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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 59 130 246 .5 it is the complementary color RGBA 196 125 9 .5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 59 130 246 .5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 59 130 246 .5: RGBA 64 130 241 .5, RGBA 81 148 255 .5, RGBA 98 166 255 .5, RGBA 115 184 255 .5 and RGBA 132 202 255 .5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 59 130 246 .5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 59 130 246 .5: RGBA 59 130 246 .5, RGBA 42 112 227 .5, RGBA 25 94 208 .5, RGBA 8 76 189 .5 and RGBA 0 58 170 .5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

Complementary color

CMYK 0 / 18 / 48 / 12

HEX #C47D097F

RGBA 196 125 9 .5

HSLA 37.22, 0.91%, 0.4%, .5

LABA 58.44, 20.15, 63.15, .5

 

CMYK 37 / 23 / 0 / 3

HEX #4082F17F

RGBA 64 130 241 .5

HSLA 217.63, 0.86%, 0.6%, .5

LABA 55.49, 16.33, -61.88, .5

 

CMYK 34 / 21 / 0 / 0

HEX #5194FF7F

RGBA 81 148 255 .5

HSLA 216.9, 1%, 0.66%, .5

LABA 61.78, 12.69, -59.48, .5

 

CMYK 31 / 17 / 0 / 0

HEX #62A6FF7F

RGBA 98 166 255 .5

HSLA 214.01, 1%, 0.69%, .5

LABA 67.34, 4.93, -50.6, .5

 

CMYK 27 / 14 / 0 / 0

HEX #73B8FF7F

RGBA 115 184 255 .5

HSLA 210.43, 1%, 0.73%, .5

LABA 72.99, -1.94, -41.69, .5

 

CMYK 24 / 10 / 0 / 0

HEX #84CAFF7F

RGBA 132 202 255 .5

HSLA 205.85, 1%, 0.76%, .5

LABA 78.68, -8.02, -32.8, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 41 / 25 / 0 / 5

HEX #2A70E37F

RGBA 42 112 227 .5

HSLA 217.3, 0.77%, 0.53%, .5

LABA 49.04, 20.06, -64.48, .5

 

CMYK 44 / 27 / 0 / 9

HEX #195ED07F

RGBA 25 94 208 .5

HSLA 217.38, 0.79%, 0.46%, .5

LABA 42.41, 23.1, -64.45, .5

 

CMYK 48 / 30 / 0 / 13

HEX #084CBD7F

RGBA 8 76 189 .5

HSLA 217.46, 0.92%, 0.39%, .5

LABA 35.78, 26.73, -64.23, .5

 

CMYK 50 / 33 / 0 / 17

HEX #003AAA7F

RGBA 0 58 170 .5

HSLA 219.53, 1%, 0.33%, .5

LABA 29.23, 30.97, -63.7, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 38 / 30 / 0 / 2

HEX #3C64F57F

RGBA 60 100 245 .5

HSLA 227.03, 0.9%, 0.6%, .5

LABA 47.84, 35.97, -76.51, .5

 

CMYK 38 / 36 / 0 / 2

HEX #3C45F57F

RGBA 60 69 245 .5

HSLA 237.08, 0.9%, 0.6%, .5

LABA 40.91, 54.41, -87.88, .5

 

CMYK 33 / 38 / 0 / 2

HEX #513CF57F

RGBA 81 60 245 .5

HSLA 246.81, 0.9%, 0.6%, .5

LABA 40.53, 60.94, -88.47, .5

 

CMYK 27 / 38 / 0 / 2

HEX #703CF57F

RGBA 112 60 245 .5

HSLA 256.86, 0.9%, 0.6%, .5

LABA 43.17, 64.39, -84.03, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 38 / 24 / 0 / 42

HEX #0A162A7F

RGBA 10 22 42 .5

HSLA 217.5, 0.62%, 0.1%, .5

LABA 7.28, 2.64, -15.17, .5

 

CMYK 38 / 24 / 0 / 32

HEX #16315D7F

RGBA 22 49 93 .5

HSLA 217.18, 0.62%, 0.23%, .5

LABA 20.66, 6.79, -29.33, .5

 

CMYK 38 / 24 / 0 / 22

HEX #234C907F

RGBA 35 76 144 .5

HSLA 217.43, 0.61%, 0.35%, .5

LABA 33.01, 10.7, -41.78, .5

 

CMYK 38 / 24 / 0 / 12

HEX #2F67C37F

RGBA 47 103 195 .5

HSLA 217.3, 0.61%, 0.47%, .5

LABA 44.58, 14.21, -53.41, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 7 / 38 / 0 / 2

HEX #D33CF57F

RGBA 211 60 245 .5

HSLA 288.97, 0.9%, 0.6%, .5

LABA 55.76, 80.28, -62.99, .5

 

CMYK 8 / 0 / 38 / 2

HEX #CDF53C7F

RGBA 205 245 60 .5

HSLA 72.97, 0.9%, 0.6%, .5

LABA 91.06, -35.79, 78.26, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 0 / 38 / 23 / 2

HEX #F53C837F

RGBA 245 60 131 .5

HSLA 336.97, 0.9%, 0.6%, .5

LABA 56.37, 72.99, 4.17, .5

 

CMYK 23 / 0 / 38 / 2

HEX #83F53C7F

RGBA 131 245 60 .5

HSLA 96.97, 0.9%, 0.6%, .5

LABA 87.22, -61.59, 73.27, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 7 / 38 / 0 / 2

HEX #D33CF57F

RGBA 211 60 245 .5

HSLA 288.97, 0.9%, 0.6%, .5

LABA 55.76, 80.28, -62.99, .5

 

CMYK 0 / 14 / 38 / 2

HEX #F5AE3C7F

RGBA 245 174 60 .5

HSLA 36.97, 0.9%, 0.6%, .5

LABA 76.08, 16.23, 65.31, .5

 

CMYK 31 / 0 / 38 / 2

HEX #5EF53C7F

RGBA 94 245 60 .5

HSLA 108.97, 0.9%, 0.6%, .5

LABA 86.01, -71.09, 71.69, .5

 

CMYK 38 / 24 / 0 / 2

HEX #3B82F67F

RGBA 59 130 246 .5

HSLA 217.22, 0.91%, 0.6%, .5

LABA 55.63, 17.55, -64.43, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 14 / 38 / 2

HEX #F5AE3C7F

RGBA 245 174 60 .5

HSLA 36.97, 0.9%, 0.6%, .5

LABA 76.08, 16.23, 65.31, .5

 

CMYK 38 / 0 / 33 / 2

HEX #3CF5517F

RGBA 60 245 81 .5

HSLA 126.81, 0.9%, 0.6%, .5

LABA 85.43, -75.44, 63.53, .5

 

Description

Color code: RGBA 59 130 246 .5 | qconv.com Color code: RGBA 59 130 246 .5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 130 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 130 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 24 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 24% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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