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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 250 94 38 0.6 it is the complementary color RGBA 5 161 217 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 250 94 38 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 250 94 38 0.6: RGBA 255 94 33 0.6, RGBA 255 112 52 0.6, RGBA 255 130 71 0.6, RGBA 255 148 90 0.6 and RGBA 255 166 109 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 250 94 38 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 250 94 38 0.6: RGBA 250 94 38 0.6, RGBA 233 76 19 0.6, RGBA 216 58 0 0.6, RGBA 199 40 0 0.6 and RGBA 182 22 0 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

Complementary color

CMYK 59 / 15 / 0 / 9

HEX #05A1D999

RGBA 5 161 217 0.6

HSLA 195.85, 0.95%, 0.44%, 0.6

LABA 62.11, -14.91, -38.11, 0.6

 

CMYK 0 / 38 / 52 / 0

HEX #FF5E2199

RGBA 255 94 33 0.6

HSLA 16.49, 1%, 0.56%, 0.6

LABA 61.11, 58.81, 62.74, 0.6

 

CMYK 0 / 34 / 48 / 0

HEX #FF703499

RGBA 255 112 52 0.6

HSLA 17.73, 1%, 0.6%, 0.6

LABA 64.24, 51.36, 57.75, 0.6

 

CMYK 0 / 29 / 43 / 0

HEX #FF824799

RGBA 255 130 71 0.6

HSLA 19.24, 1%, 0.64%, 0.6

LABA 67.78, 43.45, 52.51, 0.6

 

CMYK 0 / 25 / 39 / 0

HEX #FF945A99

RGBA 255 148 90 0.6

HSLA 21.09, 1%, 0.68%, 0.6

LABA 71.68, 35.37, 47.46, 0.6

 

CMYK 0 / 21 / 34 / 0

HEX #FFA66D99

RGBA 255 166 109 0.6

HSLA 23.42, 1%, 0.71%, 0.6

LABA 75.85, 27.32, 42.78, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 0 / 40 / 55 / 5

HEX #E94C1399

RGBA 233 76 19 0.6

HSLA 15.98, 0.85%, 0.49%, 0.6

LABA 54.59, 58.5, 60.95, 0.6

 

CMYK 0 / 44 / 60 / 9

HEX #D83A0099

RGBA 216 58 0 0.6

HSLA 16.11, 1%, 0.42%, 0.6

LABA 49.04, 59.46, 60.91, 0.6

 

CMYK 0 / 48 / 60 / 13

HEX #C7280099

RGBA 199 40 0 0.6

HSLA 12.06, 1%, 0.39%, 0.6

LABA 43.74, 59.89, 56.65, 0.6

 

CMYK 0 / 53 / 60 / 17

HEX #B6160099

RGBA 182 22 0 0.6

HSLA 7.25, 1%, 0.36%, 0.6

LABA 38.76, 59.26, 52.55, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 0 / 30 / 51 / 1

HEX #F97D2499

RGBA 249 125 36 0.6

HSLA 25.07, 0.95%, 0.56%, 0.6

LABA 65.7, 42.45, 64.96, 0.6

 

CMYK 0 / 21 / 51 / 1

HEX #F9A02499

RGBA 249 160 36 0.6

HSLA 34.93, 0.95%, 0.56%, 0.6

LABA 73.16, 24.51, 71.03, 0.6

 

CMYK 0 / 13 / 51 / 1

HEX #F9C42499

RGBA 249 196 36 0.6

HSLA 45.07, 0.95%, 0.56%, 0.6

LABA 81.7, 5.7, 77.96, 0.6

 

CMYK 0 / 4 / 51 / 1

HEX #F9E72499

RGBA 249 231 36 0.6

HSLA 54.93, 0.95%, 0.56%, 0.6

LABA 90.51, -12.01, 85.09, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 0 / 38 / 51 / 49

HEX #2E110799

RGBA 46 17 7 0.6

HSLA 15.38, 0.74%, 0.1%, 0.6

LABA 8.97, 13.93, 10.86, 0.6

 

CMYK 0 / 38 / 51 / 37

HEX #61240F99

RGBA 97 36 15 0.6

HSLA 15.37, 0.73%, 0.22%, 0.6

LABA 23.13, 26.45, 27.07, 0.6

 

CMYK 0 / 37 / 51 / 25

HEX #94381699

RGBA 148 56 22 0.6

HSLA 16.19, 0.74%, 0.33%, 0.6

LABA 36.33, 37.04, 39.23, 0.6

 

CMYK 0 / 37 / 51 / 13

HEX #C74B1E99

RGBA 199 75 30 0.6

HSLA 15.98, 0.74%, 0.45%, 0.6

LABA 48.6, 47.4, 49.81, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 23 / 0 / 51 / 1

HEX #99F92499

RGBA 153 249 36 0.6

HSLA 87.04, 0.95%, 0.56%, 0.6

LABA 89.23, -57.26, 81.5, 0.6

 

CMYK 51 / 44 / 0 / 1

HEX #2444F999

RGBA 36 68 249 0.6

HSLA 230.99, 0.95%, 0.56%, 0.6

LABA 40.16, 54.79, -91.4, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 51 / 0 / 39 / 1

HEX #24F95999

RGBA 36 249 89 0.6

HSLA 134.93, 0.95%, 0.56%, 0.6

LABA 86.43, -78.38, 61.38, 0.6

 

CMYK 39 / 51 / 0 / 1

HEX #5924F999

RGBA 89 36 249 0.6

HSLA 254.93, 0.95%, 0.56%, 0.6

LABA 38.24, 72.49, -94.48, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 23 / 0 / 51 / 1

HEX #99F92499

RGBA 153 249 36 0.6

HSLA 87.04, 0.95%, 0.56%, 0.6

LABA 89.23, -57.26, 81.5, 0.6

 

CMYK 51 / 13 / 0 / 1

HEX #24C4F999

RGBA 36 196 249 0.6

HSLA 194.93, 0.95%, 0.56%, 0.6

LABA 73.99, -20.97, -37.05, 0.6

 

CMYK 28 / 51 / 0 / 1

HEX #8424F999

RGBA 132 36 249 0.6

HSLA 267.04, 0.95%, 0.56%, 0.6

LABA 42.77, 76.34, -86.85, 0.6

 

CMYK 0 / 37 / 51 / 1

HEX #FA5E2699

RGBA 250 94 38 0.6

HSLA 15.85, 0.95%, 0.56%, 0.6

LABA 60.31, 57.21, 59.85, 0.6

 

CMYK 39 / 0 / 51 / 1

HEX #59F92499

RGBA 89 249 36 0.6

HSLA 105.07, 0.95%, 0.56%, 0.6

LABA 87, -74.6, 78.69, 0.6

 

CMYK 51 / 13 / 0 / 1

HEX #24C4F999

RGBA 36 196 249 0.6

HSLA 194.93, 0.95%, 0.56%, 0.6

LABA 73.99, -20.97, -37.05, 0.6

 

CMYK 13 / 51 / 0 / 1

HEX #C424F999

RGBA 196 36 249 0.6

HSLA 285.07, 0.95%, 0.56%, 0.6

LABA 51.65, 84.63, -71.97, 0.6

 

Description

Color code: RGBA 250 94 38 0.6 | qconv.com Color code: RGBA 250 94 38 0.6 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 94 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 94 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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