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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 6 132 129 it is the complementary color RGB 249 123 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 6 132 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 6 132 129: RGB 11 132 124, RGB 28 150 143, RGB 45 168 162, RGB 62 186 181 and RGB 79 204 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 6 132 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 6 132 129: RGB 6 132 129, RGB 0 114 110, RGB 0 96 91, RGB 0 78 72 and RGB 0 60 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

Complementary color

CMYK 0 / 51 / 49 / 2

HEX #F97B7E

RGB 249 123 126

HSL 358.57, 0.91%, 0.73%

LAB 66.38, 48.33, 21.18

 

CMYK 92 / 0 / 6 / 48

HEX #0B847C

RGB 11 132 124

HSL 176.03, 0.85%, 0.28%

LAB 49.53, -31.44, -4.22

 

CMYK 81 / 0 / 5 / 41

HEX #1C968F

RGB 28 150 143

HSL 176.56, 0.69%, 0.35%

LAB 56.13, -32.87, -5.44

 

CMYK 73 / 0 / 4 / 34

HEX #2DA8A2

RGB 45 168 162

HSL 177.07, 0.58%, 0.42%

LAB 62.65, -33.87, -6.5

 

CMYK 67 / 0 / 3 / 27

HEX #3EBAB5

RGB 62 186 181

HSL 177.58, 0.5%, 0.49%

LAB 69.1, -34.55, -7.45

 

CMYK 61 / 0 / 2 / 20

HEX #4FCCC8

RGB 79 204 200

HSL 178.08, 0.55%, 0.55%

LAB 75.46, -35.03, -8.3

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 100 / 0 / 4 / 55

HEX #00726E

RGB 0 114 110

HSL 177.89, 1%, 0.22%

LAB 43, -27.86, -5.6

 

CMYK 100 / 0 / 5 / 62

HEX #00605B

RGB 0 96 91

HSL 176.88, 1%, 0.19%

LAB 36.22, -25.2, -4.06

 

CMYK 100 / 0 / 8 / 69

HEX #004E48

RGB 0 78 72

HSL 175.38, 1%, 0.15%

LAB 29.2, -22.46, -2.44

 

CMYK 100 / 0 / 12 / 76

HEX #003C35

RGB 0 60 53

HSL 173, 1%, 0.12%

LAB 21.9, -19.63, -0.7

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 95 / 13 / 0 / 49

HEX #067283

RGB 6 114 131

HSL 188.16, 0.91%, 0.27%

LAB 43.82, -20.31, -16.98

 

CMYK 95 / 29 / 0 / 49

HEX #065D83

RGB 6 93 131

HSL 198.24, 0.91%, 0.27%

LAB 36.94, -8.29, -27.63

 

CMYK 95 / 44 / 0 / 49

HEX #064983

RGB 6 73 131

HSL 207.84, 0.91%, 0.27%

LAB 30.5, 4.6, -37.84

 

CMYK 95 / 60 / 0 / 49

HEX #063483

RGB 6 52 131

HSL 217.92, 0.91%, 0.27%

LAB 24.11, 19.34, -48.18

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 96 / 0 / 2 / 28

HEX #08B7B3

RGB 8 183 179

HSL 178.63, 0.92%, 0.37%

LAB 67.41, -38.43, -8.93

 

CMYK 95 / 0 / 2 / 8

HEX #0BEAE5

RGB 11 234 229

HSL 178.65, 0.91%, 0.48%

LAB 84.26, -46.25, -10.77

 

CMYK 97 / 0 / 3 / 88

HEX #011E1D

RGB 1 30 29

HSL 177.93, 0.94%, 0.06%

LAB 9.19, -10.99, -2.55

 

CMYK 95 / 0 / 2 / 68

HEX #04514F

RGB 4 81 79

HSL 178.44, 0.91%, 0.17%

LAB 30.58, -21.2, -4.88

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 79 / 95 / 0 / 49

HEX #1B0683

RGB 27 6 131

HSL 250.08, 0.91%, 0.27%

LAB 15.5, 46.63, -62.37

 

CMYK 0 / 41 / 95 / 49

HEX #834D06

RGB 131 77 6

HSL 34.08, 0.91%, 0.27%

LAB 38.1, 17.95, 45.38

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 3 / 95 / 0 / 49

HEX #7F0683

RGB 127 6 131

HSL 298.08, 0.91%, 0.27%

LAB 30.11, 58.3, -37.87

 

CMYK 0 / 3 / 95 / 49

HEX #837F06

RGB 131 127 6

HSL 58.08, 0.91%, 0.27%

LAB 51.86, -10.87, 55.66

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 79 / 95 / 0 / 49

HEX #1B0683

RGB 27 6 131

HSL 250.08, 0.91%, 0.27%

LAB 15.5, 46.63, -62.37

 

CMYK 0 / 95 / 92 / 49

HEX #83060A

RGB 131 6 10

HSL 358.08, 0.91%, 0.27%

LAB 26.67, 47.95, 35.28

 

CMYK 16 / 0 / 95 / 49

HEX #6E8306

RGB 110 131 6

HSL 70.08, 0.91%, 0.27%

LAB 51.34, -22.59, 54.51

 

CMYK 95 / 0 / 2 / 48

HEX #068481

RGB 6 132 129

HSL 178.57, 0.91%, 0.27%

LAB 49.65, -30.14, -6.98

 

CMYK 51 / 95 / 0 / 49

HEX #400683

RGB 64 6 131

HSL 267.84, 0.91%, 0.27%

LAB 19.47, 49.21, -55.66

 

CMYK 0 / 95 / 92 / 49

HEX #83060A

RGB 131 6 10

HSL 358.08, 0.91%, 0.27%

LAB 26.67, 47.95, 35.28

 

CMYK 44 / 0 / 95 / 49

HEX #498306

RGB 73 131 6

HSL 87.84, 0.91%, 0.27%

LAB 49.08, -37.64, 51.76

 

Description

Color code: RGBA 6 132 129 1 | qconv.com Color code: RGBA 6 132 129 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 132 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 132 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 2 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 2% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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