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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 176 0 it is the complementary color RGB 5 79 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 176 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 176 0: RGB 255 176 0, RGB 255 194 14, RGB 255 212 33, RGB 255 230 52 and RGB 255 248 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 176 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 176 0: RGB 250 176 0, RGB 233 158 0, RGB 216 140 0, RGB 199 122 0 and RGB 182 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

Complementary color

CMYK 98 / 69 / 0 / 0

HEX #054FFF

RGB 5 79 255

HSL 222.24, 1%, 0.51%

LAB 42.53, 49.56, -90.86

 

CMYK 0 / 31 / 100 / 0

HEX #FFB000

RGB 255 176 0

HSL 41.41, 1%, 0.5%

LAB 77.47, 18.2, 80.63

 

CMYK 0 / 24 / 95 / 0

HEX #FFC20E

RGB 255 194 14

HSL 44.81, 1%, 0.53%

LAB 81.77, 8.95, 82.17

 

CMYK 0 / 17 / 87 / 0

HEX #FFD421

RGB 255 212 33

HSL 48.38, 1%, 0.56%

LAB 86.23, -0.02, 82.49

 

CMYK 0 / 10 / 80 / 0

HEX #FFE634

RGB 255 230 52

HSL 52.61, 1%, 0.6%

LAB 90.83, -8.59, 81.75

 

CMYK 0 / 3 / 72 / 0

HEX #FFF847

RGB 255 248 71

HSL 57.72, 1%, 0.64%

LAB 95.52, -16.71, 80.3

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 0 / 32 / 100 / 9

HEX #E99E00

RGB 233 158 0

HSL 40.69, 1%, 0.46%

LAB 70.72, 18.3, 74.92

 

CMYK 0 / 35 / 100 / 15

HEX #D88C00

RGB 216 140 0

HSL 38.89, 1%, 0.42%

LAB 64.45, 20.6, 69.8

 

CMYK 0 / 39 / 100 / 22

HEX #C77A00

RGB 199 122 0

HSL 36.78, 1%, 0.39%

LAB 58.1, 22.99, 64.63

 

CMYK 0 / 43 / 100 / 29

HEX #B66800

RGB 182 104 0

HSL 34.29, 1%, 0.36%

LAB 51.66, 25.44, 59.42

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 0 / 13 / 100 / 2

HEX #F9D800

RGB 249 216 0

HSL 52.05, 1%, 0.49%

LAB 86.63, -4.98, 86.67

 

CMYK 3 / 0 / 100 / 2

HEX #F1F900

RGB 241 249 0

HSL 61.93, 1%, 0.49%

LAB 94.51, -24.46, 92.07

 

CMYK 20 / 0 / 100 / 2

HEX #C7F900

RGB 199 249 0

HSL 72.05, 1%, 0.49%

LAB 91.64, -41.25, 88.65

 

CMYK 37 / 0 / 100 / 2

HEX #9EF900

RGB 158 249 0

HSL 81.93, 1%, 0.49%

LAB 89.4, -56.21, 85.97

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 0 / 30 / 100 / 82

HEX #2E2000

RGB 46 32 0

HSL 41.74, 1%, 0.09%

LAB 13.31, 2.93, 19.74

 

CMYK 0 / 30 / 100 / 62

HEX #614400

RGB 97 68 0

HSL 42.06, 1%, 0.19%

LAB 31.06, 6.72, 40.39

 

CMYK 0 / 30 / 100 / 42

HEX #946800

RGB 148 104 0

HSL 42.16, 1%, 0.29%

LAB 47.23, 10.06, 54.37

 

CMYK 0 / 30 / 100 / 22

HEX #C78C00

RGB 199 140 0

HSL 42.21, 1%, 0.39%

LAB 62.42, 13.15, 67.48

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 90 / 0 / 100 / 2

HEX #18F900

RGB 24 249 0

HSL 114.22, 1%, 0.49%

LAB 85.98, -83.75, 81.81

 

CMYK 70 / 100 / 0 / 2

HEX #4A00F9

RGB 74 0 249

HSL 257.83, 1%, 0.49%

LAB 34.59, 78.95, -100.59

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 100 / 0 / 30 / 2

HEX #00F9AE

RGB 0 249 174

HSL 161.93, 1%, 0.49%

LAB 87.39, -66.28, 22.41

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 90 / 0 / 100 / 2

HEX #18F900

RGB 24 249 0

HSL 114.22, 1%, 0.49%

LAB 85.98, -83.75, 81.81

 

CMYK 100 / 70 / 0 / 2

HEX #004AF9

RGB 0 74 249

HSL 222.17, 1%, 0.49%

LAB 40.8, 50.33, -90.37

 

CMYK 10 / 100 / 0 / 2

HEX #E000F9

RGB 224 0 249

HSL 293.98, 1%, 0.49%

LAB 54.75, 92.78, -66.74

 

CMYK 0 / 30 / 100 / 2

HEX #FAB000

RGB 250 176 0

HSL 42.24, 1%, 0.49%

LAB 76.91, 16.07, 79.98

 

CMYK 100 / 0 / 80 / 2

HEX #00F931

RGB 0 249 49

HSL 131.81, 1%, 0.49%

LAB 85.99, -83.2, 74.4

 

CMYK 100 / 70 / 0 / 2

HEX #004AF9

RGB 0 74 249

HSL 222.17, 1%, 0.49%

LAB 40.8, 50.33, -90.37

 

CMYK 0 / 100 / 20 / 2

HEX #F900C7

RGB 249 0 199

HSL 312.05, 1%, 0.49%

LAB 56.35, 90.09, -35.61

 

Description

Color code: RGBA 250 176 0 1 | qconv.com Color code: RGBA 250 176 0 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 176 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 176 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 100 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 100% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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