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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 205 215 it is the complementary color RGB 207 50 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 205 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 48 205 215: RGB 53 205 210, RGB 70 223 229, RGB 87 241 248, RGB 104 255 255 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 205 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 48 205 215: RGB 48 205 215, RGB 31 187 196, RGB 14 169 177, RGB 0 151 158 and RGB 0 133 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

Complementary color

CMYK 0 / 76 / 81 / 19

HEX #CF3228

RGB 207 50 40

HSL 3.59, 0.68%, 0.48%

LAB 46.58, 59.98, 43.69

 

CMYK 75 / 2 / 0 / 18

HEX #35CDD2

RGB 53 205 210

HSL 181.91, 0.64%, 0.52%

LAB 75.5, -36.23, -13.71

 

CMYK 69 / 3 / 0 / 10

HEX #46DFE5

RGB 70 223 229

HSL 182.26, 0.75%, 0.59%

LAB 81.69, -37.09, -14.55

 

CMYK 65 / 3 / 0 / 3

HEX #57F1F8

RGB 87 241 248

HSL 182.61, 0.92%, 0.66%

LAB 87.83, -37.75, -15.32

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 84 / 5 / 0 / 23

HEX #1FBBC4

RGB 31 187 196

HSL 183.27, 0.73%, 0.45%

LAB 69.34, -33.97, -15.38

 

CMYK 92 / 5 / 0 / 31

HEX #0EA9B1

RGB 14 169 177

HSL 182.94, 0.85%, 0.37%

LAB 63.05, -32.31, -14.35

 

CMYK 100 / 4 / 0 / 38

HEX #00979E

RGB 0 151 158

HSL 182.66, 1%, 0.31%

LAB 56.69, -30.28, -13.22

 

CMYK 100 / 4 / 0 / 45

HEX #00858B

RGB 0 133 139

HSL 182.59, 1%, 0.27%

LAB 50.26, -27.68, -11.92

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 77 / 17 / 0 / 16

HEX #31B3D7

RGB 49 179 215

HSL 193.01, 0.67%, 0.52%

LAB 67.87, -22.41, -28.03

 

CMYK 77 / 29 / 0 / 16

HEX #3198D7

RGB 49 152 215

HSL 202.77, 0.67%, 0.52%

LAB 59.9, -7.83, -40.42

 

CMYK 77 / 42 / 0 / 16

HEX #317CD7

RGB 49 124 215

HSL 212.89, 0.67%, 0.52%

LAB 51.81, 8.74, -53.25

 

CMYK 77 / 55 / 0 / 16

HEX #3160D7

RGB 49 96 215

HSL 223.01, 0.67%, 0.52%

LAB 44.13, 26.45, -65.63

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 82 / 9 / 0 / 96

HEX #020A0B

RGB 2 10 11

HSL 186.67, 0.69%, 0.03%

LAB 2.3, -1.95, -1.13

 

CMYK 77 / 5 / 0 / 76

HEX #0E3B3E

RGB 14 59 62

HSL 183.75, 0.63%, 0.15%

LAB 22.19, -13.69, -6.29

 

CMYK 78 / 4 / 0 / 56

HEX #196C71

RGB 25 108 113

HSL 183.41, 0.64%, 0.27%

LAB 41.41, -21.75, -9.76

 

CMYK 77 / 5 / 0 / 36

HEX #259CA4

RGB 37 156 164

HSL 183.78, 0.63%, 0.39%

LAB 58.84, -28.42, -13.35

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 58 / 77 / 0 / 16

HEX #5A31D7

RGB 90 49 215

HSL 254.82, 0.67%, 0.52%

LAB 36.51, 58.54, -78

 

CMYK 0 / 27 / 77 / 16

HEX #D79D31

RGB 215 157 49

HSL 39.04, 0.67%, 0.52%

LAB 68.59, 12.04, 61.22

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 0 / 77 / 4 / 16

HEX #D731CF

RGB 215 49 207

HSL 302.89, 0.67%, 0.52%

LAB 53.11, 78, -45.7

 

CMYK 4 / 0 / 77 / 16

HEX #CFD731

RGB 207 215 49

HSL 62.89, 0.67%, 0.52%

LAB 82.96, -21.35, 74.14

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 58 / 77 / 0 / 16

HEX #5A31D7

RGB 90 49 215

HSL 254.82, 0.67%, 0.52%

LAB 36.51, 58.54, -78

 

CMYK 0 / 73 / 77 / 16

HEX #D73931

RGB 215 57 49

HSL 2.89, 0.67%, 0.52%

LAB 49, 60.41, 41.82

 

CMYK 19 / 0 / 77 / 16

HEX #AED731

RGB 174 215 49

HSL 74.82, 0.67%, 0.52%

LAB 80.64, -34.78, 71.17

 

CMYK 78 / 5 / 0 / 16

HEX #30CDD7

RGB 48 205 215

HSL 183.59, 0.68%, 0.52%

LAB 75.57, -35.26, -16.3

 

CMYK 35 / 77 / 0 / 16

HEX #8C31D7

RGB 140 49 215

HSL 272.89, 0.67%, 0.52%

LAB 42.27, 65.63, -68.33

 

CMYK 0 / 73 / 77 / 16

HEX #D73931

RGB 215 57 49

HSL 2.89, 0.67%, 0.52%

LAB 49, 60.41, 41.82

 

CMYK 42 / 0 / 77 / 16

HEX #7CD731

RGB 124 215 49

HSL 92.89, 0.67%, 0.52%

LAB 77.94, -52.89, 67.68

 

Description

Color code: RGBA 48 205 215 1 | qconv.com Color code: RGBA 48 205 215 1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 205 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 205 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 5 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 5% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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