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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 51 215 it is the complementary color RGB 179 204 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 51 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 76 51 215: RGB 81 51 210, RGB 98 69 229, RGB 115 87 248, RGB 132 105 255 and RGB 149 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 51 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 76 51 215: RGB 76 51 215, RGB 59 33 196, RGB 42 15 177, RGB 25 0 158 and RGB 8 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

Complementary color

CMYK 12 / 0 / 80 / 20

HEX #B3CC28

RGB 179 204 40

HSL 69.15, 0.67%, 0.48%

LAB 77.83, -27.98, 71.29

 

CMYK 61 / 76 / 0 / 18

HEX #5133D2

RGB 81 51 210

HSL 251.32, 0.64%, 0.51%

LAB 35.54, 55.13, -76.74

 

CMYK 57 / 70 / 0 / 10

HEX #6245E5

RGB 98 69 229

HSL 250.88, 0.75%, 0.58%

LAB 42.02, 53.67, -76.93

 

CMYK 54 / 65 / 0 / 3

HEX #7357F8

RGB 115 87 248

HSL 250.43, 0.92%, 0.66%

LAB 48.56, 52.11, -76.87

 

CMYK 48 / 59 / 0 / 0

HEX #8469FF

RGB 132 105 255

HSL 250.8, 1%, 0.71%

LAB 54.27, 47.18, -71.41

 

CMYK 42 / 52 / 0 / 0

HEX #957BFF

RGB 149 123 255

HSL 251.82, 1%, 0.74%

LAB 59.69, 40.58, -62.6

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 70 / 83 / 0 / 23

HEX #3B21C4

RGB 59 33 196

HSL 249.57, 0.71%, 0.45%

LAB 29.42, 57.21, -78.75

 

CMYK 76 / 92 / 0 / 31

HEX #2A0FB1

RGB 42 15 177

HSL 250, 0.84%, 0.38%

LAB 23.7, 57.3, -77.02

 

CMYK 84 / 100 / 0 / 38

HEX #19009E

RGB 25 0 158

HSL 249.49, 1%, 0.31%

LAB 18.69, 55.69, -73.87

 

CMYK 94 / 100 / 0 / 45

HEX #08008B

RGB 8 0 139

HSL 243.45, 1%, 0.27%

LAB 15.04, 50.52, -68.21

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 52 / 77 / 0 / 16

HEX #6632D6

RGB 102 50 214

HSL 259.02, 0.67%, 0.52%

LAB 37.77, 59.33, -75.3

 

CMYK 40 / 77 / 0 / 16

HEX #8132D6

RGB 129 50 214

HSL 268.9, 0.67%, 0.52%

LAB 40.9, 63.26, -70.05

 

CMYK 27 / 77 / 0 / 16

HEX #9D32D6

RGB 157 50 214

HSL 279.15, 0.67%, 0.52%

LAB 44.67, 67.93, -63.76

 

CMYK 14 / 77 / 0 / 16

HEX #B832D6

RGB 184 50 214

HSL 289.02, 0.67%, 0.52%

LAB 48.67, 72.84, -57.09

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 64 / 73 / 0 / 96

HEX #04030B

RGB 4 3 11

HSL 247.5, 0.57%, 0.03%

LAB 1.04, 1.38, -2.95

 

CMYK 65 / 76 / 0 / 76

HEX #160F3E

RGB 22 15 62

HSL 248.94, 0.61%, 0.15%

LAB 7.77, 19.27, -28.93

 

CMYK 65 / 76 / 0 / 56

HEX #281B71

RGB 40 27 113

HSL 249.07, 0.61%, 0.27%

LAB 17.59, 32.67, -47.34

 

CMYK 65 / 76 / 0 / 36

HEX #3A27A4

RGB 58 39 164

HSL 249.12, 0.62%, 0.4%

LAB 26.82, 44.75, -63.96

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 0 / 77 / 27 / 16

HEX #D6329D

RGB 214 50 157

HSL 320.85, 0.67%, 0.52%

LAB 50.7, 70.74, -20.32

 

CMYK 57 / 0 / 77 / 16

HEX #5BD632

RGB 91 214 50

HSL 105, 0.67%, 0.52%

LAB 76.4, -61.93, 65.47

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 0 / 65 / 77 / 16

HEX #D64B32

RGB 214 75 50

HSL 9.15, 0.67%, 0.52%

LAB 51.33, 53.28, 43.68

 

CMYK 77 / 0 / 65 / 16

HEX #32D64B

RGB 50 214 75

HSL 129.15, 0.67%, 0.52%

LAB 75.62, -67.75, 55.22

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 0 / 77 / 27 / 16

HEX #D6329D

RGB 214 50 157

HSL 320.85, 0.67%, 0.52%

LAB 50.7, 70.74, -20.32

 

CMYK 11 / 0 / 77 / 16

HEX #BED632

RGB 190 214 50

HSL 68.78, 0.67%, 0.52%

LAB 81.44, -27.84, 72

 

CMYK 77 / 0 / 50 / 16

HEX #32D66B

RGB 50 214 107

HSL 140.85, 0.67%, 0.52%

LAB 75.97, -63.65, 41.11

 

CMYK 65 / 76 / 0 / 16

HEX #4C33D7

RGB 76 51 215

HSL 249.15, 0.67%, 0.52%

LAB 35.62, 56.04, -79.52

 

CMYK 0 / 77 / 50 / 16

HEX #D6326B

RGB 214 50 107

HSL 339.15, 0.67%, 0.52%

LAB 49.06, 65.7, 7.39

 

CMYK 11 / 0 / 77 / 16

HEX #BED632

RGB 190 214 50

HSL 68.78, 0.67%, 0.52%

LAB 81.44, -27.84, 72

 

CMYK 77 / 0 / 27 / 16

HEX #32D69D

RGB 50 214 157

HSL 159.15, 0.67%, 0.52%

LAB 76.8, -54.19, 16.62

 

Description

Color code: RGBA 76 51 215 1 | qconv.com Color code: RGBA 76 51 215 1 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 51 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 51 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 76 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 76% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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