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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 96 142 151 0.75 it is the complementary color RGBA 159 113 104 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 96 142 151 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 96 142 151 0.75 shade: RGBA 101 142 146 0.75, RGBA 118 160 165 0.75, RGBA 135 178 184 0.75, RGBA 152 196 203 0.75 and RGBA 169 214 222 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 96 142 151 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 96 142 151 0.75 shade: RGBA 96 142 151 0.75, RGBA 79 124 132 0.75, RGBA 62 106 113 0.75, RGBA 45 88 94 0.75 and RGBA 28 70 75 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 96 142 151 0.75 shade: RGB 95 141 149, RGB 95 126 149, RGB 95 111 149, RGB 95 97 149 and RGB 109 95 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 96 142 151 0.75 shade: RGB 95 141 149, RGB 95 126 149, RGB 95 111 149, RGB 95 97 149 and RGB 95 95 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 96 142 151 0.75 shade matches the following richer shades: RGB 95 141 149, RGB 76 154 169, RGB 56 167 189, RGB 36 180 209 and RGB 16 194 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 96 142 151 0.75 shade: RGB 95 141 149, RGB 115 127 130, RGB 135 114 110, RGB 155 101 90 and RGB 175 87 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 96 142 151 0.75 shade: RGB 95 149 129, RGB 95 149 143, RGB 95 141 149, RGB 95 127 149 and RGB 95 113 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 96 142 151 0.75 shade: RGB 63 93 99, RGB 79 117 124, RGB 95 141 149, RGB 118 160 168 and RGB 144 177 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 96 142 151 0.75 shade: RGB 96 142 151, RGB 114 95 149 and RGB 149 136 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 96 142 151 0.75 shade: RGB 96 142 151, RGB 149 95 141 and RGB 141 149 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 96 142 151 0.75 shade: RGB 96 142 151, RGB 114 95 149, RGB 149 104 95 and RGB 130 149 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 96 142 151 0.75 shade: RGB 96 142 151, RGB 130 95 149, RGB 149 104 95 and RGB 114 149 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 4 / 0 / 31

HEX #608E97BF

RGBA 96 142 151 0.75

HSLA 189.82, 0.22%, 0.48%, 0.75

LABA 56.15, -13.21, -9.75, 0.75

 

Complementary color

CMYK 0 / 22 / 26 / 28

HEX #9F7168BF

RGBA 159 113 104 0.75

HSLA 9.82, 0.22%, 0.52%, 0.75

LABA 52.04, 16.95, 12.22, 0.75

 

CMYK 23 / 2 / 0 / 32

HEX #658E92BF

RGBA 101 142 146 0.75

HSLA 185.33, 0.18%, 0.48%, 0.75

LABA 56.28, -13.01, -6.67, 0.75

 

CMYK 21 / 2 / 0 / 26

HEX #76A0A5BF

RGBA 118 160 165 0.75

HSLA 186.38, 0.21%, 0.55%, 0.75

LABA 63.1, -12.95, -7.22, 0.75

 

CMYK 20 / 2 / 0 / 21

HEX #87B2B8BF

RGBA 135 178 184 0.75

HSLA 187.35, 0.26%, 0.63%, 0.75

LABA 69.79, -12.9, -7.75, 0.75

 

CMYK 19 / 3 / 0 / 15

HEX #98C4CBBF

RGBA 152 196 203 0.75

HSLA 188.24, 0.33%, 0.7%, 0.75

LABA 76.36, -12.86, -8.26, 0.75

 

CMYK 18 / 3 / 0 / 10

HEX #A9D6DEBF

RGBA 169 214 222 0.75

HSLA 189.06, 0.45%, 0.77%, 0.75

LABA 82.81, -12.82, -8.76, 0.75

 

CMYK 27 / 4 / 0 / 31

HEX #608E97BF

RGBA 96 142 151 0.75

HSLA 189.82, 0.22%, 0.48%, 0.75

LABA 56.15, -13.21, -9.75, 0.75

 

CMYK 30 / 5 / 0 / 36

HEX #4F7C84BF

RGBA 79 124 132 0.75

HSLA 189.06, 0.25%, 0.41%, 0.75

LABA 49.18, -13.2, -9.24, 0.75

 

