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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563C92 it is the complementary color #A9C36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563C92 shade: #5B3C8D, #6C4EA0, #7D60B3, #8E72C6 and #9F84D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563C92 shade: #563C92, #452A7F, #34186C, #230659 and #120046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563C92 shade: #553B90, #6C3B90, #833B90, #903B87 and #903B70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563C92 shade: #553B90, #3D3B90 and #3B3B90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563C92 shade matches the following richer shades: #553B90, #4E2AA1, #481AB1 and #4109C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563C92 shade: #553B90, #5B4B80, #625C6F, #686C5F and #6F7D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563C92 shade: #3B4F90, #3E3B90, #543B90, #6B3B90 and #823B90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563C92 shade: #322356, #432F73, #553B90, #6647AE and #7C60BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563C92 shade: #563C92, #903B66 and #43903B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563C92 shade: #563C92, #90543B and #3B9054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563C92 shade: #563C92, #903B66, #77903B and #3B9066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563C92 shade: #563C92, #903B4C, #77903B and #3B907F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

Complementary color

CMYK 13 / 0 / 44 / 24

HEX #A9C36D

RGB 169 195 109

HSL 78.14, 0.42%, 0.6%

LAB 75.18, -22.64, 40.2

 

CMYK 35 / 57 / 0 / 45

HEX #5B3C8D

RGB 91 60 141

HSL 262.96, 0.4%, 0.39%

LAB 32.65, 31.99, -40.28

 

CMYK 33 / 51 / 0 / 37

HEX #6C4EA0

RGB 108 78 160

HSL 261.95, 0.34%, 0.47%

LAB 39.87, 30.88, -40.16

 

CMYK 30 / 46 / 0 / 30

HEX #7D60B3

RGB 125 96 179

HSL 260.96, 0.35%, 0.54%

LAB 46.95, 29.87, -40.04

 

CMYK 28 / 42 / 0 / 22

HEX #8E72C6

RGB 142 114 198

HSL 260, 0.42%, 0.61%

LAB 53.88, 28.95, -39.95

 

CMYK 27 / 39 / 0 / 15

HEX #9F84D9

RGB 159 132 217

HSL 259.06, 0.53%, 0.68%

LAB 60.68, 28.12, -39.89

 

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

CMYK 46 / 67 / 0 / 50

HEX #452A7F

RGB 69 42 127

HSL 259.06, 0.5%, 0.33%

LAB 25.12, 33.48, -43.86

 

CMYK 52 / 78 / 0 / 58

HEX #34186C

RGB 52 24 108

HSL 260, 0.64%, 0.26%

LAB 17.76, 34.67, -43.75

 

CMYK 61 / 93 / 0 / 65

HEX #230659

RGB 35 6 89

HSL 260.96, 0.87%, 0.19%

LAB 10.62, 35.15, -42.96

 

CMYK 74 / 100 / 0 / 73

HEX #120046

RGB 18 0 70

HSL 255.43, 1%, 0.14%

LAB 5.16, 30.05, -38.92

 

CMYK 41 / 59 / 0 / 44

HEX #553B90

RGB 85 59 144

HSL 258.35, 0.42%, 0.4%

LAB 31.97, 31.94, -43.26

 

CMYK 25 / 59 / 0 / 44

HEX #6C3B90

RGB 108 59 144

HSL 274.59, 0.42%, 0.4%

LAB 34.66, 37.81, -38.8

 

CMYK 9 / 59 / 0 / 44

HEX #833B90

RGB 131 59 144

HSL 290.82, 0.42%, 0.4%

LAB 37.78, 44.01, -33.64

 

CMYK 0 / 59 / 6 / 44

HEX #903B87

RGB 144 59 135

HSL 306.35, 0.42%, 0.4%

LAB 39.25, 45.96, -25.7

 

CMYK 0 / 59 / 22 / 44

HEX #903B70

RGB 144 59 112

HSL 322.59, 0.42%, 0.4%

LAB 38.25, 42.2, -13.01

 

CMYK 41 / 59 / 0 / 44

HEX #553B90

RGB 85 59 144

HSL 258.35, 0.42%, 0.4%

LAB 31.97, 31.94, -43.26

 

CMYK 58 / 59 / 0 / 44

HEX #3D3B90

RGB 61 59 144

HSL 241.41, 0.42%, 0.4%

LAB 29.75, 26.61, -46.96

 

CMYK 59 / 59 / 0 / 44

HEX #3B3B90

RGB 59 59 144

HSL 240, 0.42%, 0.4%

LAB 29.59, 26.21, -47.22

 

CMYK 41 / 59 / 0 / 44

HEX #553B90

RGB 85 59 144

HSL 258.35, 0.42%, 0.4%

LAB 31.97, 31.94, -43.26

 

CMYK 52 / 74 / 0 / 37

HEX #4E2AA1

RGB 78 42 161

HSL 258.15, 0.59%, 0.4%

LAB 29.03, 45.09, -58.45

 

CMYK 59 / 85 / 0 / 31

HEX #481AB1

RGB 72 26 177

HSL 258.28, 0.74%, 0.4%

LAB 27.55, 55.79, -70.55

 

CMYK 66 / 95 / 0 / 24

HEX #4109C2

RGB 65 9 194

HSL 258.16, 0.91%, 0.4%

LAB 27.34, 64.14, -81.02

 

