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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 43 5 it is the complementary color RGB 5 212 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 43 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 43 5: RGB 255 43 0, RGB 255 61 19, RGB 255 79 38, RGB 255 97 57 and RGB 255 115 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 43 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 43 5: RGB 250 43 5, RGB 233 25 0, RGB 216 7 0, RGB 199 0 0 and RGB 182 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

Complementary color

CMYK 98 / 15 / 0 / 2

HEX #05D4FA

RGB 5 212 250

HSL 189.31, 0.96%, 0.5%

LAB 78.47, -29.85, -30.68

 

CMYK 0 / 83 / 100 / 0

HEX #FF2B00

RGB 255 43 0

HSL 10.12, 1%, 0.5%

LAB 55.06, 74.86, 67.9

 

CMYK 0 / 76 / 93 / 0

HEX #FF3D13

RGB 255 61 19

HSL 10.68, 1%, 0.54%

LAB 56.73, 70.43, 64.29

 

CMYK 0 / 69 / 85 / 0

HEX #FF4F26

RGB 255 79 38

HSL 11.34, 1%, 0.57%

LAB 58.97, 64.78, 59.07

 

CMYK 0 / 62 / 78 / 0

HEX #FF6139

RGB 255 97 57

HSL 12.12, 1%, 0.61%

LAB 61.74, 58.18, 53

 

CMYK 0 / 55 / 70 / 0

HEX #FF734C

RGB 255 115 76

HSL 13.07, 1%, 0.65%

LAB 65, 50.91, 46.95

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 0 / 89 / 100 / 9

HEX #E91900

RGB 233 25 0

HSL 6.44, 1%, 0.46%

LAB 49.52, 72.36, 63.09

 

CMYK 0 / 97 / 100 / 15

HEX #D80700

RGB 216 7 0

HSL 1.94, 1%, 0.42%

LAB 45.29, 70.06, 59.38

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 0 / 67 / 98 / 2

HEX #F95205

RGB 249 82 5

HSL 18.93, 0.96%, 0.5%

LAB 58.21, 61.29, 67.69

 

CMYK 0 / 51 / 98 / 2

HEX #F97B05

RGB 249 123 5

HSL 29.02, 0.96%, 0.5%

LAB 65.21, 43.01, 71.74

 

CMYK 0 / 34 / 98 / 2

HEX #F9A405

RGB 249 164 5

HSL 39.1, 0.96%, 0.5%

LAB 74, 21.98, 77.42

 

CMYK 0 / 18 / 98 / 2

HEX #F9CD05

RGB 249 205 5

HSL 49.18, 0.96%, 0.5%

LAB 83.87, 0.64, 84.27

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 0 / 83 / 98 / 82

HEX #2E0801

RGB 46 8 1

HSL 9.33, 0.96%, 0.09%

LAB 6.84, 18.61, 10.2

 

CMYK 0 / 82 / 98 / 62

HEX #611102

RGB 97 17 2

HSL 9.47, 0.96%, 0.19%

LAB 19.83, 34.66, 29.11

 

CMYK 0 / 83 / 98 / 42

HEX #941903

RGB 148 25 3

HSL 9.1, 0.96%, 0.3%

LAB 31.8, 48.75, 43.76

 

CMYK 0 / 83 / 98 / 22

HEX #C72204

RGB 199 34 4

HSL 9.23, 0.96%, 0.4%

LAB 43.2, 61.48, 55.13

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 34 / 0 / 98 / 2

HEX #A4F905

RGB 164 249 5

HSL 80.9, 0.96%, 0.5%

LAB 89.7, -54.1, 85.95

 

CMYK 98 / 73 / 0 / 2

HEX #0542F9

RGB 5 66 249

HSL 225, 0.96%, 0.5%

LAB 39.19, 55.04, -93.03

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 98 / 0 / 84 / 2

HEX #05F929

RGB 5 249 41

HSL 128.85, 0.96%, 0.5%

LAB 85.98, -83.45, 76.34

 

CMYK 84 / 98 / 0 / 2

HEX #2905F9

RGB 41 5 249

HSL 248.85, 0.96%, 0.5%

LAB 32.74, 77.39, -103.73

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 34 / 0 / 98 / 2

HEX #A4F905

RGB 164 249 5

HSL 80.9, 0.96%, 0.5%

LAB 89.7, -54.1, 85.95

 

CMYK 98 / 14 / 0 / 2

HEX #05D5F9

RGB 5 213 249

HSL 188.85, 0.96%, 0.5%

LAB 78.73, -30.66, -29.76

 

CMYK 64 / 98 / 0 / 2

HEX #5A05F9

RGB 90 5 249

HSL 260.9, 0.96%, 0.5%

LAB 36.22, 78.96, -97.85

 

CMYK 0 / 83 / 98 / 2

HEX #FA2B05

RGB 250 43 5

HSL 9.31, 0.96%, 0.5%

LAB 54.09, 73.55, 65.75

 

CMYK 64 / 0 / 98 / 2

HEX #5AF905

RGB 90 249 5

HSL 99.1, 0.96%, 0.5%

LAB 86.97, -75.09, 82.62

 

CMYK 98 / 14 / 0 / 2

HEX #05D5F9

RGB 5 213 249

HSL 188.85, 0.96%, 0.5%

LAB 78.73, -30.66, -29.76

 

CMYK 34 / 98 / 0 / 2

HEX #A405F9

RGB 164 5 249

HSL 279.1, 0.96%, 0.5%

LAB 45.42, 84.78, -82.35

 

Description

Color code: RGBA 250 43 5 1 | qconv.com Color code: RGBA 250 43 5 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 43 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 43 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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