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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 28 52 it is the complementary color RGB 246 227 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 28 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 9 28 52: RGB 14 28 47, RGB 31 46 66, RGB 48 64 85, RGB 65 82 104 and RGB 82 100 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 28 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 9 28 52: RGB 9 28 52, RGB 0 10 33, RGB 0 0 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

Complementary color

CMYK 0 / 8 / 17 / 4

HEX #F6E3CB

RGB 246 227 203

HSL 33.49, 0.7%, 0.88%

LAB 91.16, 2.69, 14.06

 

CMYK 70 / 40 / 0 / 82

HEX #0E1C2F

RGB 14 28 47

HSL 214.55, 0.54%, 0.12%

LAB 10.02, 1.25, -14.51

 

CMYK 53 / 30 / 0 / 74

HEX #1F2E42

RGB 31 46 66

HSL 214.29, 0.36%, 0.19%

LAB 18.53, 0.35, -14.53

 

CMYK 44 / 25 / 0 / 67

HEX #304055

RGB 48 64 85

HSL 214.05, 0.28%, 0.26%

LAB 26.59, -0.18, -14.65

 

CMYK 38 / 21 / 0 / 59

HEX #415268

RGB 65 82 104

HSL 213.85, 0.23%, 0.33%

LAB 34.31, -0.54, -14.84

 

CMYK 33 / 19 / 0 / 52

HEX #52647B

RGB 82 100 123

HSL 213.66, 0.2%, 0.4%

LAB 41.75, -0.82, -15.08

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 100 / 70 / 0 / 87

HEX #000A21

RGB 0 10 33

HSL 221.82, 1%, 0.06%

LAB 2.95, 2.96, -15.07

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 83 / 60 / 0 / 80

HEX #091534

RGB 9 21 52

HSL 223.26, 0.7%, 0.12%

LAB 7.61, 7.82, -22.02

 

CMYK 83 / 73 / 0 / 80

HEX #090E34

RGB 9 14 52

HSL 233.02, 0.7%, 0.12%

LAB 5.6, 12.26, -25.25

 

CMYK 79 / 83 / 0 / 80

HEX #0B0934

RGB 11 9 52

HSL 242.79, 0.7%, 0.12%

LAB 4.65, 15.01, -26.78

 

CMYK 65 / 83 / 0 / 80

HEX #120934

RGB 18 9 52

HSL 252.56, 0.7%, 0.12%

LAB 5.17, 17.11, -25.92

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 83 / 47 / 0 / 60

HEX #123767

RGB 18 55 103

HSL 213.88, 0.7%, 0.24%

LAB 23.14, 6.15, -31.9

 

CMYK 82 / 46 / 0 / 40

HEX #1B539A

RGB 27 83 154

HSL 213.54, 0.7%, 0.35%

LAB 35.5, 9.05, -43.85

 

CMYK 83 / 46 / 0 / 20

HEX #236ECD

RGB 35 110 205

HSL 213.53, 0.71%, 0.47%

LAB 46.87, 12.33, -55.51

 

CMYK 100 / 0 / 0 / 100

HEX #000101

RGB 0 1 1

HSL 180, 1%, 0%

LAB 0.22, -0.26, -0.09

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 21 / 83 / 0 / 80

HEX #290934

RGB 41 9 52

HSL 284.65, 0.7%, 0.12%

LAB 8.26, 24.42, -20.78

 

CMYK 13 / 0 / 83 / 80

HEX #2D3409

RGB 45 52 9

HSL 69.77, 0.7%, 0.12%

LAB 20.18, -10.08, 24.5

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 0 / 83 / 46 / 80

HEX #34091C

RGB 52 9 28

HSL 333.49, 0.7%, 0.12%

LAB 9.07, 23.3, -1.32

 

CMYK 46 / 0 / 83 / 80

HEX #1C3409

RGB 28 52 9

HSL 93.49, 0.7%, 0.12%

LAB 18.9, -18.23, 22.69

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 21 / 83 / 0 / 80

HEX #290934

RGB 41 9 52

HSL 284.65, 0.7%, 0.12%

LAB 8.26, 24.42, -20.78

 

CMYK 0 / 38 / 83 / 80

HEX #342009

RGB 52 32 9

HSL 32.09, 0.7%, 0.12%

LAB 14.3, 7, 17.54

 

CMYK 63 / 0 / 83 / 80

HEX #133409

RGB 19 52 9

HSL 106.05, 0.7%, 0.12%

LAB 18.43, -21.71, 22.02

 

CMYK 83 / 46 / 0 / 80

HEX #091C34

RGB 9 28 52

HSL 213.49, 0.7%, 0.12%

LAB 10.08, 2.29, -18.06

 

CMYK 0 / 83 / 6 / 80

HEX #340931

RGB 52 9 49

HSL 304.19, 0.7%, 0.12%

LAB 10.16, 26.82, -15.42

 

CMYK 0 / 38 / 83 / 80

HEX #342009

RGB 52 32 9

HSL 32.09, 0.7%, 0.12%

LAB 14.3, 7, 17.54

 

CMYK 83 / 0 / 79 / 80

HEX #09340B

RGB 9 52 11

HSL 122.79, 0.7%, 0.12%

LAB 18.09, -24.35, 20.71

 

Description

Color code: RGBA 9 28 52 1 | qconv.com Color code: RGBA 9 28 52 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 28 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 28 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 46 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 46% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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