CMYK 34 / 5 / 0 / 42

HEX #3E6A71BF

RGBA 62 106 113 0.75

HSLA 188.24, 0.29%, 0.34%, 0.75

LABA 42.04, -13.17, -8.69, 0.75

 

CMYK 39 / 5 / 0 / 47

HEX #2D585EBF

RGBA 45 88 94 0.75

HSLA 187.35, 0.35%, 0.27%, 0.75

LABA 34.69, -13.07, -8.1, 0.75

 

CMYK 47 / 5 / 0 / 53

HEX #1C464BBF

RGBA 28 70 75 0.75

HSLA 186.38, 0.46%, 0.2%, 0.75

LABA 27.12, -12.82, -7.43, 0.75

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 36 / 15 / 0 / 42

HEX #5F7E95

RGB 95 126 149

HSL 205.56, 0.22%, 0.48%

LAB 51.3, -5.05, -15.93

 

CMYK 36 / 26 / 0 / 42

HEX #5F6F95

RGB 95 111 149

HSL 222.22, 0.22%, 0.48%

LAB 46.94, 3.81, -22.61

 

CMYK 36 / 35 / 0 / 42

HEX #5F6195

RGB 95 97 149

HSL 237.78, 0.22%, 0.48%

LAB 42.99, 12.39, -28.74

 

CMYK 27 / 36 / 0 / 42

HEX #6D5F95

RGB 109 95 149

HSL 255.56, 0.22%, 0.48%

LAB 43.66, 17.9, -27.6

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 36 / 15 / 0 / 42

HEX #5F7E95

RGB 95 126 149

HSL 205.56, 0.22%, 0.48%

LAB 51.3, -5.05, -15.93

 

CMYK 36 / 26 / 0 / 42

HEX #5F6F95

RGB 95 111 149

HSL 222.22, 0.22%, 0.48%

LAB 46.94, 3.81, -22.61

 

CMYK 36 / 35 / 0 / 42

HEX #5F6195

RGB 95 97 149

HSL 237.78, 0.22%, 0.48%

LAB 42.99, 12.39, -28.74

 

CMYK 36 / 36 / 0 / 42

HEX #5F5F95

RGB 95 95 149

HSL 240, 0.22%, 0.48%

LAB 42.44, 13.64, -29.6

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 55 / 9 / 0 / 34

HEX #4C9AA9

RGB 76 154 169

HSL 189.68, 0.38%, 0.48%

LAB 59.45, -19.61, -15.17

 

CMYK 70 / 12 / 0 / 26

HEX #38A7BD

RGB 56 167 189

HSL 189.92, 0.54%, 0.48%

LAB 63.47, -23.74, -20.36

 

CMYK 83 / 14 / 0 / 18

HEX #24B4D1

RGB 36 180 209

HSL 190.06, 0.71%, 0.48%

LAB 67.74, -26.06, -24.95

 

CMYK 93 / 15 / 0 / 10

HEX #10C2E5

RGB 16 194 229

HSL 189.86, 0.87%, 0.48%

LAB 72.46, -27.6, -28.64

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 12 / 2 / 0 / 49

HEX #737F82

RGB 115 127 130

HSL 192, 0.06%, 0.48%

LAB 52.33, -3.76, -3.14

 

CMYK 0 / 16 / 19 / 47

HEX #87726E

RGB 135 114 110

HSL 9.6, 0.1%, 0.48%

LAB 49.87, 7.52, 5.26

 

CMYK 0 / 35 / 42 / 39

HEX #9B655A

RGB 155 101 90

HSL 10.15, 0.27%, 0.48%

LAB 48.28, 20.42, 15.2

 

CMYK 0 / 50 / 60 / 31

HEX #AF5746

RGB 175 87 70

HSL 9.71, 0.43%, 0.48%

LAB 47.46, 34.36, 26.4

 

CMYK 36 / 0 / 13 / 42

HEX #5F9581

RGB 95 149 129

HSL 157.78, 0.22%, 0.48%

LAB 57.57, -22.58, 4.92

 

CMYK 36 / 0 / 4 / 42

HEX #5F958F

RGB 95 149 143

HSL 173.33, 0.22%, 0.48%

LAB 57.95, -19.28, -2.51

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 36 / 15 / 0 / 42

HEX #5F7F95

RGB 95 127 149

HSL 204.44, 0.22%, 0.48%

LAB 51.59, -5.63, -15.49

 