CMYK 41 / 59 / 0 / 44

HEX #553B90

RGB 85 59 144

HSL 258.35, 0.42%, 0.4%

LAB 31.97, 31.94, -43.26

 

CMYK 29 / 41 / 0 / 50

HEX #5B4B80

RGB 91 75 128

HSL 258.11, 0.26%, 0.4%

LAB 35.63, 19.1, -27.56

 

CMYK 12 / 17 / 0 / 56

HEX #625C6F

RGB 98 92 111

HSL 258.95, 0.09%, 0.4%

LAB 40.24, 6.53, -9.91

 

CMYK 4 / 0 / 12 / 58

HEX #686C5F

RGB 104 108 95

HSL 78.46, 0.06%, 0.4%

LAB 44.93, -4.13, 6.75

 

CMYK 11 / 0 / 38 / 51

HEX #6F7D4E

RGB 111 125 78

HSL 77.87, 0.23%, 0.4%

LAB 50.21, -13.62, 23.95

 

CMYK 59 / 45 / 0 / 44

HEX #3B4F90

RGB 59 79 144

HSL 225.88, 0.42%, 0.4%

LAB 35.07, 12.98, -38.4

 

CMYK 57 / 59 / 0 / 44

HEX #3E3B90

RGB 62 59 144

HSL 242.12, 0.42%, 0.4%

LAB 29.83, 26.81, -46.83

 

CMYK 42 / 59 / 0 / 44

HEX #543B90

RGB 84 59 144

HSL 257.65, 0.42%, 0.4%

LAB 31.87, 31.7, -43.43

 

CMYK 26 / 59 / 0 / 44

HEX #6B3B90

RGB 107 59 144

HSL 273.88, 0.42%, 0.4%

LAB 34.53, 37.54, -39.01

 

CMYK 10 / 59 / 0 / 44

HEX #823B90

RGB 130 59 144

HSL 290.12, 0.42%, 0.4%

LAB 37.64, 43.74, -33.88

 

CMYK 42 / 59 / 0 / 66

HEX #322356

RGB 50 35 86

HSL 257.65, 0.42%, 0.24%

LAB 18.15, 20.65, -28.58

 

CMYK 42 / 59 / 0 / 55

HEX #432F73

RGB 67 47 115

HSL 257.65, 0.42%, 0.32%

LAB 25.15, 26.32, -36.2

 

CMYK 41 / 59 / 0 / 44

HEX #553B90

RGB 85 59 144

HSL 258.35, 0.42%, 0.4%

LAB 31.97, 31.94, -43.26

 

CMYK 41 / 59 / 0 / 32

HEX #6647AE

RGB 102 71 174

HSL 258.06, 0.42%, 0.48%

LAB 38.53, 37.38, -50.69

 

CMYK 35 / 49 / 0 / 25

HEX #7C60BE

RGB 124 96 190

HSL 257.87, 0.42%, 0.56%

LAB 47.45, 32.5, -45.64

 

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

CMYK 0 / 59 / 29 / 44

HEX #903B66

RGB 144 59 102

HSL 329.65, 0.42%, 0.4%

LAB 37.87, 40.75, -7.31

 

CMYK 53 / 0 / 59 / 44

HEX #43903B

RGB 67 144 59

HSL 114.35, 0.42%, 0.4%

LAB 53.44, -41.2, 37.42

 

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

CMYK 0 / 42 / 59 / 44

HEX #90543B

RGB 144 84 59

HSL 17.65, 0.42%, 0.4%

LAB 42.13, 22.37, 25.18

 

CMYK 59 / 0 / 42 / 44

HEX #3B9054

RGB 59 144 84

HSL 137.65, 0.42%, 0.4%

LAB 53.51, -39.53, 24.4

 

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

CMYK 0 / 59 / 29 / 44

HEX #903B66

RGB 144 59 102

HSL 329.65, 0.42%, 0.4%

LAB 37.87, 40.75, -7.31

 

CMYK 17 / 0 / 59 / 44

HEX #77903B

RGB 119 144 59

HSL 77.65, 0.42%, 0.4%

LAB 56.27, -22.43, 41.41

 

CMYK 59 / 0 / 29 / 44

HEX #3B9066

RGB 59 144 102

HSL 150.35, 0.42%, 0.4%

LAB 53.85, -35.93, 14.81

 

CMYK 41 / 59 / 0 / 43

HEX #563C92

RGB 86 60 146

HSL 258.14, 0.42%, 0.4%

LAB 32.45, 32.16, -43.71

 

CMYK 0 / 59 / 47 / 44

HEX #903B4C

RGB 144 59 76

HSL 348, 0.42%, 0.4%

LAB 37.08, 37.59, 7.99

 

CMYK 17 / 0 / 59 / 44

HEX #77903B

RGB 119 144 59

HSL 77.65, 0.42%, 0.4%

LAB 56.27, -22.43, 41.41

 

CMYK 59 / 0 / 12 / 44

HEX #3B907F

RGB 59 144 127

HSL 168, 0.42%, 0.4%

LAB 54.46, -29.9, 1.37

 

Description

Color code: HEX #563C92 | qconv.com Color code: HEX #563C92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 60 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 60 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 59 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 59% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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