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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 177 183 it is the complementary color RGB 189 78 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 177 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 66 177 183: RGB 71 177 178, RGB 88 195 197, RGB 105 213 216, RGB 122 231 235 and RGB 139 249 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 177 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 66 177 183: RGB 66 177 183, RGB 49 159 164, RGB 32 141 145, RGB 15 123 126 and RGB 0 105 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

Complementary color

CMYK 0 / 59 / 62 / 26

HEX #BD4E48

RGB 189 78 72

HSL 3.08, 0.47%, 0.51%

LAB 47.92, 44.31, 26.27

 

CMYK 60 / 1 / 0 / 30

HEX #47B1B2

RGB 71 177 178

HSL 180.56, 0.43%, 0.49%

LAB 66.52, -29.63, -9.6

 

CMYK 55 / 1 / 0 / 23

HEX #58C3C5

RGB 88 195 197

HSL 181.1, 0.48%, 0.56%

LAB 72.98, -29.94, -10.34

 

CMYK 51 / 1 / 0 / 15

HEX #69D5D8

RGB 105 213 216

HSL 181.62, 0.59%, 0.63%

LAB 79.36, -30.14, -11.01

 

CMYK 48 / 2 / 0 / 8

HEX #7AE7EB

RGB 122 231 235

HSL 182.12, 0.74%, 0.7%

LAB 85.65, -30.26, -11.65

 

CMYK 45 / 2 / 0 / 0

HEX #8BF9FE

RGB 139 249 254

HSL 182.61, 0.98%, 0.77%

LAB 91.86, -30.33, -12.25

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 70 / 3 / 0 / 36

HEX #319FA4

RGB 49 159 164

HSL 182.61, 0.54%, 0.42%

LAB 60.01, -28.41, -11.57

 

CMYK 78 / 3 / 0 / 43

HEX #208D91

RGB 32 141 145

HSL 182.12, 0.64%, 0.35%

LAB 53.39, -27.49, -10.68

 

CMYK 88 / 2 / 0 / 51

HEX #0F7B7E

RGB 15 123 126

HSL 181.62, 0.79%, 0.28%

LAB 46.68, -26.16, -9.65

 

CMYK 100 / 2 / 0 / 58

HEX #00696B

RGB 0 105 107

HSL 181.12, 1%, 0.21%

LAB 39.86, -24.36, -8.48

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 64 / 14 / 0 / 28

HEX #429EB7

RGB 66 158 183

HSL 192.82, 0.47%, 0.49%

LAB 60.81, -19.4, -21.03

 

CMYK 64 / 25 / 0 / 28

HEX #428AB7

RGB 66 138 183

HSL 203.08, 0.47%, 0.49%

LAB 54.82, -8.44, -30.27

 

CMYK 64 / 35 / 0 / 28

HEX #4277B7

RGB 66 119 183

HSL 212.82, 0.47%, 0.49%

LAB 49.22, 2.75, -39.04

 

CMYK 64 / 46 / 0 / 28

HEX #4263B7

RGB 66 99 183

HSL 223.08, 0.47%, 0.49%

LAB 43.51, 15.23, -48.12

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 64 / 3 / 0 / 8

HEX #54E2EA

RGB 84 226 234

HSL 183.2, 0.78%, 0.62%

LAB 83.03, -35.13, -15.16

 

CMYK 63 / 3 / 0 / 88

HEX #0B1D1E

RGB 11 29 30

HSL 183.16, 0.46%, 0.08%

LAB 9.35, -7.05, -3

 

CMYK 64 / 4 / 0 / 68

HEX #1D4E51

RGB 29 78 81

HSL 183.46, 0.47%, 0.22%

LAB 30.17, -15.26, -6.72

 

CMYK 64 / 3 / 0 / 48

HEX #308084

RGB 48 128 132

HSL 182.86, 0.47%, 0.35%

LAB 49.17, -22.61, -9.39

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 48 / 64 / 0 / 28

HEX #5F42B7

RGB 95 66 183

HSL 254.87, 0.47%, 0.49%

LAB 37.39, 41.37, -57.89

 

CMYK 0 / 22 / 64 / 28

HEX #B78E42

RGB 183 142 66

HSL 38.97, 0.47%, 0.49%

LAB 61.49, 7.13, 45.47

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 0 / 64 / 3 / 28

HEX #B742B1

RGB 183 66 177

HSL 303.08, 0.47%, 0.49%

LAB 48.43, 60.46, -36.04

 

CMYK 3 / 0 / 64 / 28

HEX #B1B742

RGB 177 183 66

HSL 63.08, 0.47%, 0.49%

LAB 71.97, -17.24, 56.66

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 48 / 64 / 0 / 28

HEX #5F42B7

RGB 95 66 183

HSL 254.87, 0.47%, 0.49%

LAB 37.39, 41.37, -57.89

 

CMYK 0 / 61 / 64 / 28

HEX #B74842

RGB 183 72 66

HSL 3.08, 0.47%, 0.49%

LAB 45.76, 44.58, 26.89

 

CMYK 16 / 0 / 64 / 28

HEX #9AB742

RGB 154 183 66

HSL 74.87, 0.47%, 0.49%

LAB 70.27, -26.77, 54.34

 

CMYK 64 / 3 / 0 / 28

HEX #42B1B7

RGB 66 177 183

HSL 183.08, 0.47%, 0.49%

LAB 66.54, -29.05, -12.36

 

CMYK 29 / 64 / 0 / 28

HEX #8242B7

RGB 130 66 183

HSL 272.82, 0.47%, 0.49%

LAB 41.31, 48.87, -51.35

 

CMYK 0 / 61 / 64 / 28

HEX #B74842

RGB 183 72 66

HSL 3.08, 0.47%, 0.49%

LAB 45.76, 44.58, 26.89

 

CMYK 35 / 0 / 64 / 28

HEX #77B742

RGB 119 183 66

HSL 92.82, 0.47%, 0.49%

LAB 68.15, -40.15, 51.44

 

Description

Color code: RGBA 66 177 183 1 | qconv.com Color code: RGBA 66 177 183 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 177 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 177 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 3 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 3% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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