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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 81 142 187 0.75 it is the complementary color RGBA 174 113 68 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 81 142 187 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 81 142 187 0.75 shade: RGBA 86 142 182 0.75, RGBA 103 160 201 0.75, RGBA 120 178 220 0.75, RGBA 137 196 239 0.75 and RGBA 154 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 81 142 187 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 81 142 187 0.75 shade: RGBA 81 142 187 0.75, RGBA 64 124 168 0.75, RGBA 47 106 149 0.75, RGBA 30 88 130 0.75 and RGBA 13 70 111 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 81 142 187 0.75 shade: RGB 82 143 188, RGB 82 115 188, RGB 82 86 188, RGB 107 82 188 and RGB 135 82 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 81 142 187 0.75 shade: RGB 82 143 188, RGB 82 115 188, RGB 82 86 188 and RGB 82 82 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 81 142 187 0.75 shade matches the following richer shades: RGB 82 143 188, RGB 63 146 207, RGB 44 149 227 and RGB 24 152 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 81 142 187 0.75 shade: RGB 82 143 188, RGB 102 140 168, RGB 121 137 149, RGB 141 134 130 and RGB 160 131 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 81 142 187 0.75 shade: RGB 82 188 176, RGB 82 172 188, RGB 82 144 188, RGB 82 116 188 and RGB 82 88 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 81 142 187 0.75 shade: RGB 53 100 135, RGB 64 122 165, RGB 82 143 188, RGB 112 162 199 and RGB 142 182 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 81 142 187 0.75 shade: RGB 81 142 187, RGB 147 82 188 and RGB 186 188 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 81 142 187 0.75 shade: RGB 81 142 187, RGB 188 82 144 and RGB 144 188 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 81 142 187 0.75 shade: RGB 81 142 187, RGB 147 82 188, RGB 188 126 82 and RGB 123 188 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 81 142 187 0.75 shade: RGB 81 142 187, RGB 179 82 188, RGB 188 126 82 and RGB 91 188 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 18 / 0 / 20

HEX #518EBBBF

RGBA 81 142 187 0.75

HSLA 205.47, 0.44%, 0.53%, 0.75

LABA 56.77, -6.48, -29.47, 0.75

 

Complementary color

CMYK 0 / 26 / 46 / 24

HEX #AE7144BF

RGBA 174 113 68 0.75

HSLA 25.47, 0.44%, 0.47%, 0.75

LABA 53.2, 19.53, 34.57, 0.75

 

CMYK 40 / 16 / 0 / 21

HEX #568EB6BF

RGBA 86 142 182 0.75

HSLA 205, 0.4%, 0.53%, 0.75

LABA 56.78, -6.94, -26.58, 0.75

 

CMYK 37 / 15 / 0 / 16

HEX #67A0C9BF

RGBA 103 160 201 0.75

HSLA 205.1, 0.48%, 0.6%, 0.75

LABA 63.54, -7.39, -26.8, 0.75

 

CMYK 34 / 14 / 0 / 10

HEX #78B2DCBF

RGBA 120 178 220 0.75

HSLA 205.2, 0.59%, 0.67%, 0.75

LABA 70.18, -7.74, -27.02, 0.75

 

CMYK 32 / 13 / 0 / 5

HEX #89C4EFBF

RGBA 137 196 239 0.75

HSLA 205.29, 0.76%, 0.74%, 0.75

LABA 76.7, -8.03, -27.25, 0.75

 

CMYK 30 / 12 / 0 / 0

HEX #9AD6FFBF

RGBA 154 214 255 0.75

HSLA 204.36, 1%, 0.8%, 0.75

LABA 83.01, -9.05, -26.06, 0.75

 

CMYK 43 / 18 / 0 / 20

HEX #518EBBBF

RGBA 81 142 187 0.75

HSLA 205.47, 0.44%, 0.53%, 0.75

LABA 56.77, -6.48, -29.47, 0.75

 

CMYK 46 / 20 / 0 / 26

HEX #407CA8BF

RGBA 64 124 168 0.75

HSLA 205.38, 0.45%, 0.45%, 0.75

LABA 49.9, -5.74, -29.29, 0.75

 

CMYK 51 / 22 / 0 / 31

HEX #2F6A95BF

RGBA 47 106 149 0.75

HSLA 205.29, 0.52%, 0.38%, 0.75

LABA 42.89, -4.74, -29.1, 0.75

 

