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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Schwenk - 01-2-03 it is the complementary color Schwenk - B1-3-02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Schwenk - 01-2-03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Schwenk - 01-2-03: Schwenk - 01-2-03, Schwenk - 01-2-04, Schwenk - 01-2-05, Schwenk - Y2-2-05 and Schwenk - 01-2-06

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Schwenk - 01-2-03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Schwenk - 01-2-03: Schwenk - 01-2-03, Schwenk - 01-3-03, Schwenk - R1-3-03, Schwenk - R1-3-02 and Schwenk - R2-1-02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

Complementary color

CMYK 31 / 20 / 0 / 27

HEX #8095BA

RGB 128 149 186

HSL 218.28, 0.3%, 0.62%

LAB 61.33, 1.38, -21.65

Schwenk
B1-3-02

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 0 / 29 / 64 / 9

HEX #E9A553

RGB 233 165 83 1

HSL 32.8, 0.77%, 0.62%

LAB 72.8, 17.13, 51.49

Schwenk
01-2-04

CMYK 0 / 23 / 56 / 5

HEX #F2BA6A

RGB 242 186 106 1

HSL 35.29, 0.84%, 0.68%

LAB 79.06, 11.35, 47.86

Schwenk
01-2-05

CMYK 0 / 16 / 52 / 2

HEX #FAD279

RGB 250 210 121 1

HSL 41.4, 0.93%, 0.73%

LAB 85.91, 3.34, 48.97

Schwenk
Y2-2-05

CMYK 0 / 17 / 45 / 2

HEX #FBD08B

RGB 251 208 139 1

HSL 36.96, 0.93%, 0.76%

LAB 85.75, 6.42, 39.85

Schwenk
01-2-06

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 0 / 32 / 65 / 22

HEX #C88846

RGB 200 136 70 1

HSL 30.46, 0.54%, 0.53%

LAB 61.94, 18.05, 44.53

Schwenk
01-3-03

CMYK 0 / 40 / 55 / 26

HEX #BD7155

RGB 189 113 85 1

HSL 16.15, 0.44%, 0.54%

LAB 55.36, 27.18, 28.27

Schwenk
R1-3-03

CMYK 0 / 43 / 58 / 32

HEX #AD6248

RGB 173 98 72 1

HSL 15.45, 0.41%, 0.48%

LAB 49.6, 27.77, 27.89

Schwenk
R1-3-02

CMYK 0 / 61 / 69 / 22

HEX #C84F3E

RGB 200 79 62 1

HSL 7.39, 0.56%, 0.51%

LAB 49.76, 47.19, 34.72

Schwenk
R2-1-02

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 0 / 23 / 63 / 12

HEX #E0AC53

RGB 224 172 83 1

HSL 37.87, 0.69%, 0.6%

LAB 73.53, 9.63, 52.05

Schwenk
Y2-3-04

CMYK 0 / 18 / 68 / 11

HEX #E4BB4A

RGB 228 187 74 1

HSL 44.03, 0.74%, 0.59%

LAB 77.6, 2.87, 60.6

Schwenk
Y1-3-03

CMYK 0 / 18 / 68 / 11

HEX #E4BB4A

RGB 228 187 74 1

HSL 44.03, 0.74%, 0.59%

LAB 77.6, 2.87, 60.6

Schwenk
Y1-3-03

CMYK 9 / 0 / 55 / 17

HEX #C1D35F

RGB 193 211 95 1

HSL 69.31, 0.57%, 0.6%

LAB 81.16, -22.4, 54.45

Schwenk
G2-2-03

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 0 / 24 / 40 / 47

HEX #886751

RGB 136 103 81 1

HSL 24, 0.25%, 0.43%

LAB 46.35, 10.11, 17.53

Schwenk
O2-6-03

CMYK 0 / 24 / 40 / 47

HEX #886751

RGB 136 103 81 1

HSL 24, 0.25%, 0.43%

LAB 46.35, 10.11, 17.53

Schwenk
O2-6-03

CMYK 0 / 24 / 40 / 47

HEX #886751

RGB 136 103 81 1

HSL 24, 0.25%, 0.43%

LAB 46.35, 10.11, 17.53

Schwenk
O2-6-03

CMYK 0 / 31 / 60 / 31

HEX #B07947

RGB 176 121 71 1

HSL 28.57, 0.43%, 0.48%

LAB 55.44, 16.14, 35.71

Schwenk
01-4-03

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 28 / 0 / 51 / 27

HEX #86BA5C

RGB 134 186 92 1

HSL 93.19, 0.41%, 0.55%

LAB 70.15, -33.47, 41.93

Schwenk
G1-2-02

CMYK 40 / 28 / 0 / 16

HEX #819AD6

RGB 129 154 214 1

HSL 222.35, 0.51%, 0.67%

LAB 63.86, 6.28, -33.42

Schwenk
B1-2-02

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 14 / 0 / 32 / 13

HEX #C0DF97

RGB 192 223 151 1

HSL 85.83, 0.53%, 0.73%

LAB 85.11, -22.43, 32.01

Schwenk
G1-2-05

CMYK 36 / 25 / 0 / 13

HEX #8FA8DF

RGB 143 168 223 1

HSL 221.25, 0.56%, 0.72%

LAB 68.88, 4.58, -30.55

Schwenk
B1-2-03

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 28 / 0 / 51 / 27

HEX #86BA5C

RGB 134 186 92 1

HSL 93.19, 0.41%, 0.55%

LAB 70.15, -33.47, 41.93

Schwenk
G1-2-02

CMYK 40 / 28 / 0 / 16

HEX #819AD6

RGB 129 154 214 1

HSL 222.35, 0.51%, 0.67%

LAB 63.86, 6.28, -33.42

Schwenk
B1-2-02

CMYK 19 / 13 / 0 / 15

HEX #AEBDD8

RGB 174 189 216 1

HSL 218.57, 0.35%, 0.76%

LAB 76.28, 0.53, -15.25

Schwenk
B1-3-05

CMYK 0 / 33 / 69 / 12

HEX #E09545

RGB 224 149 69 1

HSL 30.97, 0.71%, 0.57%

LAB 67.85, 21.1, 52.34

Schwenk
01-2-03

CMYK 28 / 0 / 51 / 27

HEX #86BA5C

RGB 134 186 92 1

HSL 93.19, 0.41%, 0.55%

LAB 70.15, -33.47, 41.93

Schwenk
G1-2-02

CMYK 40 / 28 / 0 / 16

HEX #819AD6

RGB 129 154 214 1

HSL 222.35, 0.51%, 0.67%

LAB 63.86, 6.28, -33.42

Schwenk
B1-2-02

CMYK 0 / 0 / 0 / 12

HEX #DFE0DF

RGB 223 224 223 1

HSL 120, 0.02%, 0.88%

LAB 89.08, -0.51, 0.36

Schwenk
BG-10

Description

Color code: Schwenk - 01-2-03 | qconv.com Color code: Schwenk - 01-2-03 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 149 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 149 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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