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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 140 230 it is the complementary color RGB 0 115 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 140 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 140 230: RGB 255 140 225, RGB 255 158 244, RGB 255 176 255, RGB 255 194 255 and RGB 255 212 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 140 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 140 230: RGB 255 140 230, RGB 238 122 211, RGB 221 104 192, RGB 204 86 173 and RGB 187 68 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

Complementary color

CMYK 100 / 0 / 78 / 55

HEX #007319

RGB 0 115 25

HSL 133.04, 1%, 0.23%

LAB 41.74, -46.46, 39.36

 

CMYK 0 / 45 / 12 / 0

HEX #FF8CE1

RGB 255 140 225

HSL 315.65, 1%, 0.77%

LAB 73.19, 54.29, -24.12

 

CMYK 0 / 38 / 4 / 0

HEX #FF9EF4

RGB 255 158 244

HSL 306.8, 1%, 0.81%

LAB 77.43, 48.39, -27.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 49 / 11 / 7

HEX #EE7AD3

RGB 238 122 211

HSL 313.97, 0.77%, 0.71%

LAB 67.13, 55.76, -25.84

 

CMYK 0 / 53 / 13 / 13

HEX #DD68C0

RGB 221 104 192

HSL 314.87, 0.63%, 0.64%

LAB 60.85, 56.36, -24.97

 

CMYK 0 / 58 / 15 / 20

HEX #CC56AD

RGB 204 86 173

HSL 315.76, 0.54%, 0.57%

LAB 54.56, 56.84, -23.92

 

CMYK 0 / 64 / 18 / 27

HEX #BB449A

RGB 187 68 154

HSL 316.64, 0.47%, 0.5%

LAB 48.3, 57.09, -22.61

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 46 / 18 / 0

HEX #FF89D2

RGB 255 137 210

HSL 322.88, 1%, 0.77%

LAB 72.1, 53.48, -17.51

 

CMYK 0 / 46 / 25 / 0

HEX #FF89BE

RGB 255 137 190

HSL 333.05, 1%, 0.77%

LAB 71.47, 50.67, -7.36

 

CMYK 0 / 46 / 33 / 0

HEX #FF89AA

RGB 255 137 170

HSL 343.22, 1%, 0.77%

LAB 70.91, 48.13, 2.97

 

CMYK 0 / 46 / 41 / 0

HEX #FF8997

RGB 255 137 151

HSL 352.88, 1%, 0.77%

LAB 70.45, 45.99, 12.92

HKS® 21

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 45 / 10 / 80

HEX #331C2E

RGB 51 28 46

HSL 313.04, 0.29%, 0.15%

LAB 14.01, 14.71, -7.29

 

CMYK 0 / 45 / 10 / 60

HEX #66385C

RGB 102 56 92

HSL 313.04, 0.29%, 0.31%

LAB 30.46, 26.14, -12.76

 

CMYK 0 / 45 / 10 / 40

HEX #99548A

RGB 153 84 138

HSL 313.04, 0.29%, 0.46%

LAB 45.56, 36.41, -17.66

 

CMYK 0 / 45 / 10 / 20

HEX #CC70B8

RGB 204 112 184

HSL 313.04, 0.47%, 0.62%

LAB 59.79, 45.98, -22.24

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 27 / 46 / 0

HEX #FFBA89

RGB 255 186 137

HSL 24.92, 1%, 0.77%

LAB 80.84, 19.26, 34.61

 

CMYK 46 / 0 / 9 / 0

HEX #89FFE9

RGB 137 255 233

HSL 168.81, 1%, 0.77%

LAB 92.89, -38.58, 0.15

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 10 / 0 / 46 / 0

HEX #E5FF89

RGB 229 255 137

HSL 73.22, 1%, 0.77%

LAB 95.99, -25.68, 53.26

 

CMYK 46 / 10 / 0 / 0

HEX #89E5FF

RGB 137 229 255

HSL 193.22, 1%, 0.77%

LAB 86.29, -20.8, -21.14

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 27 / 46 / 0

HEX #FFBA89

RGB 255 186 137

HSL 24.92, 1%, 0.77%

LAB 80.84, 19.26, 34.61

 

CMYK 46 / 0 / 36 / 0

HEX #89FFA3

RGB 137 255 163

HSL 133.22, 1%, 0.77%

LAB 91.45, -52.42, 33.88

 

CMYK 46 / 19 / 0 / 0

HEX #89CEFF

RGB 137 206 255

HSL 204.92, 1%, 0.77%

LAB 80, -8.99, -30.74

 

CMYK 0 / 45 / 10 / 0

HEX #FF8CE6

RGB 255 140 230

HSL 313.04, 1%, 0.77%

LAB 73.37, 55.08, -26.59

 

CMYK 0 / 13 / 46 / 0

HEX #FFDD89

RGB 255 221 137

HSL 42.71, 1%, 0.77%

LAB 89.29, 1.14, 45.41

 

CMYK 46 / 0 / 36 / 0

HEX #89FFA3

RGB 137 255 163

HSL 133.22, 1%, 0.77%

LAB 91.45, -52.42, 33.88

 

CMYK 46 / 33 / 0 / 0

HEX #89AAFF

RGB 137 170 255

HSL 223.22, 1%, 0.77%

LAB 70.38, 10.75, -45.69

 

Description

Color code: RGBA 255 140 230 1 | qconv.com Color code: RGBA 255 140 230 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 140 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 140 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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