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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 207 200 it is the complementary color RGB 250 48 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 207 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 207 200: RGB 10 207 195, RGB 27 225 214, RGB 44 243 233, RGB 61 255 252 and RGB 78 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 207 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 207 200: RGB 5 207 200, RGB 0 189 181, RGB 0 171 162, RGB 0 153 143 and RGB 0 135 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

Complementary color

CMYK 0 / 81 / 78 / 2

HEX #FA3037

RGB 250 48 55

HSL 357.92, 0.95%, 0.58%

LAB 54.78, 73.25, 46.65

 

CMYK 95 / 0 / 6 / 19

HEX #0ACFC3

RGB 10 207 195

HSL 176.35, 0.91%, 0.43%

LAB 75.22, -44.32, -6.06

 

CMYK 88 / 0 / 5 / 12

HEX #1BE1D6

RGB 27 225 214

HSL 176.67, 0.79%, 0.49%

LAB 81.26, -46.04, -7.29

 

CMYK 82 / 0 / 4 / 5

HEX #2CF3E9

RGB 44 243 233

HSL 176.98, 0.89%, 0.56%

LAB 87.25, -47.44, -8.41

 

CMYK 76 / 0 / 1 / 0

HEX #3DFFFC

RGB 61 255 252

HSL 179.07, 1%, 0.62%

LAB 91.48, -45.97, -11.99

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 100 / 0 / 4 / 26

HEX #00BDB5

RGB 0 189 181

HSL 177.46, 1%, 0.37%

LAB 69.28, -40.78, -7.26

 

CMYK 100 / 0 / 5 / 33

HEX #00ABA2

RGB 0 171 162

HSL 176.84, 1%, 0.34%

LAB 63.12, -38.37, -5.86

 

CMYK 100 / 0 / 7 / 40

HEX #00998F

RGB 0 153 143

HSL 176.08, 1%, 0.3%

LAB 56.85, -35.92, -4.41

 

CMYK 100 / 0 / 8 / 47

HEX #00877C

RGB 0 135 124

HSL 175.11, 1%, 0.26%

LAB 50.43, -33.43, -2.9

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 98 / 11 / 0 / 18

HEX #05B9D0

RGB 5 185 208

HSL 186.8, 0.95%, 0.42%

LAB 68.96, -30.37, -22.56

 

CMYK 98 / 27 / 0 / 18

HEX #0597D0

RGB 5 151 208

HSL 196.85, 0.95%, 0.42%

LAB 58.71, -12.67, -38.41

 

CMYK 98 / 44 / 0 / 18

HEX #0575D0

RGB 5 117 208

HSL 206.9, 0.95%, 0.42%

LAB 48.65, 7.46, -54.38

 

CMYK 98 / 60 / 0 / 18

HEX #0553D0

RGB 5 83 208

HSL 216.95, 0.95%, 0.42%

LAB 39.2, 29.51, -69.7

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 100 / 0 / 0 / 99

HEX #000303

RGB 0 3 3

HSL 180, 1%, 0.01%

LAB 0.65, -0.78, -0.28

 

CMYK 98 / 0 / 4 / 79

HEX #013634

RGB 1 54 52

HSL 177.74, 0.96%, 0.11%

LAB 19.61, -16.57, -3.41

 

CMYK 97 / 0 / 4 / 59

HEX #036965

RGB 3 105 101

HSL 177.65, 0.94%, 0.21%

LAB 39.68, -26.15, -5.07

 

CMYK 97 / 0 / 3 / 39

HEX #049C97

RGB 4 156 151

HSL 178.03, 0.95%, 0.31%

LAB 58.07, -34.7, -7.15

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 83 / 98 / 0 / 18

HEX #2305D0

RGB 35 5 208

HSL 248.87, 0.95%, 0.42%

LAB 26.79, 67.31, -90.19

 

CMYK 0 / 44 / 98 / 18

HEX #D07505

RGB 208 117 5

HSL 33.1, 0.95%, 0.42%

LAB 58.17, 29.57, 64.4

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 5 / 98 / 0 / 18

HEX #C605D0

RGB 198 5 208

HSL 297.04, 0.95%, 0.42%

LAB 47.84, 82.28, -54.86

 

CMYK 0 / 5 / 98 / 18

HEX #D0C605

RGB 208 198 5

HSL 57.04, 0.95%, 0.42%

LAB 78.35, -13.45, 78.58

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 83 / 98 / 0 / 18

HEX #2305D0

RGB 35 5 208

HSL 248.87, 0.95%, 0.42%

LAB 26.79, 67.31, -90.19

 

CMYK 0 / 98 / 93 / 18

HEX #D0050F

RGB 208 5 15

HSL 357.04, 0.95%, 0.42%

LAB 43.58, 68.38, 52.85

 

CMYK 14 / 0 / 98 / 18

HEX #B2D005

RGB 178 208 5

HSL 68.87, 0.95%, 0.42%

LAB 78.8, -31.02, 77.9

 

CMYK 98 / 0 / 3 / 19

HEX #05CFC8

RGB 5 207 200

HSL 177.92, 0.95%, 0.42%

LAB 75.34, -43.01, -8.58

 

CMYK 54 / 98 / 0 / 18

HEX #6005D0

RGB 96 5 208

HSL 266.9, 0.95%, 0.42%

LAB 32.14, 70.06, -81.14

 

CMYK 0 / 98 / 93 / 18

HEX #D0050F

RGB 208 5 15

HSL 357.04, 0.95%, 0.42%

LAB 43.58, 68.38, 52.85

 

CMYK 44 / 0 / 98 / 18

HEX #75D005

RGB 117 208 5

HSL 86.9, 0.95%, 0.42%

LAB 75.39, -53.8, 73.78

 

Description

Color code: RGBA 5 207 200 1 | qconv.com Color code: RGBA 5 207 200 1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 207 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 207 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 3 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 3% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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