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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3E2A it is the complementary color #C1C1D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3E2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3E2A shade: #433E25, #545038, #65624B, #76745E and #878671

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3E2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3E2A shade: #3E3E2A, #2D2C17, #1C1A04 and #0B0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3E2A shade: #3C3C29, #3C3729, #3C3229, #3C2D29 and #3C2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3E2A shade: #3C3C29, #373C29, #323C29, #2D3C29 and #293C2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3E2A shade matches the following richer shades: #3C3C29, #444421, #4D4D18, #555510 and #5D5D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3E2A shade: #3C3C29, #343431, #2C2C39, #232342 and #1B1B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3E2A shade: #3C3229, #3C3729, #3C3C29, #373C29 and #323C29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3E2A shade: #0B0B07, #242418, #3C3C29, #55553A and #6D6D4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3E2A shade: #3E3E2A, #293C2D and #34293C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3E2A shade: #3E3E2A, #293C3C and #3C293C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3E2A shade: #3E3E2A, #293C2D, #29293C and #3C2938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3E2A shade: #3E3E2A, #293C33, #29293C and #3C2933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

Complementary color

CMYK 9 / 9 / 0 / 16

HEX #C1C1D5

RGB 193 193 213

HSL 240, 0.19%, 0.8%

LAB 78.63, 3.86, -9.98

 

CMYK 0 / 7 / 45 / 74

HEX #433E25

RGB 67 62 37

HSL 50, 0.29%, 0.2%

LAB 26.08, -2.22, 16.15

 

CMYK 0 / 5 / 33 / 67

HEX #545038

RGB 84 80 56

HSL 51.43, 0.2%, 0.27%

LAB 33.79, -2.67, 14.77

 

CMYK 0 / 3 / 26 / 60

HEX #65624B

RGB 101 98 75

HSL 53.08, 0.15%, 0.35%

LAB 41.23, -2.99, 13.55

 

CMYK 0 / 2 / 20 / 54

HEX #76745E

RGB 118 116 94

HSL 55, 0.11%, 0.42%

LAB 48.45, -3.24, 12.46

 

CMYK 0 / 1 / 16 / 47

HEX #878671

RGB 135 134 113

HSL 57.27, 0.09%, 0.49%

LAB 55.48, -3.44, 11.46

 

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

CMYK 0 / 2 / 49 / 82

HEX #2D2C17

RGB 45 44 23

HSL 57.27, 0.32%, 0.13%

LAB 17.56, -3.51, 13.78

 

CMYK 0 / 7 / 86 / 89

HEX #1C1A04

RGB 28 26 4

HSL 55, 0.75%, 0.06%

LAB 8.94, -2.92, 11.69

 

CMYK 0 / 27 / 100 / 96

HEX #0B0800

RGB 11 8 0

HSL 43.64, 1%, 0.02%

LAB 2.21, -0.32, 3.31

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 0 / 8 / 32 / 76

HEX #3C3729

RGB 60 55 41

HSL 44.21, 0.19%, 0.2%

LAB 23.18, -0.5, 9.59

 

CMYK 0 / 17 / 32 / 76

HEX #3C3229

RGB 60 50 41

HSL 28.42, 0.19%, 0.2%

LAB 21.59, 2.8, 7.4

 

CMYK 0 / 25 / 32 / 76

HEX #3C2D29

RGB 60 45 41

HSL 12.63, 0.19%, 0.2%

LAB 20.03, 6.17, 5.23

 

CMYK 0 / 32 / 32 / 76

HEX #3C2929

RGB 60 41 41

HSL 0, 0.19%, 0.2%

LAB 18.83, 8.88, 3.52

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 8 / 0 / 32 / 76

HEX #373C29

RGB 55 60 41

HSL 75.79, 0.19%, 0.2%

LAB 24.33, -6.07, 11.08

 

CMYK 17 / 0 / 32 / 76

HEX #323C29

RGB 50 60 41

HSL 91.58, 0.19%, 0.2%

LAB 23.9, -8.36, 10.42

 

CMYK 25 / 0 / 32 / 76

HEX #2D3C29

RGB 45 60 41

HSL 107.37, 0.19%, 0.2%

LAB 23.5, -10.56, 9.81

 

CMYK 32 / 0 / 30 / 76

HEX #293C2A

RGB 41 60 42

HSL 123.16, 0.19%, 0.2%

LAB 23.24, -12.03, 8.74

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 0 / 0 / 51 / 73

HEX #444421

RGB 68 68 33

HSL 60, 0.35%, 0.2%

LAB 28.04, -5.98, 21.08

 

CMYK 0 / 0 / 69 / 70

HEX #4D4D18

RGB 77 77 24

HSL 60, 0.52%, 0.2%

LAB 31.7, -7.84, 30.4

 

CMYK 0 / 0 / 81 / 67

HEX #555510

RGB 85 85 16

HSL 60, 0.68%, 0.2%

LAB 34.93, -9.08, 37.34

 

