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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 138 64 it is the complementary color RGB 216 117 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 138 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 138 64: RGB 44 138 59, RGB 61 156 78, RGB 78 174 97, RGB 95 192 116 and RGB 112 210 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 138 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 138 64: RGB 39 138 64, RGB 22 120 45, RGB 5 102 26, RGB 0 84 7 and RGB 0 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

Complementary color

CMYK 0 / 46 / 12 / 15

HEX #D875BF

RGB 216 117 191

HSL 315.15, 0.56%, 0.65%

LAB 62.58, 48.34, -21.81

 

CMYK 68 / 0 / 57 / 46

HEX #2C8A3B

RGB 44 138 59

HSL 129.57, 0.52%, 0.36%

LAB 50.72, -44.54, 34.03

 

CMYK 61 / 0 / 50 / 39

HEX #3D9C4E

RGB 61 156 78

HSL 130.74, 0.44%, 0.43%

LAB 57.39, -44.99, 32.55

 

CMYK 55 / 0 / 44 / 32

HEX #4EAE61

RGB 78 174 97

HSL 131.88, 0.38%, 0.49%

LAB 63.96, -45.12, 31.12

 

CMYK 51 / 0 / 40 / 25

HEX #5FC074

RGB 95 192 116

HSL 132.99, 0.43%, 0.56%

LAB 70.45, -45.08, 29.76

 

CMYK 47 / 0 / 36 / 18

HEX #70D287

RGB 112 210 135

HSL 134.08, 0.52%, 0.63%

LAB 76.85, -44.94, 28.49

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 82 / 0 / 63 / 53

HEX #16782D

RGB 22 120 45

HSL 134.08, 0.69%, 0.28%

LAB 43.93, -43.68, 32.94

 

CMYK 95 / 0 / 75 / 60

HEX #05661A

RGB 5 102 26

HSL 132.99, 0.91%, 0.21%

LAB 37.13, -41.67, 34.25

 

CMYK 100 / 0 / 92 / 67

HEX #005407

RGB 0 84 7

HSL 125, 1%, 0.16%

LAB 30.29, -37.94, 34.59

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 72 / 0 / 42 / 45

HEX #278B50

RGB 39 139 80

HSL 144.6, 0.56%, 0.35%

LAB 51.24, -42.4, 23.52

 

CMYK 72 / 0 / 30 / 45

HEX #278B61

RGB 39 139 97

HSL 154.8, 0.56%, 0.35%

LAB 51.56, -38.82, 14.41

 

CMYK 72 / 0 / 18 / 45

HEX #278B72

RGB 39 139 114

HSL 165, 0.56%, 0.35%

LAB 51.96, -34.63, 5.2

 

CMYK 72 / 0 / 6 / 45

HEX #278B82

RGB 39 139 130

HSL 174.6, 0.56%, 0.35%

LAB 52.41, -30.18, -3.43

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 72 / 0 / 53 / 26

HEX #35BD58

RGB 53 189 88

HSL 135.44, 0.56%, 0.47%

LAB 67.91, -57.39, 40.45

 

CMYK 72 / 0 / 54 / 6

HEX #44F06F

RGB 68 240 111

HSL 135, 0.85%, 0.6%

LAB 84.33, -69.3, 49.53

 

CMYK 72 / 0 / 53 / 86

HEX #0A2411

RGB 10 36 17

HSL 136.15, 0.57%, 0.09%

LAB 11.73, -15.47, 9.52

 

CMYK 71 / 0 / 54 / 66

HEX #195728

RGB 25 87 40

HSL 134.52, 0.55%, 0.22%

LAB 32.2, -31.12, 21.57

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 72 / 32 / 0 / 45

HEX #275E8B

RGB 39 94 139

HSL 207, 0.56%, 0.35%

LAB 38.38, -2.35, -30.19

 

CMYK 0 / 72 / 61 / 45

HEX #8B2736

RGB 139 39 54

HSL 351, 0.56%, 0.35%

LAB 32.27, 43.03, 15.4

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 54 / 72 / 0 / 45

HEX #40278B

RGB 64 39 139

HSL 255, 0.56%, 0.35%

LAB 24.97, 37.87, -51.64

 

CMYK 0 / 54 / 72 / 45

HEX #8B4027

RGB 139 64 39

HSL 15, 0.56%, 0.35%

LAB 36.56, 30.05, 29.96

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 72 / 32 / 0 / 45

HEX #275E8B

RGB 39 94 139

HSL 207, 0.56%, 0.35%

LAB 38.38, -2.35, -30.19

 

CMYK 0 / 72 / 18 / 45

HEX #8B2772

RGB 139 39 114

HSL 315, 0.56%, 0.35%

LAB 34.3, 49.79, -20.4

 

CMYK 0 / 40 / 72 / 45

HEX #8B5427

RGB 139 84 39

HSL 27, 0.56%, 0.35%

LAB 41.18, 18.75, 35.09

 

CMYK 72 / 0 / 54 / 46

HEX #278A40

RGB 39 138 64

HSL 135.15, 0.56%, 0.35%

LAB 50.66, -44.78, 31.37

 

CMYK 72 / 54 / 0 / 45

HEX #27408B

RGB 39 64 139

HSL 225, 0.56%, 0.35%

LAB 29.32, 17.5, -44.65

 

CMYK 0 / 72 / 18 / 45

HEX #8B2772

RGB 139 39 114

HSL 315, 0.56%, 0.35%

LAB 34.3, 49.79, -20.4

 

CMYK 0 / 18 / 72 / 45

HEX #8B7227

RGB 139 114 39

HSL 45, 0.56%, 0.35%

LAB 49.09, 1.31, 43.43

 

Description

Color code: RGBA 39 138 64 1 | qconv.com Color code: RGBA 39 138 64 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 138 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 138 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 54 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 54% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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