CMYK 58 / 24 / 0 / 37

HEX #1E5882BF

RGBA 30 88 130 0.75

HSLA 205.2, 0.63%, 0.31%, 0.75

LABA 35.73, -3.34, -28.89, 0.75

 

CMYK 66 / 28 / 0 / 42

HEX #0D466FBF

RGBA 13 70 111 0.75

HSLA 205.1, 0.79%, 0.24%, 0.75

LABA 28.42, -1.33, -28.62, 0.75

 

CMYK 56 / 24 / 0 / 26

HEX #528FBC

RGB 82 143 188

HSL 205.47, 0.44%, 0.53%

LAB 57.14, -6.52, -29.45

 

CMYK 56 / 39 / 0 / 26

HEX #5273BC

RGB 82 115 188

HSL 221.32, 0.44%, 0.53%

LAB 49.11, 10.08, -42.04

 

CMYK 56 / 54 / 0 / 26

HEX #5256BC

RGB 82 86 188

HSL 237.74, 0.44%, 0.53%

LAB 41.34, 28.24, -54.47

 

CMYK 43 / 56 / 0 / 26

HEX #6B52BC

RGB 107 82 188

HSL 254.15, 0.44%, 0.53%

LAB 42.45, 36.04, -52.59

 

CMYK 28 / 56 / 0 / 26

HEX #8752BC

RGB 135 82 188

HSL 270, 0.44%, 0.53%

LAB 45.38, 42.82, -47.72

 

CMYK 56 / 24 / 0 / 26

HEX #528FBC

RGB 82 143 188

HSL 205.47, 0.44%, 0.53%

LAB 57.14, -6.52, -29.45

 

CMYK 56 / 39 / 0 / 26

HEX #5273BC

RGB 82 115 188

HSL 221.32, 0.44%, 0.53%

LAB 49.11, 10.08, -42.04

 

CMYK 56 / 54 / 0 / 26

HEX #5256BC

RGB 82 86 188

HSL 237.74, 0.44%, 0.53%

LAB 41.34, 28.24, -54.47

 

CMYK 56 / 56 / 0 / 26

HEX #5252BC

RGB 82 82 188

HSL 240, 0.44%, 0.53%

LAB 40.34, 30.75, -56.09

 

CMYK 56 / 24 / 0 / 26

HEX #528FBC

RGB 82 143 188

HSL 205.47, 0.44%, 0.53%

LAB 57.14, -6.52, -29.45

 

CMYK 70 / 29 / 0 / 19

HEX #3F92CF

RGB 63 146 207

HSL 205.42, 0.6%, 0.53%

LAB 58.15, -5.39, -38.66

 

CMYK 81 / 34 / 0 / 11

HEX #2C95E3

RGB 44 149 227

HSL 205.57, 0.77%, 0.53%

LAB 59.5, -2.33, -47.73

 

CMYK 90 / 38 / 0 / 4

HEX #1898F6

RGB 24 152 246

HSL 205.41, 0.93%, 0.53%

LAB 61.05, 1.53, -55.79

 

CMYK 56 / 24 / 0 / 26

HEX #528FBC

RGB 82 143 188

HSL 205.47, 0.44%, 0.53%

LAB 57.14, -6.52, -29.45

 

CMYK 39 / 17 / 0 / 34

HEX #668CA8

RGB 102 140 168

HSL 205.45, 0.28%, 0.53%

LAB 56.49, -5.83, -18.96

 

CMYK 19 / 8 / 0 / 42

HEX #798995

RGB 121 137 149

HSL 205.71, 0.12%, 0.53%

LAB 56.21, -3.09, -8.35

 

CMYK 0 / 5 / 8 / 45

HEX #8D8682

RGB 141 134 130

HSL 21.82, 0.05%, 0.53%

LAB 56.41, 1.87, 3.08

 

CMYK 0 / 18 / 31 / 37

HEX #A0836E

RGB 160 131 110

HSL 25.2, 0.21%, 0.53%

LAB 56.91, 7.9, 15.53

 

CMYK 56 / 0 / 6 / 26

HEX #52BCB0

RGB 82 188 176

HSL 173.21, 0.44%, 0.53%

LAB 70.1, -33.37, -3.15

 

CMYK 56 / 9 / 0 / 26

HEX #52ACBC

RGB 82 172 188

HSL 189.06, 0.44%, 0.53%

LAB 65.69, -22.19, -16.36

 

