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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3457 it is the complementary color #C1CBA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3457 shade: #433452, #544665, #655878, #766A8B and #877C9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3457 shade: #3E3457, #2D2244, #1C1031, #0B001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3457 shade: #3D3356, #463356, #503356, #563352 and #563349

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3457 shade: #3D3356, #343356 and #333356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3457 shade matches the following richer shades: #3D3356, #382861, #331D6C, #2F1277 and #2A0782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3457 shade: #3D3356, #423E4A, #47493F, #4B5534 and #506029

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3457 shade: #333C56, #343356, #3D3356, #463356 and #4F3356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3457 shade: #181422, #2B243C, #3D3356, #4F436F and #625289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3457 shade: #3E3457, #563345 and #375633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3457 shade: #3E3457, #563D33 and #33563D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3457 shade: #3E3457, #563345, #4C5633 and #335644

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3457 shade: #3E3457, #56333B, #4C5633 and #33564E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

Complementary color

CMYK 5 / 0 / 17 / 20

HEX #C1CBA8

RGB 193 203 168

HSL 77.14, 0.25%, 0.73%

LAB 80.11, -9.52, 16.33

 

CMYK 18 / 37 / 0 / 68

HEX #433452

RGB 67 52 82

HSL 270, 0.22%, 0.26%

LAB 24.51, 13.56, -15.76

 

CMYK 17 / 31 / 0 / 60

HEX #544665

RGB 84 70 101

HSL 267.1, 0.18%, 0.34%

LAB 32.27, 12.84, -15.94

 

CMYK 16 / 27 / 0 / 53

HEX #655878

RGB 101 88 120

HSL 264.38, 0.15%, 0.41%

LAB 39.75, 12.23, -16.16

 

CMYK 15 / 24 / 0 / 45

HEX #766A8B

RGB 118 106 139

HSL 261.82, 0.13%, 0.48%

LAB 47.01, 11.71, -16.41

 

CMYK 15 / 22 / 0 / 38

HEX #877C9E

RGB 135 124 158

HSL 259.41, 0.15%, 0.55%

LAB 54.06, 11.24, -16.68

 

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

CMYK 34 / 50 / 0 / 73

HEX #2D2244

RGB 45 34 68

HSL 259.41, 0.33%, 0.2%

LAB 16.1, 14.15, -19.63

 

CMYK 43 / 67 / 0 / 81

HEX #1C1031

RGB 28 16 49

HSL 261.82, 0.51%, 0.13%

LAB 7.58, 15.38, -19.77

 

CMYK 63 / 100 / 0 / 88

HEX #0B001E

RGB 11 0 30

HSL 262, 1%, 0.06%

LAB 1.49, 8.83, -14.85

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 19 / 41 / 0 / 66

HEX #463356

RGB 70 51 86

HSL 272.57, 0.26%, 0.27%

LAB 24.77, 16.36, -17.97

 

CMYK 7 / 41 / 0 / 66

HEX #503356

RGB 80 51 86

HSL 289.71, 0.26%, 0.27%

LAB 26, 19.95, -15.97

 

CMYK 0 / 41 / 5 / 66

HEX #563352

RGB 86 51 82

HSL 306.86, 0.26%, 0.27%

LAB 26.61, 21.28, -12.33

 

CMYK 0 / 41 / 15 / 66

HEX #563349

RGB 86 51 73

HSL 322.29, 0.26%, 0.27%

LAB 26.24, 19.48, -6.94

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 40 / 41 / 0 / 66

HEX #343356

RGB 52 51 86

HSL 241.71, 0.26%, 0.27%

LAB 22.89, 10.23, -21.04

 

CMYK 41 / 41 / 0 / 66

HEX #333356

RGB 51 51 86

HSL 240, 0.26%, 0.27%

LAB 22.8, 9.91, -21.19

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 42 / 59 / 0 / 62

HEX #382861

RGB 56 40 97

HSL 256.84, 0.42%, 0.27%

LAB 20.91, 22.42, -31.42

 

CMYK 53 / 73 / 0 / 58

HEX #331D6C

RGB 51 29 108

HSL 256.71, 0.58%, 0.27%

LAB 18.65, 31.68, -42.31

 

CMYK 61 / 85 / 0 / 53

HEX #2F1277

RGB 47 18 119

HSL 257.23, 0.74%, 0.27%

LAB 17.31, 40.16, -51.63

 

CMYK 68 / 95 / 0 / 49

HEX #2A0782

RGB 42 7 130

HSL 257.07, 0.9%, 0.27%

LAB 16.78, 46.82, -59.57

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 11 / 16 / 0 / 71

HEX #423E4A

RGB 66 62 74

HSL 260, 0.09%, 0.27%

LAB 27.01, 4.48, -6.67

 

