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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC5E8 it is the complementary color #E43A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC5E8 shade: #20C5E3, #31D7F6, #42E9FF, #53FBFF and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC5E8 shade: #1BC5E8, #0AB3D5, #00A1C2, #008FAF and #007D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC5E8 shade: #1BC5E8, #1B8EE8, #1B57E8, #1B1FE8 and #4E1BE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC5E8 shade: #1BC5E8, #1B8EE8, #1B57E8, #1B1FE8 and #1B1BE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC5E8 shade matches the following richer shades: #1BC5E8 and #07D2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC5E8 shade: #1BC5E8, #2FB8D4, #44AAC0, #589DAB and #6C9097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC5E8 shade: #1BE89D, #1BE8D4, #1BC6E8, #1B8FE8 and #1B59E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC5E8 shade: #0F88A1, #13A8C7, #1BC5E8, #41CFEC and #66D8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC5E8 shade: #1BC5E8, #661BE8 and #E8B81B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC5E8 shade: #1BC5E8, #E81BC6 and #C6E81B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC5E8 shade: #1BC5E8, #661BE8, #E83D1B and #9DE81B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC5E8 shade: #1BC5E8, #A41BE8, #E83D1B and #5FE81B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

Complementary color

CMYK 0 / 75 / 90 / 11

HEX #E43A17

RGB 228 58 23

HSL 10.24, 0.82%, 0.49%

LAB 51.36, 63.41, 56.99

 

CMYK 86 / 13 / 0 / 11

HEX #20C5E3

RGB 32 197 227

HSL 189.23, 0.78%, 0.51%

LAB 73.41, -28.96, -26.09

 

CMYK 80 / 13 / 0 / 4

HEX #31D7F6

RGB 49 215 246

HSL 189.44, 0.92%, 0.58%

LAB 79.56, -30.46, -26.86

 

CMYK 74 / 9 / 0 / 0

HEX #42E9FF

RGB 66 233 255

HSL 186.98, 1%, 0.63%

LAB 85.33, -34.66, -22.8

 

CMYK 67 / 2 / 0 / 0

HEX #53FBFF

RGB 83 251 255

HSL 181.4, 1%, 0.66%

LAB 90.8, -40.91, -14.52

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 95 / 16 / 0 / 16

HEX #0AB3D5

RGB 10 179 213

HSL 190.05, 0.91%, 0.44%

LAB 67.36, -25.6, -27.75

 

CMYK 100 / 17 / 0 / 24

HEX #00A1C2

RGB 0 161 194

HSL 190.21, 1%, 0.38%

LAB 61.12, -23.19, -26.82

 

CMYK 100 / 18 / 0 / 31

HEX #008FAF

RGB 0 143 175

HSL 190.97, 1%, 0.34%

LAB 54.8, -20.41, -25.81

 

CMYK 100 / 20 / 0 / 39

HEX #007D9C

RGB 0 125 156

HSL 191.92, 1%, 0.31%

LAB 48.35, -17.54, -24.81

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 88 / 39 / 0 / 9

HEX #1B8EE8

RGB 27 142 232

HSL 206.34, 0.82%, 0.51%

LAB 57.47, 2.36, -53.76

 

CMYK 88 / 63 / 0 / 9

HEX #1B57E8

RGB 27 87 232

HSL 222.44, 0.82%, 0.51%

LAB 42.58, 36.9, -77.85

 

CMYK 88 / 87 / 0 / 9

HEX #1B1FE8

RGB 27 31 232

HSL 238.83, 0.82%, 0.51%

LAB 31.9, 66.77, -95.52

 

CMYK 66 / 88 / 0 / 9

HEX #4E1BE8

RGB 78 27 232

HSL 254.93, 0.82%, 0.51%

LAB 34.46, 70.17, -91.17

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 88 / 39 / 0 / 9

HEX #1B8EE8

RGB 27 142 232

HSL 206.34, 0.82%, 0.51%

LAB 57.47, 2.36, -53.76

 

CMYK 88 / 63 / 0 / 9

HEX #1B57E8

RGB 27 87 232

HSL 222.44, 0.82%, 0.51%

LAB 42.58, 36.9, -77.85

 

CMYK 88 / 87 / 0 / 9

HEX #1B1FE8

RGB 27 31 232

HSL 238.83, 0.82%, 0.51%

LAB 31.9, 66.77, -95.52

 

CMYK 88 / 88 / 0 / 9

HEX #1B1BE8

RGB 27 27 232

HSL 240, 0.82%, 0.51%

LAB 31.45, 68.12, -96.27

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 97 / 17 / 0 / 1

HEX #07D2FC

RGB 7 210 252

HSL 190.29, 0.98%, 0.51%

LAB 77.97, -28.17, -32.52

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 78 / 13 / 0 / 17

HEX #2FB8D4

RGB 47 184 212

HSL 190.18, 0.66%, 0.51%

LAB 69.21, -26.12, -24.33

 

