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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 94 15 it is the complementary color RGB 0 161 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 94 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 94 15: RGB 255 94 10, RGB 255 112 29, RGB 255 130 48, RGB 255 148 67 and RGB 255 166 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 94 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 94 15: RGB 255 94 15, RGB 238 76 0, RGB 221 58 0, RGB 204 40 0 and RGB 187 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

Complementary color

CMYK 100 / 33 / 0 / 6

HEX #00A1F0

RGB 0 161 240

HSL 199.75, 1%, 0.47%

LAB 63.16, -6.66, -49.15

 

CMYK 0 / 63 / 96 / 0

HEX #FF5E0A

RGB 255 94 10

HSL 20.57, 1%, 0.52%

LAB 61.03, 58.51, 68.91

 

CMYK 0 / 56 / 89 / 0

HEX #FF701D

RGB 255 112 29

HSL 22.04, 1%, 0.56%

LAB 64.11, 50.8, 66.36

 

CMYK 0 / 49 / 81 / 0

HEX #FF8230

RGB 255 130 48

HSL 23.77, 1%, 0.59%

LAB 67.6, 42.6, 62.53

 

CMYK 0 / 42 / 74 / 0

HEX #FF9443

RGB 255 148 67

HSL 25.85, 1%, 0.63%

LAB 71.45, 34.2, 58.21

 

CMYK 0 / 35 / 66 / 0

HEX #FFA656

RGB 255 166 86

HSL 28.4, 1%, 0.67%

LAB 75.58, 25.82, 53.87

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 0 / 68 / 100 / 7

HEX #EE4C00

RGB 238 76 0

HSL 19.16, 1%, 0.47%

LAB 55.43, 59.96, 66.22

 

CMYK 0 / 74 / 100 / 13

HEX #DD3A00

RGB 221 58 0

HSL 15.75, 1%, 0.43%

LAB 49.98, 61.02, 61.88

 

CMYK 0 / 80 / 100 / 20

HEX #CC2800

RGB 204 40 0

HSL 11.76, 1%, 0.4%

LAB 44.74, 61.36, 57.66

 

CMYK 0 / 88 / 100 / 27

HEX #BB1600

RGB 187 22 0

HSL 7.06, 1%, 0.37%

LAB 39.81, 60.64, 53.6

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 33 / 94 / 0

HEX #FFAB0F

RGB 255 171 15

HSL 39, 1%, 0.53%

LAB 76.33, 20.93, 78.16

 

CMYK 0 / 17 / 94 / 0

HEX #FFD30F

RGB 255 211 15

HSL 49, 1%, 0.53%

LAB 85.95, 0.23, 85.09

 

CMYK 0 / 2 / 94 / 0

HEX #FFFB0F

RGB 255 251 15

HSL 59, 1%, 0.53%

LAB 96.12, -19.54, 92.64

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 0 / 63 / 94 / 80

HEX #331303

RGB 51 19 3

HSL 20, 0.89%, 0.11%

LAB 10.38, 14.82, 14.63

 

CMYK 0 / 63 / 94 / 60

HEX #662606

RGB 102 38 6

HSL 20, 0.89%, 0.21%

LAB 24.4, 27.2, 32.62

 

CMYK 0 / 63 / 94 / 40

HEX #993809

RGB 153 56 9

HSL 19.58, 0.89%, 0.32%

LAB 37.15, 38.68, 45.4

 

CMYK 0 / 63 / 94 / 20

HEX #CC4B0C

RGB 204 75 12

HSL 19.69, 0.89%, 0.42%

LAB 49.37, 48.87, 56.99

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 49 / 0 / 94 / 0

HEX #83FF0F

RGB 131 255 15

HSL 91, 1%, 0.53%

LAB 90.04, -66.76, 84.81

 

CMYK 94 / 86 / 0 / 0

HEX #0F23FF

RGB 15 35 255

HSL 235, 1%, 0.53%

LAB 35.05, 71.53, -103.27

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 94 / 0 / 64 / 0

HEX #0FFF5B

RGB 15 255 91

HSL 139, 1%, 0.53%

LAB 88.15, -81.08, 62.44

 

CMYK 64 / 94 / 0 / 0

HEX #5B0FFF

RGB 91 15 255

HSL 259, 1%, 0.53%

LAB 37.46, 79.05, -99.15

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 49 / 0 / 94 / 0

HEX #83FF0F

RGB 131 255 15

HSL 91, 1%, 0.53%

LAB 90.04, -66.76, 84.81

 

CMYK 94 / 30 / 0 / 0

HEX #0FB3FF

RGB 15 179 255

HSL 199, 1%, 0.53%

LAB 69.16, -10.84, -47.86

 

CMYK 45 / 94 / 0 / 0

HEX #8B0FFF

RGB 139 15 255

HSL 271, 1%, 0.53%

LAB 42.84, 82.48, -90.07

 

CMYK 0 / 63 / 94 / 0

HEX #FF5E0F

RGB 255 94 15

HSL 19.75, 1%, 0.53%

LAB 61.05, 58.55, 67.95

 

CMYK 77 / 0 / 94 / 0

HEX #3BFF0F

RGB 59 255 15

HSL 109, 1%, 0.53%

LAB 88.2, -81.94, 82.56

 

CMYK 94 / 30 / 0 / 0

HEX #0FB3FF

RGB 15 179 255

HSL 199, 1%, 0.53%

LAB 69.16, -10.84, -47.86

 

CMYK 17 / 94 / 0 / 0

HEX #D30FFF

RGB 211 15 255

HSL 289, 1%, 0.53%

LAB 53.4, 90.82, -72.37

 

Description

Color code: RGBA 255 94 15 1 | qconv.com Color code: RGBA 255 94 15 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 94 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 94 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 94 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 94% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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