CMYK 0 / 0 / 91 / 64

HEX #5D5D08

RGB 93 93 8

HSL 60, 0.84%, 0.2%

LAB 38.15, -10.06, 42.92

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 0 / 0 / 6 / 80

HEX #343431

RGB 52 52 49

HSL 60, 0.03%, 0.2%

LAB 21.61, -0.68, 1.89

 

CMYK 23 / 23 / 0 / 78

HEX #2C2C39

RGB 44 44 57

HSL 240, 0.13%, 0.2%

LAB 18.51, 3.41, -8.28

 

CMYK 47 / 47 / 0 / 74

HEX #232342

RGB 35 35 66

HSL 240, 0.31%, 0.2%

LAB 15.24, 9.51, -19.67

 

CMYK 64 / 64 / 0 / 71

HEX #1B1B4A

RGB 27 27 74

HSL 240, 0.47%, 0.2%

LAB 12.68, 16.23, -29.36

 

CMYK 0 / 17 / 32 / 76

HEX #3C3229

RGB 60 50 41

HSL 28.42, 0.19%, 0.2%

LAB 21.59, 2.8, 7.4

 

CMYK 0 / 8 / 32 / 76

HEX #3C3729

RGB 60 55 41

HSL 44.21, 0.19%, 0.2%

LAB 23.18, -0.5, 9.59

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 8 / 0 / 32 / 76

HEX #373C29

RGB 55 60 41

HSL 75.79, 0.19%, 0.2%

LAB 24.33, -6.07, 11.08

 

CMYK 17 / 0 / 32 / 76

HEX #323C29

RGB 50 60 41

HSL 91.58, 0.19%, 0.2%

LAB 23.9, -8.36, 10.42

 

CMYK 0 / 0 / 36 / 96

HEX #0B0B07

RGB 11 11 7

HSL 60, 0.22%, 0.04%

LAB 2.94, -0.56, 1.52

 

CMYK 0 / 0 / 33 / 86

HEX #242418

RGB 36 36 24

HSL 60, 0.2%, 0.12%

LAB 13.84, -2.57, 8.05

 

CMYK 0 / 0 / 32 / 76

HEX #3C3C29

RGB 60 60 41

HSL 60, 0.19%, 0.2%

LAB 24.8, -3.72, 11.79

 

CMYK 0 / 0 / 32 / 67

HEX #55553A

RGB 85 85 58

HSL 60, 0.19%, 0.28%

LAB 35.47, -4.94, 15.8

 

CMYK 0 / 0 / 32 / 57

HEX #6D6D4A

RGB 109 109 74

HSL 60, 0.19%, 0.36%

LAB 45.2, -6.09, 19.61

 

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

CMYK 32 / 0 / 25 / 76

HEX #293C2D

RGB 41 60 45

HSL 132.63, 0.19%, 0.2%

LAB 23.31, -11.37, 6.87

 

CMYK 13 / 32 / 0 / 76

HEX #34293C

RGB 52 41 60

HSL 274.74, 0.19%, 0.2%

LAB 18.55, 9.53, -10.22

 

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

CMYK 32 / 0 / 0 / 76

HEX #293C3C

RGB 41 60 60

HSL 180, 0.19%, 0.2%

LAB 23.77, -7.55, -2.46

 

CMYK 0 / 32 / 0 / 76

HEX #3C293C

RGB 60 41 60

HSL 300, 0.19%, 0.2%

LAB 19.53, 12.77, -8.64

 

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

CMYK 32 / 0 / 25 / 76

HEX #293C2D

RGB 41 60 45

HSL 132.63, 0.19%, 0.2%

LAB 23.31, -11.37, 6.87

 

CMYK 32 / 32 / 0 / 76

HEX #29293C

RGB 41 41 60

HSL 240, 0.19%, 0.2%

LAB 17.38, 5.26, -12.11

 

CMYK 0 / 32 / 7 / 76

HEX #3C2938

RGB 60 41 56

HSL 312.63, 0.19%, 0.2%

LAB 19.36, 11.86, -6.13

 

CMYK 0 / 0 / 32 / 76

HEX #3E3E2A

RGB 62 62 42

HSL 60, 0.19%, 0.2%

LAB 25.67, -3.88, 12.34

 

CMYK 32 / 0 / 15 / 76

HEX #293C33

RGB 41 60 51

HSL 151.58, 0.19%, 0.2%

LAB 23.48, -9.94, 3.12

 

CMYK 32 / 32 / 0 / 76

HEX #29293C

RGB 41 41 60

HSL 240, 0.19%, 0.2%

LAB 17.38, 5.26, -12.11

 

CMYK 0 / 32 / 15 / 76

HEX #3C2933

RGB 60 41 51

HSL 328.42, 0.19%, 0.2%

LAB 19.16, 10.79, -2.95

 

Description

Color code: HEX #3E3E2A | qconv.com Color code: HEX #3E3E2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 62 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 62 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 32 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 32% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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