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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 242 252 152 0.75 it is the complementary color RGBA 13 3 103 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 242 252 152 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 242 252 152 0.75 shade: RGBA 247 252 147 0.75, RGBA 255 255 166 0.75, RGBA 255 255 185 0.75, RGBA 255 255 204 0.75 and RGBA 255 255 223 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 242 252 152 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 242 252 152 0.75 shade: RGBA 242 252 152 0.75, RGBA 225 234 133 0.75, RGBA 208 216 114 0.75, RGBA 191 198 95 0.75 and RGBA 174 180 76 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 151, RGB 252 235 151, RGB 252 208 151, RGB 252 180 151 and RGB 252 153 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 151, RGB 215 252 151, RGB 187 252 151, RGB 160 252 151 and RGB 151 252 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 242 252 152 0.75 shade matches the following richer shades: RGB 242 252 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 151, RGB 235 243 160, RGB 228 234 168, RGB 221 226 177 and RGB 214 217 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 242 252 152 0.75 shade: RGB 252 208 151, RGB 252 235 151, RGB 242 252 151, RGB 215 252 151 and RGB 188 252 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 242 252 152 0.75 shade: RGB 231 249 71, RGB 237 251 111, RGB 242 252 151, RGB 247 253 191 and RGB 252 254 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 152, RGB 151 252 181 and RGB 222 151 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 152, RGB 151 242 252 and RGB 252 151 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 152, RGB 151 252 181, RGB 161 151 252 and RGB 252 151 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 242 252 152 0.75 shade: RGB 242 252 152, RGB 151 252 212, RGB 161 151 252 and RGB 252 151 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 30 / 1

HEX #F2FC98BF

RGBA 242 252 152 0.75

HSLA 66, 0.94%, 0.79%, 0.75

LABA 96.31, -17.81, 46.72, 0.75

 

Complementary color

CMYK 66 / 73 / 0 / 45

HEX #0D0367BF

RGBA 13 3 103 0.75

HSLA 246, 0.94%, 0.21%, 0.75

LABA 10.03, 39.35, -53.38, 0.75

 

CMYK 1 / 0 / 31 / 1

HEX #F7FC93BF

RGBA 247 252 147 0.75

HSLA 62.86, 0.95%, 0.78%, 0.75

LABA 96.62, -16.43, 49.59, 0.75

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFA6BF

RGBA 255 255 166 0.75

HSLA 60, 1%, 0.83%, 0.75

LABA 98.25, -12.84, 42.58, 0.75

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFB9BF

RGBA 255 255 185 0.75

HSLA 60, 1%, 0.86%, 0.75

LABA 98.54, -10.58, 33.56, 0.75

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFCCBF

RGBA 255 255 204 0.75

HSLA 60, 1%, 0.9%, 0.75

LABA 98.88, -8.05, 24.44, 0.75

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFDFBF

RGBA 255 255 223 0.75

HSLA 60, 1%, 0.94%, 0.75

LABA 99.26, -5.26, 15.31, 0.75

 

CMYK 3 / 0 / 30 / 1

HEX #F2FC98BF

RGBA 242 252 152 0.75

HSLA 66, 0.94%, 0.79%, 0.75

LABA 96.31, -17.81, 46.72, 0.75

 

CMYK 3 / 0 / 32 / 6

HEX #E1EA85BF

RGBA 225 234 133 0.75

HSLA 65.35, 0.71%, 0.72%, 0.75

LABA 90.11, -17.53, 47.86, 0.75

 

CMYK 3 / 0 / 35 / 11

HEX #D0D872BF

RGBA 208 216 114 0.75

HSLA 64.71, 0.57%, 0.65%, 0.75

LABA 83.83, -17.19, 49.01, 0.75

 

CMYK 3 / 0 / 39 / 17

HEX #BFC65FBF

RGBA 191 198 95 0.75

HSLA 64.08, 0.47%, 0.57%, 0.75

LABA 77.45, -16.78, 50.13, 0.75

 

CMYK 3 / 0 / 43 / 22

HEX #AEB44CBF

RGBA 174 180 76 0.75

HSLA 63.46, 0.41%, 0.5%, 0.75

LABA 70.98, -16.27, 51.17, 0.75

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 0 / 17 / 40 / 1

HEX #FCD097

RGB 252 208 151

HSL 33.86, 0.94%, 0.79%

LAB 86.03, 8.05, 34.1

 

CMYK 0 / 29 / 40 / 1

HEX #FCB497

RGB 252 180 151

HSL 17.23, 0.94%, 0.79%

LAB 79.37, 22.68, 25.2

 

CMYK 0 / 39 / 40 / 1

HEX #FC9997

RGB 252 153 151

HSL 1.19, 0.94%, 0.79%

LAB 73.36, 36.78, 16.94

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 15 / 0 / 40 / 1

HEX #D7FC97

RGB 215 252 151

HSL 81.98, 0.94%, 0.79%

LAB 94.44, -27.93, 44.45

 

