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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 0 / 8 / 6 it is the complementary color CMYK 0 / 86 / 69 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 0 / 8 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 0 / 8 / 6: CMYK 37 / 0 / 10 / 6, CMYK 34 / 0 / 8 / 0, CMYK 27 / 0 / 0 / 0, CMYK 21 / 0 / 0 / 0 and CMYK 14 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 0 / 8 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 0 / 8 / 6: CMYK 39 / 0 / 8 / 6, CMYK 42 / 0 / 9 / 13, CMYK 45 / 0 / 10 / 20, CMYK 49 / 0 / 12 / 27 and CMYK 54 / 0 / 14 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

Complementary color

CMYK 0 / 86 / 69 / 57

HEX #6D0F22

RGB 109 15 34

HSL 347.87, 0.76%, 0.24%

LAB 22.68, 40.49, 15.07

 

CMYK 37 / 0 / 10 / 6

HEX #97F0D8

RGB 151 240 216

HSL 163.82, 0.75%, 0.77%

LAB 88.86, -32, 3.18

 

CMYK 34 / 0 / 8 / 0

HEX #A8FFEB

RGB 168 255 235

HSL 166.21, 1%, 0.83%

LAB 94.25, -30.42, 1.25

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFE

RGB 185 255 254

HSL 179.14, 1%, 0.86%

LAB 95.58, -21.67, -6.51

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 42 / 0 / 9 / 13

HEX #81DECA

RGB 129 222 202

HSL 167.1, 0.58%, 0.69%

LAB 82.47, -32.35, 1.15

 

CMYK 45 / 0 / 10 / 20

HEX #70CCB7

RGB 112 204 183

HSL 166.3, 0.47%, 0.62%

LAB 76.1, -32.48, 1.94

 

CMYK 49 / 0 / 12 / 27

HEX #5FBAA4

RGB 95 186 164

HSL 165.49, 0.4%, 0.55%

LAB 69.63, -32.59, 2.8

 

CMYK 54 / 0 / 14 / 34

HEX #4EA891

RGB 78 168 145

HSL 164.67, 0.37%, 0.48%

LAB 63.07, -32.63, 3.73

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 39 / 0 / 2 / 6

HEX #93F0EB

RGB 147 240 235

HSL 176.77, 0.76%, 0.76%

LAB 89.17, -28.76, -6.31

 

CMYK 39 / 5 / 0 / 6

HEX #93E5F0

RGB 147 229 240

HSL 187.1, 0.76%, 0.76%

LAB 86.27, -22.21, -13.24

 

CMYK 39 / 11 / 0 / 6

HEX #93D5F0

RGB 147 213 240

HSL 197.42, 0.76%, 0.76%

LAB 81.88, -14.14, -19.84

 

CMYK 39 / 18 / 0 / 6

HEX #93C6F0

RGB 147 198 240

HSL 207.1, 0.76%, 0.76%

LAB 77.81, -6.29, -26.05

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 39 / 0 / 8 / 86

HEX #162421

RGB 22 36 33

HSL 167.14, 0.24%, 0.11%

LAB 12.87, -6.87, 0.08

 

CMYK 39 / 0 / 8 / 66

HEX #355750

RGB 53 87 80

HSL 167.65, 0.24%, 0.27%

LAB 34.3, -14.19, 0.15

 

CMYK 39 / 0 / 8 / 46

HEX #548A7F

RGB 84 138 127

HSL 167.78, 0.24%, 0.44%

LAB 53.59, -20.62, 0.24

 

CMYK 39 / 0 / 8 / 26

HEX #73BDAE

RGB 115 189 174

HSL 167.84, 0.36%, 0.6%

LAB 71.62, -26.58, 0.32

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 39 / 38 / 0 / 6

HEX #9394F0

RGB 147 148 240

HSL 239.35, 0.76%, 0.76%

LAB 64.7, 21.61, -46.39

 

CMYK 0 / 24 / 39 / 6

HEX #F0B693

RGB 240 182 147

HSL 22.58, 0.76%, 0.76%

LAB 78.51, 16.54, 25.96

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 8 / 39 / 0 / 6

HEX #DC93F0

RGB 220 147 240

HSL 287.1, 0.76%, 0.76%

LAB 71.13, 42.81, -35.85

 

CMYK 0 / 8 / 39 / 6

HEX #F0DC93

RGB 240 220 147

HSL 47.1, 0.76%, 0.76%

LAB 87.88, -3.23, 38.36

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 39 / 38 / 0 / 6

HEX #9394F0

RGB 147 148 240

HSL 239.35, 0.76%, 0.76%

LAB 64.7, 21.61, -46.39

 

CMYK 0 / 39 / 30 / 6

HEX #F093A7

RGB 240 147 167

HSL 347.1, 0.76%, 0.76%

LAB 71, 37.45, 4.53

 

CMYK 0 / 1 / 39 / 6

HEX #F0EE93

RGB 240 238 147

HSL 58.71, 0.76%, 0.76%

LAB 92.48, -12.26, 44.26

 

CMYK 39 / 0 / 8 / 6

HEX #92F0DD

RGB 146 240 221

HSL 167.87, 0.76%, 0.76%

LAB 88.76, -32.21, 0.4

 

CMYK 28 / 39 / 0 / 6

HEX #AD93F0

RGB 173 147 240

HSL 256.77, 0.76%, 0.76%

LAB 66.55, 29.18, -43.33

 

CMYK 0 / 39 / 30 / 6

HEX #F093A7

RGB 240 147 167

HSL 347.1, 0.76%, 0.76%

LAB 71, 37.45, 4.53

 

CMYK 11 / 0 / 39 / 6

HEX #D5F093

RGB 213 240 147

HSL 77.42, 0.76%, 0.76%

LAB 91.04, -23.44, 42.03

 

Description

Color code: CMYK 39 / 0 / 8 / 6 | qconv.com Color code: CMYK 39 / 0 / 8 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 240 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 240 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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