CMYK 3 / 0 / 14 / 71

HEX #47493F

RGB 71 73 63

HSL 72, 0.07%, 0.27%

LAB 30.55, -2.93, 5.71

 

CMYK 12 / 0 / 39 / 67

HEX #4B5534

RGB 75 85 52

HSL 78.18, 0.24%, 0.27%

LAB 34.48, -10.32, 17.97

 

CMYK 17 / 0 / 57 / 62

HEX #506029

RGB 80 96 41

HSL 77.45, 0.4%, 0.27%

LAB 38.25, -15.73, 29.02

 

CMYK 41 / 30 / 0 / 66

HEX #333C56

RGB 51 60 86

HSL 224.57, 0.26%, 0.27%

LAB 25.59, 3.76, -16.84

 

CMYK 40 / 41 / 0 / 66

HEX #343356

RGB 52 51 86

HSL 241.71, 0.26%, 0.27%

LAB 22.89, 10.23, -21.04

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 19 / 41 / 0 / 66

HEX #463356

RGB 70 51 86

HSL 272.57, 0.26%, 0.27%

LAB 24.77, 16.36, -17.97

 

CMYK 8 / 41 / 0 / 66

HEX #4F3356

RGB 79 51 86

HSL 288, 0.26%, 0.27%

LAB 25.87, 19.59, -16.18

 

CMYK 29 / 41 / 0 / 87

HEX #181422

RGB 24 20 34

HSL 257.14, 0.26%, 0.11%

LAB 7.32, 5.88, -9

 

CMYK 28 / 40 / 0 / 76

HEX #2B243C

RGB 43 36 60

HSL 257.5, 0.25%, 0.19%

LAB 16.01, 9.57, -14.22

 

CMYK 29 / 41 / 0 / 66

HEX #3D3356

RGB 61 51 86

HSL 257.14, 0.26%, 0.27%

LAB 23.78, 13.21, -19.59

 

CMYK 29 / 40 / 0 / 56

HEX #4F436F

RGB 79 67 111

HSL 256.36, 0.25%, 0.35%

LAB 31.4, 15.71, -23.65

 

CMYK 28 / 40 / 0 / 46

HEX #625289

RGB 98 82 137

HSL 257.45, 0.25%, 0.43%

LAB 38.62, 19.33, -28.33

 

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

CMYK 0 / 41 / 20 / 66

HEX #563345

RGB 86 51 69

HSL 329.14, 0.26%, 0.27%

LAB 26.09, 18.73, -4.51

 

CMYK 36 / 0 / 41 / 66

HEX #375633

RGB 55 86 51

HSL 113.14, 0.26%, 0.27%

LAB 33.36, -19.37, 16.85

 

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

CMYK 0 / 29 / 41 / 66

HEX #563D33

RGB 86 61 51

HSL 17.14, 0.26%, 0.27%

LAB 28.26, 9.45, 10.48

 

CMYK 41 / 0 / 29 / 66

HEX #33563D

RGB 51 86 61

HSL 137.14, 0.26%, 0.27%

LAB 33.34, -18.87, 10.66

 

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

CMYK 0 / 41 / 20 / 66

HEX #563345

RGB 86 51 69

HSL 329.14, 0.26%, 0.27%

LAB 26.09, 18.73, -4.51

 

CMYK 12 / 0 / 41 / 66

HEX #4C5633

RGB 76 86 51

HSL 77.14, 0.26%, 0.27%

LAB 34.87, -10.61, 19.09

 

CMYK 41 / 0 / 21 / 66

HEX #335644

RGB 51 86 68

HSL 149.14, 0.26%, 0.27%

LAB 33.51, -17.29, 6.54

 

CMYK 29 / 40 / 0 / 66

HEX #3E3457

RGB 62 52 87

HSL 257.14, 0.25%, 0.27%

LAB 24.22, 13.17, -19.55

 

CMYK 0 / 41 / 31 / 66

HEX #56333B

RGB 86 51 59

HSL 346.29, 0.26%, 0.27%

LAB 25.75, 17.02, 1.67

 

CMYK 12 / 0 / 41 / 66

HEX #4C5633

RGB 76 86 51

HSL 77.14, 0.26%, 0.27%

LAB 34.87, -10.61, 19.09

 

CMYK 41 / 0 / 9 / 66

HEX #33564E

RGB 51 86 78

HSL 166.29, 0.26%, 0.27%

LAB 33.79, -14.79, 0.66

 

Description

Color code: HEX #3E3457 | qconv.com Color code: HEX #3E3457 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 52 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 52 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 40 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 40% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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