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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C8C0 it is the complementary color #ED373F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C8C0 shade: #17C8BB, #28DACE, #39ECE1, #4AFEF4 and #5BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C8C0 shade: #12C8C0, #01B6AD, #00A49A, #009287 and #008074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C8C0 shade: #12C8C0, #12C88F, #12C85E, #12C82D and #28C812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C8C0 shade: #12C8C0, #129FC8, #126EC8, #123DC8 and #1212C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C8C0 shade matches the following richer shades: #12C8C0 and #00DAD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C8C0 shade: #12C8C0, #24B6B0, #36A5A0, #479390 and #59817F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C8C0 shade: #12C85E, #12C88F, #12C8BF, #12A1C8 and #1270C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C8C0 shade: #0B7D78, #0FA29C, #12C8C0, #1AE9E0 and #40EDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C8C0 shade: #12C8C0, #2D12C8 and #C87612

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C8C0 shade: #12C8C0, #BF12C8 and #C8BF12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C8C0 shade: #12C8C0, #2D12C8, #C8121B and #ADC812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C8C0 shade: #12C8C0, #6412C8, #C8121B and #76C812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

Complementary color

CMYK 0 / 77 / 73 / 7

HEX #ED373F

RGB 237 55 63

HSL 357.36, 0.83%, 0.57%

LAB 53.05, 68.05, 39.65

 

CMYK 89 / 0 / 7 / 22

HEX #17C8BB

RGB 23 200 187

HSL 175.59, 0.79%, 0.44%

LAB 72.94, -43.03, -5.09

 

CMYK 82 / 0 / 6 / 15

HEX #28DACE

RGB 40 218 206

HSL 175.96, 0.71%, 0.51%

LAB 79.07, -44.42, -6.25

 

CMYK 76 / 0 / 5 / 7

HEX #39ECE1

RGB 57 236 225

HSL 176.31, 0.82%, 0.57%

LAB 85.15, -45.5, -7.31

 

CMYK 71 / 0 / 4 / 0

HEX #4AFEF4

RGB 74 254 244

HSL 176.67, 0.99%, 0.64%

LAB 91.18, -46.33, -8.27

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 99 / 0 / 5 / 29

HEX #01B6AD

RGB 1 182 173

HSL 177.02, 0.99%, 0.36%

LAB 66.88, -39.99, -6.4

 

CMYK 100 / 0 / 6 / 36

HEX #00A49A

RGB 0 164 154

HSL 176.34, 1%, 0.32%

LAB 60.68, -37.61, -4.98

 

CMYK 100 / 0 / 8 / 43

HEX #009287

RGB 0 146 135

HSL 175.48, 1%, 0.29%

LAB 54.35, -35.14, -3.5

 

CMYK 100 / 0 / 9 / 50

HEX #008074

RGB 0 128 116

HSL 174.38, 1%, 0.25%

LAB 47.88, -32.63, -1.96

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 91 / 0 / 29 / 22

HEX #12C88F

RGB 18 200 143

HSL 161.21, 0.83%, 0.43%

LAB 71.84, -54.62, 17.1

 

CMYK 91 / 0 / 53 / 22

HEX #12C85E

RGB 18 200 94

HSL 145.05, 0.83%, 0.43%

LAB 71.04, -63.94, 41.25

 

CMYK 91 / 0 / 78 / 22

HEX #12C82D

RGB 18 200 45

HSL 128.9, 0.83%, 0.43%

LAB 70.61, -69.26, 60.97

 

CMYK 80 / 0 / 91 / 22

HEX #28C812

RGB 40 200 18

HSL 112.75, 0.83%, 0.43%

LAB 70.74, -68.55, 67.56

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 91 / 21 / 0 / 22

HEX #129FC8

RGB 18 159 200

HSL 193.52, 0.83%, 0.43%

LAB 60.87, -19.41, -30.57

 

CMYK 91 / 45 / 0 / 22

HEX #126EC8

RGB 18 110 200

HSL 209.67, 0.83%, 0.43%

LAB 46.25, 9.21, -53.65

 

CMYK 91 / 70 / 0 / 22

HEX #123DC8

RGB 18 61 200

HSL 225.82, 0.83%, 0.43%

LAB 33.21, 41.08, -74.88

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 100 / 0 / 5 / 15

HEX #00DAD0

RGB 0 218 208

HSL 177.25, 1%, 0.43%

LAB 78.87, -45.62, -7.65

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 80 / 0 / 3 / 29

HEX #24B6B0

RGB 36 182 176

HSL 177.53, 0.67%, 0.43%

LAB 67.25, -37.24, -7.48

 