CMYK 65 / 11 / 0 / 25

HEX #44AAC0

RGB 68 170 192

HSL 190.65, 0.5%, 0.51%

LAB 64.79, -22.53, -19.99

 

CMYK 49 / 8 / 0 / 33

HEX #589DAB

RGB 88 157 171

HSL 190.12, 0.33%, 0.51%

LAB 60.9, -17.93, -14.06

 

CMYK 28 / 5 / 0 / 41

HEX #6C9097

RGB 108 144 151

HSL 189.77, 0.17%, 0.51%

LAB 57.43, -10.73, -7.77

 

CMYK 88 / 0 / 32 / 9

HEX #1BE89D

RGB 27 232 157

HSL 158.05, 0.82%, 0.51%

LAB 82.04, -62.88, 23.82

 

CMYK 88 / 0 / 9 / 9

HEX #1BE8D4

RGB 27 232 212

HSL 174.15, 0.82%, 0.51%

LAB 83.28, -49.57, -3.24

 

CMYK 88 / 15 / 0 / 9

HEX #1BC6E8

RGB 27 198 232

HSL 189.95, 0.82%, 0.51%

LAB 73.83, -28.12, -28.14

 

CMYK 88 / 38 / 0 / 9

HEX #1B8FE8

RGB 27 143 232

HSL 206.05, 0.82%, 0.51%

LAB 57.76, 1.76, -53.3

 

CMYK 88 / 62 / 0 / 9

HEX #1B59E8

RGB 27 89 232

HSL 221.85, 0.82%, 0.51%

LAB 43.07, 35.63, -77.04

 

CMYK 91 / 16 / 0 / 37

HEX #0F88A1

RGB 15 136 161

HSL 190.27, 0.83%, 0.35%

LAB 52.16, -20.99, -21.83

 

CMYK 90 / 16 / 0 / 22

HEX #13A8C7

RGB 19 168 199

HSL 190.33, 0.83%, 0.43%

LAB 63.56, -24.39, -25.84

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 72 / 12 / 0 / 7

HEX #41CFEC

RGB 65 207 236

HSL 190.18, 0.82%, 0.59%

LAB 77.16, -28.03, -25.15

 

CMYK 57 / 10 / 0 / 6

HEX #66D8EF

RGB 102 216 239

HSL 190.07, 0.81%, 0.67%

LAB 80.83, -25.91, -21.08

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 56 / 88 / 0 / 9

HEX #661BE8

RGB 102 27 232

HSL 261.95, 0.82%, 0.51%

LAB 36.81, 71.92, -87.2

 

CMYK 0 / 21 / 88 / 9

HEX #E8B81B

RGB 232 184 27

HSL 45.95, 0.82%, 0.51%

LAB 76.99, 4.46, 75.48

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 0 / 88 / 15 / 9

HEX #E81BC6

RGB 232 27 198

HSL 309.95, 0.82%, 0.51%

LAB 54.04, 84.47, -38.86

 

CMYK 15 / 0 / 88 / 9

HEX #C6E81B

RGB 198 232 27

HSL 69.95, 0.82%, 0.51%

LAB 86.9, -33.69, 82.19

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 56 / 88 / 0 / 9

HEX #661BE8

RGB 102 27 232

HSL 261.95, 0.82%, 0.51%

LAB 36.81, 71.92, -87.2

 

CMYK 0 / 74 / 88 / 9

HEX #E83D1B

RGB 232 61 27

HSL 9.95, 0.82%, 0.51%

LAB 52.48, 63.71, 56.63

 

CMYK 32 / 0 / 88 / 9

HEX #9DE81B

RGB 157 232 27

HSL 81.95, 0.82%, 0.51%

LAB 84.46, -49.32, 79.19

 

CMYK 88 / 15 / 0 / 9

HEX #1BC5E8

RGB 27 197 232

HSL 190.24, 0.82%, 0.51%

LAB 73.54, -27.62, -28.6

 

CMYK 29 / 88 / 0 / 9

HEX #A41BE8

RGB 164 27 232

HSL 280.1, 0.82%, 0.51%

LAB 44.95, 78.75, -73.53

 

CMYK 0 / 74 / 88 / 9

HEX #E83D1B

RGB 232 61 27

HSL 9.95, 0.82%, 0.51%

LAB 52.48, 63.71, 56.63

 

CMYK 59 / 0 / 88 / 9

HEX #5FE81B

RGB 95 232 27

HSL 100.1, 0.82%, 0.51%

LAB 81.96, -68.1, 76.08

 

Description

Color code: HEX #1BC5E8 | qconv.com Color code: HEX #1BC5E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 197 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 197 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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