CMYK 36 / 24 / 0 / 42

HEX #5F7195

RGB 95 113 149

HSL 220, 0.22%, 0.48%

LAB 47.51, 2.6, -21.72

 

CMYK 36 / 6 / 0 / 61

HEX #3F5D63

RGB 63 93 99

HSL 190, 0.22%, 0.32%

LAB 37.46, -9.33, -6.97

 

CMYK 36 / 6 / 0 / 51

HEX #4F757C

RGB 79 117 124

HSL 189.33, 0.22%, 0.4%

LAB 46.76, -11.45, -8.12

 

CMYK 36 / 5 / 0 / 42

HEX #5F8D95

RGB 95 141 149

HSL 188.89, 0.22%, 0.48%

LAB 55.74, -13.47, -9.23

 

CMYK 30 / 5 / 0 / 34

HEX #76A0A8

RGB 118 160 168

HSL 189.6, 0.22%, 0.56%

LAB 63.19, -12.22, -8.77

 

CMYK 22 / 4 / 0 / 28

HEX #90B1B8

RGB 144 177 184

HSL 190.5, 0.22%, 0.64%

LAB 70.06, -9.6, -7.29

 

CMYK 36 / 6 / 0 / 41

HEX #608E97

RGB 96 142 151

HSL 189.82, 0.22%, 0.48%

LAB 56.15, -13.21, -9.75

 

CMYK 23 / 36 / 0 / 42

HEX #725F95

RGB 114 95 149

HSL 261.11, 0.22%, 0.48%

LAB 44.13, 19.48, -26.83

 

CMYK 0 / 9 / 36 / 42

HEX #95885F

RGB 149 136 95

HSL 45.56, 0.22%, 0.48%

LAB 56.9, -1.47, 23.82

 

CMYK 36 / 6 / 0 / 41

HEX #608E97

RGB 96 142 151

HSL 189.82, 0.22%, 0.48%

LAB 56.15, -13.21, -9.75

 

CMYK 0 / 36 / 5 / 42

HEX #955F8D

RGB 149 95 141

HSL 308.89, 0.22%, 0.48%

LAB 47.62, 29.45, -16.36

 

CMYK 5 / 0 / 36 / 42

HEX #8D955F

RGB 141 149 95

HSL 68.89, 0.22%, 0.48%

LAB 59.87, -11.91, 27.58

 

CMYK 36 / 6 / 0 / 41

HEX #608E97

RGB 96 142 151

HSL 189.82, 0.22%, 0.48%

LAB 56.15, -13.21, -9.75

 

CMYK 23 / 36 / 0 / 42

HEX #725F95

RGB 114 95 149

HSL 261.11, 0.22%, 0.48%

LAB 44.13, 19.48, -26.83

 

CMYK 0 / 30 / 36 / 42

HEX #95685F

RGB 149 104 95

HSL 10, 0.22%, 0.48%

LAB 48.41, 16.83, 12.29

 

CMYK 13 / 0 / 36 / 42

HEX #82955F

RGB 130 149 95

HSL 81.11, 0.22%, 0.48%

LAB 59.04, -16.35, 26.33

 

CMYK 36 / 6 / 0 / 41

HEX #608E97

RGB 96 142 151

HSL 189.82, 0.22%, 0.48%

LAB 56.15, -13.21, -9.75

 

CMYK 13 / 36 / 0 / 42

HEX #825F95

RGB 130 95 149

HSL 278.89, 0.22%, 0.48%

LAB 45.77, 24.67, -24.16

 

CMYK 0 / 30 / 36 / 42

HEX #95685F

RGB 149 104 95

HSL 10, 0.22%, 0.48%

LAB 48.41, 16.83, 12.29

 

CMYK 23 / 0 / 36 / 42

HEX #72955F

RGB 114 149 95

HSL 98.89, 0.22%, 0.48%

LAB 57.94, -22.55, 24.69

 

Description

Color code: RGBA 96 142 151 0.75 | qconv.com Color code: RGBA 96 142 151 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 142 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 142 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 4 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 4% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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