CMYK 67 / 0 / 3 / 35

HEX #36A5A0

RGB 54 165 160

HSL 177.3, 0.51%, 0.43%

LAB 61.85, -31.77, -6.54

 

CMYK 52 / 0 / 2 / 42

HEX #479390

RGB 71 147 144

HSL 177.63, 0.35%, 0.43%

LAB 56.31, -24.19, -5.63

 

CMYK 31 / 0 / 2 / 49

HEX #59817F

RGB 89 129 127

HSL 177, 0.18%, 0.43%

LAB 51.1, -14.31, -3.39

 

CMYK 91 / 0 / 53 / 22

HEX #12C85E

RGB 18 200 94

HSL 145.05, 0.83%, 0.43%

LAB 71.04, -63.94, 41.25

 

CMYK 91 / 0 / 29 / 22

HEX #12C88F

RGB 18 200 143

HSL 161.21, 0.83%, 0.43%

LAB 71.84, -54.62, 17.1

 

CMYK 91 / 0 / 5 / 22

HEX #12C8BF

RGB 18 200 191

HSL 177.03, 0.83%, 0.43%

LAB 73.02, -42.13, -7.15

 

CMYK 91 / 20 / 0 / 22

HEX #12A1C8

RGB 18 161 200

HSL 192.86, 0.83%, 0.43%

LAB 61.47, -20.47, -29.63

 

CMYK 91 / 44 / 0 / 22

HEX #1270C8

RGB 18 112 200

HSL 209.01, 0.83%, 0.43%

LAB 46.83, 7.95, -52.72

 

CMYK 91 / 0 / 4 / 51

HEX #0B7D78

RGB 11 125 120

HSL 177.37, 0.84%, 0.27%

LAB 47.1, -29.34, -5.47

 

CMYK 91 / 0 / 4 / 36

HEX #0FA29C

RGB 15 162 156

HSL 177.55, 0.83%, 0.35%

LAB 60.2, -35.48, -6.81

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 89 / 0 / 4 / 9

HEX #1AE9E0

RGB 26 233 224

HSL 177.39, 0.82%, 0.51%

LAB 83.9, -46.72, -8.66

 

CMYK 73 / 0 / 3 / 7

HEX #40EDE5

RGB 64 237 229

HSL 177.23, 0.83%, 0.59%

LAB 85.66, -44.11, -8.63

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 78 / 91 / 0 / 22

HEX #2D12C8

RGB 45 18 200

HSL 248.9, 0.83%, 0.43%

LAB 27.19, 62.74, -84.84

 

CMYK 0 / 41 / 91 / 22

HEX #C87612

RGB 200 118 18

HSL 32.97, 0.83%, 0.43%

LAB 57.35, 25.81, 60.82

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 5 / 91 / 0 / 22

HEX #BF12C8

RGB 191 18 200

HSL 297.03, 0.83%, 0.43%

LAB 46.55, 78.68, -52.37

 

CMYK 0 / 5 / 91 / 22

HEX #C8BF12

RGB 200 191 18

HSL 57.03, 0.83%, 0.43%

LAB 75.81, -13.23, 74.88

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 78 / 91 / 0 / 22

HEX #2D12C8

RGB 45 18 200

HSL 248.9, 0.83%, 0.43%

LAB 27.19, 62.74, -84.84

 

CMYK 0 / 91 / 87 / 22

HEX #C8121B

RGB 200 18 27

HSL 357.03, 0.83%, 0.43%

LAB 42.45, 65.13, 46.06

 

CMYK 14 / 0 / 91 / 22

HEX #ADC812

RGB 173 200 18

HSL 68.9, 0.83%, 0.43%

LAB 76.21, -29.14, 74.3

 

CMYK 91 / 0 / 4 / 22

HEX #12C8C0

RGB 18 200 192

HSL 177.36, 0.83%, 0.43%

LAB 73.05, -41.84, -7.65

 

CMYK 50 / 91 / 0 / 22

HEX #6412C8

RGB 100 18 200

HSL 267.03, 0.83%, 0.43%

LAB 32.51, 66.4, -75.86

 

CMYK 0 / 91 / 87 / 22

HEX #C8121B

RGB 200 18 27

HSL 357.03, 0.83%, 0.43%

LAB 42.45, 65.13, 46.06

 

CMYK 41 / 0 / 91 / 22

HEX #76C812

RGB 118 200 18

HSL 87.03, 0.83%, 0.43%

LAB 73.03, -50.11, 70.4

 

Description

Color code: HEX #12C8C0 | qconv.com Color code: HEX #12C8C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 200 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 200 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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