CMYK 26 / 0 / 40 / 1

HEX #BBFC97

RGB 187 252 151

HSL 98.61, 0.94%, 0.79%

LAB 92.76, -37.76, 41.95

 

CMYK 37 / 0 / 40 / 1

HEX #A0FC97

RGB 160 252 151

HSL 114.65, 0.94%, 0.79%

LAB 91.38, -46.47, 39.91

 

CMYK 40 / 0 / 33 / 1

HEX #97FCA9

RGB 151 252 169

HSL 130.69, 0.94%, 0.79%

LAB 91.26, -46.36, 30.73

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 3 / 0 / 34 / 5

HEX #EBF3A0

RGB 235 243 160

HSL 65.78, 0.78%, 0.79%

LAB 93.58, -15.16, 39.19

 

CMYK 3 / 0 / 28 / 8

HEX #E4EAA8

RGB 228 234 168

HSL 65.45, 0.61%, 0.79%

LAB 90.86, -12.33, 31.47

 

CMYK 2 / 0 / 22 / 11

HEX #DDE2B1

RGB 221 226 177

HSL 66.12, 0.46%, 0.79%

LAB 88.42, -9.68, 23.45

 

CMYK 1 / 0 / 14 / 15

HEX #D6D9BA

RGB 214 217 186

HSL 65.81, 0.29%, 0.79%

LAB 85.74, -6.29, 14.94

 

CMYK 0 / 17 / 40 / 1

HEX #FCD097

RGB 252 208 151

HSL 33.86, 0.94%, 0.79%

LAB 86.03, 8.05, 34.1

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 15 / 0 / 40 / 1

HEX #D7FC97

RGB 215 252 151

HSL 81.98, 0.94%, 0.79%

LAB 94.44, -27.93, 44.45

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC97

RGB 188 252 151

HSL 98.02, 0.94%, 0.79%

LAB 92.82, -37.43, 42.04

 

CMYK 7 / 0 / 71 / 2

HEX #E7F947

RGB 231 249 71

HSL 66.07, 0.94%, 0.63%

LAB 93.97, -26.88, 78.18

 

CMYK 6 / 0 / 56 / 2

HEX #EDFB6F

RGB 237 251 111

HSL 66, 0.95%, 0.71%

LAB 95.22, -23, 64.21

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC97

RGB 242 252 151

HSL 65.94, 0.94%, 0.79%

LAB 96.3, -17.91, 47.19

 

CMYK 2 / 0 / 25 / 1

HEX #F7FDBF

RGB 247 253 191

HSL 65.81, 0.94%, 0.87%

LAB 97.55, -11.72, 29.09

 

CMYK 1 / 0 / 9 / 0

HEX #FCFEE7

RGB 252 254 231

HSL 65.22, 0.92%, 0.95%

LAB 98.97, -4.53, 10.76

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC98

RGB 242 252 152

HSL 66, 0.94%, 0.79%

LAB 96.31, -17.81, 46.72

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 12 / 40 / 0 / 1

HEX #DE97FC

RGB 222 151 252

HSL 282.18, 0.94%, 0.79%

LAB 72.69, 43.67, -39.94

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC98

RGB 242 252 152

HSL 66, 0.94%, 0.79%

LAB 96.31, -17.81, 46.72

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 0 / 40 / 4 / 1

HEX #FC97F2

RGB 252 151 242

HSL 305.94, 0.94%, 0.79%

LAB 75.6, 50.69, -29.74

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC98

RGB 242 252 152

HSL 66, 0.94%, 0.79%

LAB 96.31, -17.81, 46.72

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 36 / 40 / 0 / 1

HEX #A197FC

RGB 161 151 252

HSL 245.94, 0.94%, 0.79%

LAB 67.08, 26.73, -49.14

 

CMYK 0 / 40 / 12 / 1

HEX #FC97DE

RGB 252 151 222

HSL 317.82, 0.94%, 0.79%

LAB 74.89, 47.38, -19.92

 

CMYK 4 / 0 / 40 / 1

HEX #F2FC98

RGB 242 252 152

HSL 66, 0.94%, 0.79%

LAB 96.31, -17.81, 46.72

 

CMYK 40 / 0 / 16 / 1

HEX #97FCD4

RGB 151 252 212

HSL 156.24, 0.94%, 0.79%

LAB 92.11, -38.38, 9.94

 

CMYK 36 / 40 / 0 / 1

HEX #A197FC

RGB 161 151 252

HSL 245.94, 0.94%, 0.79%

LAB 67.08, 26.73, -49.14

 

CMYK 0 / 40 / 24 / 1

HEX #FC97BF

RGB 252 151 191

HSL 336.24, 0.94%, 0.79%

LAB 73.93, 42.76, -4.32

 

Description

Color code: RGBA 242 252 152 0.75 | qconv.com Color code: RGBA 242 252 152 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 252 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 252 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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