CMYK 56 / 23 / 0 / 26

HEX #5290BC

RGB 82 144 188

HSL 204.91, 0.44%, 0.53%

LAB 57.44, -7.09, -29

 

CMYK 56 / 38 / 0 / 26

HEX #5274BC

RGB 82 116 188

HSL 220.75, 0.44%, 0.53%

LAB 49.39, 9.47, -41.6

 

CMYK 56 / 53 / 0 / 26

HEX #5258BC

RGB 82 88 188

HSL 236.6, 0.44%, 0.53%

LAB 41.85, 26.99, -53.65

 

CMYK 61 / 26 / 0 / 47

HEX #356487

RGB 53 100 135

HSL 205.61, 0.44%, 0.37%

LAB 40.61, -4.86, -24.24

 

CMYK 61 / 26 / 0 / 35

HEX #407AA5

RGB 64 122 165

HSL 205.54, 0.44%, 0.45%

LAB 49.16, -5.57, -28.69

 

CMYK 56 / 24 / 0 / 26

HEX #528FBC

RGB 82 143 188

HSL 205.47, 0.44%, 0.53%

LAB 57.14, -6.52, -29.45

 

CMYK 44 / 19 / 0 / 22

HEX #70A2C7

RGB 112 162 199

HSL 205.52, 0.44%, 0.61%

LAB 64.49, -6.85, -24.19

 

CMYK 33 / 14 / 0 / 17

HEX #8EB6D3

RGB 142 182 211

HSL 205.22, 0.44%, 0.69%

LAB 72.17, -6.46, -18.95

 

CMYK 57 / 24 / 0 / 27

HEX #518EBB

RGB 81 142 187

HSL 205.47, 0.44%, 0.53%

LAB 56.77, -6.48, -29.47

 

CMYK 22 / 56 / 0 / 26

HEX #9352BC

RGB 147 82 188

HSL 276.79, 0.44%, 0.53%

LAB 46.8, 45.89, -45.37

 

CMYK 1 / 0 / 56 / 26

HEX #BABC52

RGB 186 188 82

HSL 61.13, 0.44%, 0.53%

LAB 74.2, -14.86, 52.31

 

CMYK 57 / 24 / 0 / 27

HEX #518EBB

RGB 81 142 187

HSL 205.47, 0.44%, 0.53%

LAB 56.77, -6.48, -29.47

 

CMYK 0 / 56 / 23 / 26

HEX #BC5290

RGB 188 82 144

HSL 324.91, 0.44%, 0.53%

LAB 50.38, 49.67, -13.46

 

CMYK 23 / 0 / 56 / 26

HEX #90BC52

RGB 144 188 82

HSL 84.91, 0.44%, 0.53%

LAB 71.22, -31.74, 48.12

 

CMYK 57 / 24 / 0 / 27

HEX #518EBB

RGB 81 142 187

HSL 205.47, 0.44%, 0.53%

LAB 56.77, -6.48, -29.47

 

CMYK 22 / 56 / 0 / 26

HEX #9352BC

RGB 147 82 188

HSL 276.79, 0.44%, 0.53%

LAB 46.8, 45.89, -45.37

 

CMYK 0 / 33 / 56 / 26

HEX #BC7E52

RGB 188 126 82

HSL 24.91, 0.44%, 0.53%

LAB 58.25, 19.35, 33.54

 

CMYK 35 / 0 / 56 / 26

HEX #7BBC52

RGB 123 188 82

HSL 96.79, 0.44%, 0.53%

LAB 70.03, -39.4, 46.43

 

CMYK 57 / 24 / 0 / 27

HEX #518EBB

RGB 81 142 187

HSL 205.47, 0.44%, 0.53%

LAB 56.77, -6.48, -29.47

 

CMYK 5 / 56 / 0 / 26

HEX #B352BC

RGB 179 82 188

HSL 294.91, 0.44%, 0.53%

LAB 50.98, 54.31, -38.49

 

CMYK 0 / 33 / 56 / 26

HEX #BC7E52

RGB 188 126 82

HSL 24.91, 0.44%, 0.53%

LAB 58.25, 19.35, 33.54

 

CMYK 52 / 0 / 56 / 26

HEX #5BBC52

RGB 91 188 82

HSL 114.91, 0.44%, 0.53%

LAB 68.61, -49.44, 44.41

 

Description

Color code: RGBA 81 142 187 0.75 | qconv.com Color code: RGBA 81 142 187 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 142 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 142 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 18 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 18% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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