK 16 / 0 / 10 / 5

HEX #CDF3DA

RGB 205 243 218

HSL 140.53, 0.61%, 0.88%

LAB 92.64, -16.99, 7.97

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 21 / 0 / 11

HEX #8AB4E4

RGB 138 180 228

HSL 212, 0.63%, 0.72%

LAB 71.99, -2.08, -28.51

 

CMYK 0 / 39 / 37 / 11

HEX #E48A90

RGB 228 138 144

HSL 356, 0.63%, 0.72%

LAB 67.04, 34.97, 11.55

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 26 / 39 / 0 / 11

HEX #A88AE4

RGB 168 138 228

HSL 260, 0.63%, 0.72%

LAB 63.43, 29.95, -41.65

 

CMYK 0 / 26 / 39 / 11

HEX #E4A88A

RGB 228 168 138

HSL 20, 0.63%, 0.72%

LAB 73.76, 18.29, 24.16

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 21 / 0 / 11

HEX #8AB4E4

RGB 138 180 228

HSL 212, 0.63%, 0.72%

LAB 71.99, -2.08, -28.51

 

CMYK 0 / 39 / 13 / 11

HEX #E48AC6

RGB 228 138 198

HSL 320, 0.63%, 0.72%

LAB 68.57, 42.51, -16.51

 

CMYK 0 / 18 / 39 / 11

HEX #E4BA8A

RGB 228 186 138

HSL 32, 0.63%, 0.72%

LAB 78.14, 8.71, 30.02

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 39 / 33 / 0 / 11

HEX #8A99E4

RGB 138 153 228

HSL 230, 0.63%, 0.72%

LAB 64.79, 13.1, -39.68

 

CMYK 0 / 39 / 13 / 11

HEX #E48AC6

RGB 228 138 198

HSL 320, 0.63%, 0.72%

LAB 68.57, 42.51, -16.51

 

CMYK 0 / 7 / 39 / 11

HEX #E4D58A

RGB 228 213 138

HSL 50, 0.63%, 0.72%

LAB 84.95, -5.33, 38.93

 

Description

Color code: HEX #8AE4A8 | qconv.com Color code: HEX #8AE4A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 228 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 228 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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